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Sahara
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Directed by Breck Eisner.
Matthew McConaughey stars as explorer and adventurer Dirk Pitt in this adaptation of the best-selling novel by Clive Cussler. Pitt thinks he may have found both a fortune and the answer to a long-standing mystery when he discovers a rare coin in the waters of a river in West Africa. During the Civil War, an ironclad battleship with a valuable cargo went missing, and Pitt's theory is that the coin places the ship somewhere in the Sahara Desert. Pitt and his goofy sidekick, Al Giordino (Steve Zahn), set out to find it, but along the way they make the acquaintance of Dr. Eva Rojas (Penélope Cruz), a scientist and physician who is trying to determine the source of a strange and deadly disease sweeping the nation. As Eva joins Dirk and Al, they begin to wonder if the mysteries they're trying to uncover might be somehow linked. Sahara was only the second of Cussler's Dirk Pitt adventures to be adapted for the screen; the first, 1980's Raise the Titanic, was publicly dismissed by the author. ~ Mark Deming, All Movie Guide
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SpoutBlogSpoutBlog Hollywood bleeds red ink
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"So have you read the recent LA Times article about films budgets? ($78 million of red ink?) You may have at least heard about it, because this article has been linked to lots of snarky commentary on the outrageous amount spent on dying Matthew McConaughey's hair. And I will admit, that's pretty funny. Getting past that, though, this article is really a rare peak into the world of gigantic budget Hollywood productions that are "developed" from existing "properties" (in the case of Sahara, a series of books). Some pretty amazing accounting gymnastics take place along the way. Here are a couple of sections from the article to give you an idea of what I'm talking about: - Sahara, an action-adventure based on the bestselling novel by Clive Cussler, has lost about $105 million to date, according to a finance executive assigned to the movie. But records show the film losing $78.3 million based on Hollywood accounting methods that count projected revenue ($202.9 million in this case) ove ... " [More]
gotheregothere The beginning might save Sahara ...
by gothere in You should go there
lost interest.
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"I've seen the better part (that is, most of) Sahara twice now since it's been on cable, and I didn't like it either time. Okay, I haven't actually seen the beginning, but I doubt if that would save it. I saw it a second time, sort of, because my wife wanted to see it wasn't with me the first time. It didn't get any better.This film seems to thrive on two ideas – the first, that Matthew McConaughey is as manly as everyone (at least People magazine) wants him to be, is almost less annoying than the second, that these characters might actually gel with popular culture. That the film might quickly evolve into the first of a beloved series. Move over, Indiana Jones! The action is exciting, but the lame attempts at catch phrases by sidekick Steve Zahn. Penélope Cruz is always a delight, but this film is beneath her. It's a tired plot filled with tired characters, and even the fast action can't save this one. " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
Much of Sahara plays out in such a breezy, entertaining manner that you feel guilty for ragging on it, even if it misses its marks repeatedly through the film. Heavily mining the Indiana Jones School of Adventure Filmmaking, first-time director Breck Eisner (yes, the son of the Mouse House power player Michael Eisner) paints a pretty picture of exotic locales and thrilling sequences but never quite gets the magic to work with his cast. The banter between Matthew McConaughey and Steve Zahn doesn't click in a satisfying way, while Penélope Cruz fails to light the romantic spark of the flick no matter how hard she tries. McConaughey has the stuff to make a fine hero, but his Dirk Pitt needs more definition in both his charm and heroics. With four writers attached to the screenplay, it's obvious that the adaptation of Clive Cussler's novel went through more than its share of Hollywood potholes throughout the production. Still, with little digital trickery to sour its traditional aesthetics, Sahara does prove to be a competent cut of entertainment that's safe for the masses to buy into. ~ Jeremy Wheeler, All Movie Guide
 



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Jbecher
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