Four Eyed Monsters
Advertisement

Monty Python and the Holy Grail
  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • Rate this movie.

Buy it now on DVD
Starting at $14.70
trailerWatch trailer

Rent it, watch it, find it

Advertisement

From its opening multi-language titles (that sure looks like Swedish) to the closing arrest of the entire Dark Ages cast by modern-day bobbies, Monty Python and the Holy Grail helped to define "irreverence" and became an instant cult classic. This time the Pythonites savage the legend of King Arthur, juxtaposing some excellently selected exterior locations with an unending stream of anachronistic one-liners, non sequiturs, and slapstick set pieces. The Knights of the Round Table set off in search of the Holy Grail on foot, as their lackeys make clippety-clop sounds with coconut shells. A plague-ridden community, ringing with the cry of "bring out your dead," offers its hale and hearty citizens to the body piles. A wedding of convenience is attacked by Arthur's minions while the pasty-faced groom continually attempts to burst into song. The good guys are nearly thwarted by the dreaded, tree-shaped "Knights Who Say Ni!" A feisty enemy warrior, bloodily shorn of his arms and legs in the thick of battle, threatens to bite off his opponent's kneecap. A French military officer shouts such taunts as "I fart in your general direction" and "I wave my private parts at your aunties." Rabbits are a particular obsession of the writers this time around, ranging from the huge Trojan Rabbit to the "killer bunny" that decapitates one of the knights. Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin collaborated on the script and assumed most of the onscreen roles, while Gilliam and Jones served as co-directors. ~ Hal Erickson, All Movie Guide
[more]

Reviews and discussions

Write a review

pippin06pippin06 Re: AFI's 100 Funniest - Comedy ...
by pippin06 in It's a Wonderful Night for Oscar!
loved it.
"Oh yes, you're certainly right. I forgot about the American part. Though, there's lots of examples of when they bent those rules to include some films with American filmmakers or simply produced by American studios (such as Lawrence of Arabia). But I guess Monty Python doesn't qualify, even with bendy rules - which is good. Though Terry Gilliam is an American, and he was a co-director....but that's probably too bendy. I actually like Annie Hall. It makes me laugh more than any other Woody Allen film that I've seen, anyway. But I would look at that film being more of a comedy drama. As I would the Graduate (I didn't laugh at that film either!). So it seems the AFI didn't restrict their list exclusively to straight comedies. I think I want to be come a member, just to see how these films get chosen. [/quote] I guess there's just quite a mix on the list of movies for people with different senses of humor. [/quote] And that's what begs the topical questions. How do you rank ... " [More]
RisseladaRisselada Re: AFI's 100 Funniest - Comedy ...
by Risselada in It's a Wonderful Night for Oscar!
loved it.
"[quote user="pippin06"] I thought I'd revive this discussion, even though I am the only one who seems to have been having it. I just watched Some Like It Hot again (for the second time), and I'm still baffled as to why this gets top honors on AFI's Funniest List when it fails to make me laugh. I sort of chuckle at Jack Lemmon, but it's not the roll-on-the-ground-clutching-y our-sides-type-funny you would expect it to be for such a high ranking, at least not to me (but I know I'm not the only one who feels this way). Which makes me wonder if I've even got it right. Is my sense of humor out of wack? Or do I not appreciate the finest sensibilities of art versus comedy? Can't comedy be an art form? If comedy can be artsy, does the artsy quality detract from the funny? What's the perfect balance? And is there a film that strikes it - and if that film is Some Like It Hot, let's talk about why. [/quote] I saw Some Like It Hot not too long ago as well, and was quite disappointed k ... " [More]
pippin06pippin06 Re: AFI's 100 Funniest - Comedy ...
by pippin06 in It's a Wonderful Night for Oscar!
loved it.
"I thought I'd revive this discussion, even though I am the only one who seems to have been having it. I just watched Some Like It Hot again (for the second time), and I'm still baffled as to why this gets top honors on AFI's Funniest List when it fails to make me laugh. I sort of chuckle at Jack Lemmon, but it's not the roll-on-the-ground-clutching-y our-sides-type-funny you would expect it to be for such a high ranking, at least not to me (but I know I'm not the only one who feels this way). Which makes me wonder if I've even got it right. Is my sense of humor out of wack? Or do I not appreciate the finest sensibilities of art versus comedy? Can't comedy be an art form? If comedy can be artsy, does the artsy quality detract from the funny? What's the perfect balance? And is there a film that strikes it - and if that film is Some Like It Hot, let's talk about why. A SpoutBlogger raised a similar question here:http://www.spout.com/blog s/spoutblog/archive/2008/1/3/2 3470.as ... " [More]
indieabby88indieabby88 Re:TOP 5 MOVIES TO TEACH AN ALI ...
by indieabby88 in Filmgaming
loved it.
"Well, I figure if an alien shows up on earth, they're going to want to converse with people. And in order to communicate with people these days, you're going to need to know movie quotes, especially if you're talking to somebody in the 18-to-35-year-old demographic. So, here goes: quotable movies you need to be familiar with to function in modern society: 1. Monty Python and the Holy Grail...Although they might like "Life of Brian" better. 2. Blazing Saddles-Get some classic Mel Brooks in there. 3. Fight Club-Do I really need to explain this one? 4. Knocked Up-Considering Judd Apatow is everywhere these days, and this is the movie that's been getting the most references of late. Also explains a lot about American culture: we're oversexed and enjoy jokes about pot and bodily functions. 5. It's a Wonderful Life-Shows the classic American "can-do" spirit the way only Capra can, it's watched by millions of people every Christmas and (at least in my family) it's just one of those movies ... " [More]
Dr_GorDr_Gor Re:Gore is where you find it...
by Dr_Gor in HORROR MOVIES 101
loved it.
"Thank you for linking those for me, June! You are very sweet and pretty too... Have I told you lately that I love you? (it's ok, Froggy doesn't mind.... she knows all about 'us') ... I will be listing some of the interesting ones from "vol. 2" very shortly.... Thanks Again! " [More]
divinemsjunebugdivinemsjunebug Re:Gore is where you find it...
by divinemsjunebug in HORROR MOVIES 101
liked it.
"That is really interesting, Gor. It is really amazing how desensatized (spelling) I am anymore, half of these movies I kept thinking - there isn't any gorey scenes in that movie, but when I started thinking about it, yes there are some pretty gorey scenes. " [More]
SpoutBlogSpoutBlog 10 Actors Who Changed Ethnicity ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"I keep forgetting that Mike Myers is not actually playing an Indian in The Love Guru, and yet I’m constantly reminded by the film’s commercials, which show that ridiculous shot of a little kid’s body with Myers’ giant head digitally superimposed onto it. Really, Myers’ character (Pitka) is a white American who is left on the doorstep of an Indian ashram when he’s a child. Then he’s raised as Indian, I guess (or simply Hindu, but then why the accent?). Apparently the character, Pitka, couldn’t simply look and talk like Myers. He had to have that silly accent and the clothes and the facial hair, despite the fact that Deepak Chopra, who partially inspired the character (and who appears in the movie), is able to wear jeans and be clean-shaven. Because who would believe Myers as an Indian guru with just the voice, the clothes and his baby face? Of course, Myers is not the first actor to wear or grow a beard and/or mustache in order to take on the guise of another ethnicity. Sure, it’s a ... " [More]
usesoapusesoap Is parody on life support?
by usesoap in usesoap Blog
loved it.
Was this review helpful? [Be the first to tell us!]
"Cinematic parody as it once was is dead. And after much searching and researching, I have found the murderer of this under-appreciated sub-genre of filmmaking. It’s Waldo. Oh sure, the bespectacled, striped-ski-cap-sporting little geek likes to appear anonymous, but I am positive he is to blame for the current slate of “Movie” movies: “Epic Movie,” ”Date Movie” and, most recently, “Superhero Movie.” If he’s not guilty, ask yourself this, why is he always hiding? You see, it is my assertion that the latest generation of filmgoers was weaned on Waldo in their youths. At an early age, they were trained to snoop and search page after page for the skinny little dweeb, and they approach these films much the same way. “Hey, there’s Borat!” “Oh, that’s a reference to ‘Pirates of the Caribbean.’” They do not concern themselves with narrative, character development, plot, rationalit ... " [More]
BigJeffLebowskiBigJeffLebowski "If you haven't seen it, please ...
by BigJeffLebowski in BigJeffLebowski Blog
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
""If you haven't seen it, please do."-Richard Dawkins, parenthetically discussing Monty Python's The Meaning of Life in his book The God Delusion. If Monty Python's The Meaning of Life is remembered less fondly than their earlier classics Monty Python and the Holy Grail and The Life of Brian, this is not to say that the film has fewer laughs or that the point of Monty Python's satire has in any way been blunted. Granted, the humor is arguably the Pythons' most vulgar and can at times come across as crude. But watching The Meaning of Life a quarter of a century after its release, what remains shocking is not the wealth of projectile vomit, naked breasts, or children singing about sperm; what continues to alienate and to offend is the film's surprisingly direct attack on what it considers a terribly misguided society. And the worst offender? Christian ideology and rhetoric.The Pythons -- Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry ... " [More]
UshiMuUshiMu oh my god.
by UshiMu in UshiMu Blog
loved it.
Was this review helpful? [Be the first to tell us!]
"This was the third time I was viewing this movie (I was with Jaryd, and it was his first time,) I have always found it very creative, and quite funny- but I didnt get nearly as much a kick out of it as Jaryd did- he was laughing so hard, and constantly was exclaiming "WHAT!?" through most of the film.the ending is the best part- its so ridiculous... he couldnt get over it.it was great. " [More]
[More reviews]
Review by All Movie Guide
All Movie Guide
loved it.
The first feature-length film from Monty Python, the quintet of physically and verbally gymnastic British sketch comics, is not only widely considered their funniest, but one of the funniest films ever committed to celluloid. Known for abruptly ending TV skits mid-stream with the segue "And now for something completely different" -- due both to their distaste for writing endings and their ADD giddiness to move onward -- the troupe finds uncharacteristic continuity here, examining one fertile topic from each of its absurd angles. Yet the movie is still comprised of distinct segments, any of which could serve as a favorite for fans who want to recite the choicest dialogue and make converts of the uninitiated. But for five minutes of sheer uncontrollable hysterics, one need only watch the scene in which Graham Chapman steadily lops the limbs from a foolishly determined knight, who continues issuing taunts even after he's been totally neutralized. Irritated more than threatened, Chapman's King Arthur keeps hacking at the prating cripple just to shut him up -- it's the only sane reaction in this ridiculous world full of delusional windbags. Chapman is a wonderful constant as the frustrated straight man, and his colleagues lob one demented set piece after another "in his general direction." The temptation is to enumerate these clever interludes, but a catapulted cow really needs to be seen to be appreciated. The only time Monty Python and the Holy Grail stumbles is at its sudden ending, a cop-out that's pure Python. Or maybe it's just that any end to such enlightened joke slinging is cause for lament. ~ Derek Armstrong, All Movie Guide
 



Community ratings

mavens
Spout mavens
liked it.
most people
Most people
liked it.

Other opinions

pippin06
pippin06
loved it.
Risselada
Risselada
loved it.
chesterfilms
chesterfilms
loved it.
RuggedAngel
RuggedAngel
is not interested.
gigglynell
gigglynell
is not interested.
jmoss68
jmoss68
is not interested.