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21 Grams
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Mexican filmmaker Alejandro González Iñárritu makes his first English-language feature with the downbeat drama 21 Grams. Set in an unnamed U.S. urban center, the film uses a nonlinear structure to piece together the intertwined lives of three very different people. Paul (Sean Penn) is a math teacher with a heart problem and a troubled marriage to British wife Mary (Charlotte Gainsbourg). Christine (Naomi Watts) is a former drug addict who lives with her husband, Michael (Danny Huston), and her daughters. Jack (Benicio Del Toro) is a born-again Christian with a wife (Melissa Leo) who has stood by him since his days as a criminal. Following a tragic accident, the three main characters are thrown into each other's lives. 21 Grams was shown in competition at the 2003 Venice International Film Festival. ~ Andrea LeVasseur, All Movie Guide
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chrismorrellchrismorrell Re:The idea of female hysteria ...
by chrismorrell in Female Hysteria
liked it.
"Black and White images of Barbara Stanwick ,Joan Crawford and Bette Davis ,screaming,with mascara running down ... The current top hysteria gal,must surely be Naomi Watts.(my all time fave).she does runny-nosed crying soo well..."Mulholland Drive" spoilt me for movie watching for ages,has anyone ever ,before or since given such a gut-wrenching total,turning inside out performance?.. "21 grams" gave her another grief- stricken sob of a workout. Even in her "bad" films,(like"Ring" and "Funny Games" )we know we are getting some masterly screaming etc... Thinking back...check out all that screaming at the start of "Kiss Me Deadly",courtesy of Cloris Leachman ,totally ace..ah,then what about Madeliene Khan in High Anxiety?..back to David Lynch,and wigg-out duties are taken up by Laura Dern in "inland Empire" parts of which i worry about seeing again... A definite Queen of the Hysterics is Carmen Maura (more recently found hiding from Penelope cruz in "Volver",along with the other To ... " [More]
billymcbriebillymcbrie Re: Telling A Story Backwards
by billymcbrie in PulpFiction1975
hasn't rated it.
""How long do you think it would take you to do the same thing for 21 Grams?" Toooooo long. I have a job now anyway ;) " [More]
RisseladaRisselada Re: Telling A Story Backwards
by Risselada in PulpFiction1975
loved it.
"How long do you think it would take you to do the same thing for 21 Grams? " [More]
RisseladaRisselada Re: 2nd revision
by Risselada in Totally Over-rated
loved it.
"I agree pretty much with what you said Blakngold. I cannot comment on Babel however because I haven't seen it yet. I did like that director's Amores Perros and 21 Grams very much though. I'll have to see if the characters in Babel seem as real to me as they did in those other movies. " [More]
RisseladaRisselada Re: Telling A Story Backwards
by Risselada in PulpFiction1975
loved it.
"The most extreme example of non-linear structure I've seen is probably 21 Grams. I consideration of how cut up and rearranged the timeline is, it's pretty amazing how well it flows and reveals different parts of the timeline in the most effective way. Another recent film that I have heard uses the non-linear story telling technique quite well is Irreversible. I hope to be able to see this pretty soon because it sounds amazing. I did a search on IMDB for keywords that might relate. There is one called "Nonlinear Timeline". The earliest movie that has this tag associated with it is actually Un chien andalou in 1929. But since this film doesn't really have a coherent narrative, I'm not sure if it's really applicable to call it storytelling in the same sense that I think we are referring to. The next earliest film to have this tag is The Big Clock in 1948 which I've actually heard is among the best film noirs ever made. Now I'm even more excited to see it. There's also a catego ... " [More]
Review by All Movie Guide
All Movie Guide
liked it.
Thanks to strong acting and a solid screenplay, 21 Grams is intellectually and emotionally compelling, even as the editing style hinders it from being as engaging as it could be. Guillermo Arriaga's script for Alejandro González Iñárritu's 21 Grams was written chronologically, but with the knowledge that the story line would be fractured in the editing room. There are no bad scenes in the film. The actors all bring a gravitas to the material that grounds the film in what feels like truth, if not necessarily reality. Benicio Del Toro uses his expressive physical presence to reveal his character's inner conflict, effectively communicating a variety of inner states with little more than his posture. While Naomi Watts' character suffers the most in the film, she expresses an inner strength even in her most defeated moments that keeps the character compelling. Although she endures the most horrible life events, she is the one that seems most able to survive. She never loses control, she simply is so worn down that she begins to make bad decisions. Sean Penn is saddled with the most difficult role of the three, as his character is little more than a plot device. His survivor's guilt drives the story forward, but there are so many other actions for which the man should feel guilty that the character loses a three-dimensionality that the other two possess. Despite its fractured narrative, 21 Grams is at heart an old-fashioned melodrama. By aggressively chopping up the order that the events in the film are presented to the audience, Iñárritu sacrifices letting the three main characters' emotional arcs affect the viewer. However, the style does succeed in keeping the audience in the moment of each of the scenes, something that might be difficult for an audience member if he or she were feeling overwhelmed by the many tragic events that precede any given scene. Iñárritu may enjoy telling a story in this way, but he does not allow his audience to feel the full weight of 21 Grams. ~ Perry Seibert, All Movie Guide
 



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