Four Eyed Monsters
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She's One of Us
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Directed by Siegrid Alnoy.
Christine Blanc (Sasha Andres) is a single woman working as a temp. She lies to co-workers, and her parents, telling them she lives with her boyfriend. She's socially awkward, and spends hours wandering the misty outskirts of town or sitting at the mall alone, observing people. She tries to talk to people, but she tries too hard, and they are put off. Uncertain of what to say to people, she uses snatches from conversations she's overheard. She's drawn to her boss at the employment agency, Patricia (Catherine Mouchet), and when Patricia has a fight with her boyfriend, Christine seizes the opportunity and invites her to dinner. Despite a few awkward moments, mostly caused by Christine's desperation to please, the dinner goes reasonably well. A surprising turn of events soon changes the course of Christine's life. Before long, she's gotten her driver's license, co-workers are inviting her out for drinks, she starts dating Eric (Eric Caravaca), and she is offered a permanent position at her job. But life isn't perfect. There are a couple of co-workers who pester her, and the police are soon questioning her about the death of an acquaintance. Degas (Carlo Brandt), an inspector, seems particularly interested in the case. Or is he interested in her? Elle Est des Nôtres marks the feature debut of director Siegrid Alnoy, who co-wrote the script with Jérôme Beaujour (A Single Girl) and François Favrat (Seaside). The film won a FIPRESCI Prize at the 2003 Stockholm Film Festival and a Special Mention at the 2003 Thessaloniki Film Festival. It was also shown at the Walter Reade Theater in New York as part of the Film Society of Lincoln Center's Rendez-Vous With French Cinema in 2004. ~ Josh Ralske, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Elle Est des Nôtres is a fascinating, if opaque, feature debut from director Siegrid Alnoy. While the story doesn't have a satisfying resolution, the film is psychologically acute, refreshingly unpredictable, and visually splendid. Alnoy and cinematographer Christophe Pollock (In Praise of Love) capture the isolation of the film's lead character, Christine Blanc (Sasha Andres), in inventively cinematic fashion. For example, in one shot, as Christine waits at a bus stop, Pollock shoots her through the foggy glass of the kiosk so that she's in soft focus, while the people standing behind her are amorphous gray blobs. The disjunctive, elliptical editing by Benoît Quinon adds to the feeling of psychological disconnection. The palette is cold and the compositions are distancing, occasionally cutting characters' heads off, frequently separating them within the frame with windowpanes and the like, and presenting scenes in long, high-angle shots. But with its pointedly exaggerated evocation of the social awkwardness of the workplace, and with Andres' rock-solid physical and emotional presence, the film manages to be moving and often funny. While it contains elements of both, Elle Est des Nôtres will frustrate viewers expecting either a smart workplace comedy or a typically slow-moving, intelligent French thriller. But, while it doesn't go to any of the expected places, and occasionally crosses the line between ambiguous and confusing, it's a remarkably engaging film. ~ Josh Ralske, All Movie Guide
 



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