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Funny Ha Ha
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Directed by Andrew Bujalski.
American independent filmmaker Andrew Bujalski makes his feature debut as a writer/director with the microbudgeted Funny Ha Ha. Shot on-location in Boston on 16 mm film, the movie is predominately cast with unprofessional actors engaging in realistic discourse. Main character Marnie is played by first-time actress Kate Dollenmayer, a student at CalArts who previously worked on Richard Linklater's Waking Life. Marnie goes about her everyday life with a conflicted love for her friend Alex (Christian Rudder) and a dispassionate attitude toward her job as a temp office worker. While at work she meets the nervous Mitchell, played by the director. Funny Ha Ha was shown at the 2003 IFP Los Angeles Film Festival. ~ Andrea LeVasseur, All Movie Guide
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MovieBabeMovieBabe Funny Ha Ha - Sequins
by MovieBabe in MovieBabe Blog
hasn't rated it.
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"By Tricia Olszewski “Honest” is a word likely to be thrown around a lot regarding writer-director Andrew Bujalski’s debut, Funny Ha Ha. “Realistic” is another. As in, people in real life aren’t always articulate, and they’re not always interesting or put together, and they don’t always have a whole lot to do. Just like Bujalski’s characters. Man, it’s so honest. Yeah, but you know what? Sometimes—in fact, a whole lot of the time, if you’re lucky enough—people in real life are also well-spoken and charismatic and fun to be around. And therein lies the problem with Funny Ha Ha, a meandering drama about a meandering college grad and her dull friends. Sure, life right after college can be a drag. And certainly, adolescence can now extend well into one’s 20s, causing physical grown-ups to still make giant deals out of crushes and bust creamer containers in restaurants and yell out “Dorks!” ... " [More]
RisseladaRisselada Re: How things should work and ...
by Risselada in Realism and The Lack There Of
hasn't rated it.
"Have you ever heard of Andrew Bujalski? I haven't seen any of his movies, but I've heard they are very realistic in a certain way in regards to a certain culture. Two of his movies are Funny Ha Ha and Mutual Appreciation " [More]
SpoutBlogSpoutBlog Mumblecore
by SpoutBlog in SpoutBlog on spout.com
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"When is it time to demarcate a filmmaking "movement"? What if the filmmakers in this movement don't want to be grouped into any kind of movement at all? And what if the films in this movement revolve around the crisis of self-definition? Could it get any worse for one of its members than to have to talk about feeling self-conscious about being in a movement? An article in the Spring 2007 issue of Filmmaker Magazine begins by asking these very smart questions, which immediately intrigued me. The article, "What I Meant to Say," looks quite thoroughly at the independent film movement known by many as "mumblecore." There are several posts waiting to emerge from this article, so I hope Paul and some of the other guys will share their thoughts in the coming days. For now, just check out the article and take note of the collaboration aspect of this movement. The article generalizes these mumblecore films as "severely naturalistic portraits of the life and loves of artistic twentysomet ... " [More]
JaybrielJaybriel Funny Ha Ha: sort-of loved it
by Jaybriel in Jaybriel Blog
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"I sorta loved this film, but sorta thought it was awful. Which is probably the exact right response for a film that is all about indecision, paralysis, and the inability to deal. It's a far cry from Slacker, the granddaddy of all slacker-made, slacker-themed films, though. " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
Even with the homemade look and feel of a student film, Andrew Bujalski's Funny Ha Ha manages to be a fairly engaging romantic comedy despite its obviously low production values. Kate Dollenmayer makes a pleasant protagonist as Marnie, a twentysomething college graduate with a sincere smile and regular problems. Her cycle of drinking, eating, and working is a comfortable background for the main romantic plot. The rest of the unknown cast of nonactors stammer through their improvised dialogue, but at least the bad acting is low key. The off-the-cuff comic moments feel natural and the painfully awkward moments are lightly developed. For instance, when Marnie runs into Alex and his new wife at the grocery store, the nervous energy is all too familiar. Similarly, Mitchell's problematic courting of Marnie is full of the tense, talky banter of real life. Bujalski seems to have a knack for observing friendly meandering conversation while not deviating from the story too far. Other than the slow pace, lack of musical score, and abrupt ending, Funny Ha Ha is a smart and unassuming little independent film that doesn't insult its audience by trying to be anything else. ~ Andrea LeVasseur, All Movie Guide
 



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