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Bad Education
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Directed by Pedro Almodóvar.
Filmmaker Pedro Almodóvar takes a look at his own adolescence as well as confronting the issue of sexual misconduct in the Catholic Church in this stylish drama, which was chosen to open the 2004 Cannes Film Festival. Enrique Goded (Fele Martínez) is a Spanish filmmaker who is having trouble settling on a new project when he's approached by Ignacio Rodriguez (Gael García Bernal), who was his close friend when they were schoolboys. Goded, who fell in love for the first time with Rodriguez, barely recognizes the man as his former crush, but agrees to read the short story he's written. The tale turns out to be an semi-autobiographical account of their days in a Catholic boarding school, in which a cross-dressing night-club performer named Zahara (also played by Bernal) hooks up with a man named Enrique (Alberto Ferreiro), who turns out to have been his first lover when he was a student. Recalling their school days, Zahara tracks down Father Manolo (Daniel Giménez Cacho), one of his teachers from school with pedophilic tendencies, and threatens to expose the priest's attempts to seduce him and ruin his relationship with Enrique years ago. Goded decides to use the story as the basis for his next film, and Rodriguez, an out-of-work actor, makes it clear he's eager to play Zahara. However, Goded isn't certain if Rodriguez is the right actor for the role, or if he's even the man he claims to be; an angry conflict with Rodriguez leads Goded back to the real Ignacio's mother (Petra Martínez). ~ Mark Deming, All Movie Guide
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joem18bjoem18b Re: Unlikely Double Features
by joem18b in Double Feature
hasn't rated it.
"Porcupine, if you put up a pair like that, you need to splain it. My first guess is that you had to help out in a kindergarten class one time and it totally freaked you out? (But no. If you were comparing kindergarten children to predators, like I hoped, you would have put the movies in the opposite order. So I guess this is like Fistful of Dollars and Bronco Billy or Terminator and Junior.)In which case I offer Going My Way and Bad Education.Perspectives on war:Letters from Iwo Jima and We Were SoldiersPaths of Glory and JarheadTimes change:Max and Der Untergang (Downfall)Pan's Labyrinth and L'Auberge Espagnole " [More]
MovieBabeMovieBabe Bad Education - In Good Company
by MovieBabe in MovieBabe Blog
hasn't rated it.
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"By Tricia Olszewski Love, anger, joy, sorrow—none of these emotions can be found in Bad Education. In this chilly film noir, the usual Pedro Almodóvar trifecta of passion-grief-hysteria—r endered, of course, with Benjamin Moore brightness—is nowhere to be found. Yes, there’s frequent talk of love in this story of priestly pedophilia and prepubescent gay crushes, but none of it is ever brought to life. Also missing are Almodóvar’s women, though given that the Spanish auteur’s last masterpiece, Talk to Her, was also driven by male characters, this probably isn’t the source of the problem. More likely, Almodóvar just got so caught up orchestrating his refracted plot that he forgot to make the people involved in it all that human. Or maybe he was too busy trying to fit in one more reference to a certain cameo-loving American auteur. In any case, thank God his star is so magnetic: Gael García Bernal, last seen port ... " [More]
jlgdrdjlgdrd Strange Flowers: Proteus
by jlgdrd in Wicked Fun
hasn't rated it.
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"Proteus is an historical drama, shot directly on video in the style of many past PBS specials, more comparable in experience to theatre than film. In the wrong hands stiff and self-conscious, in the right ones understated and dynamic. Filmmakers John Greyson and Jack Lewis have found in actual records of incidents emerging from Robben Island, a penal colony of Cape Town, South Africa, intriguing metaphors (or barometers) for the politics of masculinity that suffused Amsterdam and South Africa in 1725. What makes Proteus ingenious, is how easily it applies to contemporary culture. Like To Kill a Mockingbird, it says more about the community than the accused. Informs by the questions it raises in the audience’s minds. Questions the characters never ask. A possible theme of Proteus might be grotesque consequences of the unspoken: particular acts that are untranslatable in Christian society. Professions of love that even the subtitles refuse to transmit in English.Proteus opens w ... " [More]
SpoutBlogSpoutBlog New ratings are not yet rated
by SpoutBlog in SpoutBlog on spout.com
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"Our regular guest writer, Dodd (moviedodd at spout.com), tells us what's the latest in movie rating news, and shares his mixed feelings about the proposed changes. Dodd is finishing up a Master's degree in Film Studies at Ohio University. Recently, there has been a lot of discussion about the current film rating system implemented by the Motion Picture Association of America (MPAA). Filmmakers have raised hell about it all on their own for the past few years, but now the documentary This Film Is Not Yet Rated has served as an expose on the selective standards of MPAA members. The film seems to have had an affect already. Since its release, MPAA head honcho Dan Glickman has admitted to the organization's vague guidelines for what sets an R picture apart from an NC-17 one, and that proper actions would be taken to fix that problem. It seems that Glickman was not just throwing words around for publicity purposes. According to a recent Variety article, Dan Glickman has announced th ... " [More]
Review by All Movie Guide
All Movie Guide
liked it.
It seems that with each passing film, Pedro Almodóvar's palette gets a little darker. Bad Education is his most somber film to date (with the possible exception of Live Flesh), a brooding drama about past demons returning to the present, about lost love, lost faith, and mistaken identity, all haunted by the strains of "Moon River" and an ancient image of legendary Spanish singer-actress Sara Montiel. The film is filled with allusions to the past, to the repression and corruption of fascist Spain and a Catholic boarding school (like the one Almodóvar attended), but also to a cinematic past that is clearly just as crucial to the world view of Almodóvar and his tormented cast of characters. While Bad Education owes a tremendous debt to classic film noir, it's also an unquestionably personal work, beyond the simple fact that it's about a filmmaker, Enrique Goded (Fele Martínez) grappling with his influences, and with fiction's ultimate usefulness (and inadequacy) in dredging up the truths of the past. Almodóvar has always excelled at writing strong female characters, but he seems to be growing less interested in that kind of projection, as in his last film, Talk to Her, they were all comatose, and in this one they're nonexistent, unless you count the film's cross-dressing "femme fatale," seductively played by Gael García Bernal, and his uproarious sidekick, Paca (Javier Cámara). Almodóvar is an increasingly precise filmmaker, in terms of both image and sound, and this film, while rich and intricate, sacrifices some of the joyful spontaneity of his earlier work. It feels just a bit airless. ~ Josh Ralske, All Movie Guide
 



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