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Elizabethtown
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Directed by Cameron Crowe.
A young man in need of a fresh start gets one under highly unexpected circumstances in this emotionally resonant comedy drama from writer and director Cameron Crowe. Drew Baylor (Orlando Bloom) is considered the big success story in his family, having moved away from the small Kentucky town where he was born to California, where he works as a designer for Mercury, the nation's biggest athletic shoe company. But success has begun to elude Drew -- his most recent design was a resounding flop that has cost him his job, and his girlfriend, Ellen (Jessica Biel), has given him his walking papers. Drew is contemplating suicide when he gets word that his father has died, and that he's needed back home in Elizabethtown, KY, to help organize the funeral. With his mother, Hollie (Susan Sarandon), deep in denial about her husband's passing, Drew comes home to discover no one knows about his recent poor fortune, and he's greeted like a conquering hero. As Drew reconnects with his family and helps his sister, Heather (Judy Greer), look after Hollie, Drew gets a new lease on life and is reminded about what's really important to him. Helping him learn these valuable lessons is Claire Colburn (Kirsten Dunst), a pretty and optimistic flight attendant Drew meets on his flight home who has her own philosophies about positive thinking and the curative powers of travel. Elizabethtown also stars Alec Baldwin, Paul Schneider, Bruce McGill, Loudon Wainwright III, and Paula Deen. ~ Mark Deming, All Movie Guide
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JJ79JJ79 Elizabethtown (2005)
by JJ79 in JJ79 Blog
hasn't rated it.
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"Released: October 14, 2005Director: Cameron Crowe*****Ravaged by the critics when it premiered, Elizabethtown is more in love with the music which accents the storyline than either of the main characters. Perhaps that's not surprising, coming from the director of a movie about music-Almost Famous-but in any movie, a soundtrack should highlight the people on screen, not overshadow them.When Drew Taylor's (Orlando Bloom) father dies, he must travel from his home in Oregon-where he used to be a high powered shoe designer-to the south, where relatives he hasn't seen in years all have their own ideas about the funeral. He meets a stewardess (Kirsten Dunst) on the plane and forms an unlikely friendship with her. At about the halfway point of the film, the relationship between Drew and his extended family is shunted aside in favor of blonde Claire, whom he has nothing in common with and should have forgotten the minute he stepped off the plane. She has this annoying quality like the p ... " [More]
WindbreakerWindbreaker SWEENEY TODD (2007)
by Windbreaker in Windbreaker!
liked it.
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"Remember a few years back when you got goosebumps after learning the great Cameron Crowe was creating a character-driven family drama inspired (as usual) by events and people close to him, and filmed near his hometown no less? Remember that? Then you watched Elizabethtown in the theater and said "ummm... I liked it okay". Tim Burton's Sweeney Todd brings far worse feelings. It's not his original material, so I can't blame him -- as usual the direction, Johnny Depp, and Helena Bonham Carter are awesome. The story just isn't fit for the big screen. I'd enjoy it on stage performed by a college drama department. Or in the pages of a short story. But not as a feature film. Avoid it. " [More]
mercurialmercurial Elizabethtown
by mercurial in Once Again
loved it.
"I still get into heated arguments over my love of this film. For many of the reasons people dislike Elizabethtown I too found myself distracted by them after intially watching it in the theater. I remember eagerly anticipating it after loving the trailer for it and Almost Famous being a film that I instantly fell in love with. Unfortunately when I saw it I couldn't help but go "Eh . . ." The soundtrack was amazing, the cast was great, but somewhere halfway through when the nature of the film does a U-turn and becomes a completely different film, I got distracted. I started ripping to shreds the acting and bemoaning the dialogue as trite and beleagured. It seemed like the film lost itself. Strangely, I didn't really want to see it again. Lucky for me I did and everything was in its right place. " [More]
pratchettfanpratchettfan Entertaining but not Amélie
by pratchettfan in pratchettfan Blog
is neutral about it.
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"This movie was recommended to me because I'm a huge fan of Amélie. And so I was expecting a sweet and funny romantic comedy. Unfortunately, Elizabethtown couldn't live up to these high expectations. Nevertheless, it is an entertaining movie with a hilarious road-trip at the end, but overall there are too many scenes that just drag along. If you like Orlando Bloom and Kirsten Dunst you might get a kick out of it, for me, I will stick with Amélie for the times I need a dose of sweet romance :). " [More]
smoothjazzandmoresmoothjazzandmore Didn't quite work for me!
by smoothjazzandmore in smoothjazzandmore Blog
lost interest.
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"Director Cameron Crowe, who successfuly did other films in the same formula (Almost Famous, Jerry McGuire) doesn't gel the same magic in this one. This film had potential. The cast was top knotch and entertaining. But, while I thought the musical soundtrack blended exceptionally well with the film, overall, I was left wondering, "why should I care about it?" Possibly the two hour run time may have worked against it. Didn't quite work for me! " [More]
pippin06pippin06 Not Crowe's Best
by pippin06 in Reel Thoughts
lost interest.
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"A movie with dreamy Orlando Bloom, perky Kirsten Dunst, venerable Susan Sarandon, and king of romance spinning yarns set to great music director Camerown Crowe? How can this go wrong? I borrowed it from my co-worker again. She's got a library of everything. I had medium to high hopes for this movie, but it ended up falling short for me on many levels. First of all, dreamy Orlando (this is what I call him all the time) should work harder on his American accent. And Kirsten Dunst should work harder on her Kentuckian accent. Those are small gripes. The bottom line is that this plot, when it actually manages to connect in places, has been done before, including by Crowe himself. Did Cameron mean for this to flow like a zigzag stream of consciousness because that's what it felt like. Orlando plays Drew, a colossal failure in shoe design, he just finds out, who loses his job. He also loses his father, a man he barely knew thanks to his high hopes for success. The movie firs ... " [More]
grenadinegrenadine Where's the Plot?
by grenadine in grenadine Blog
hasn't rated it.
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"I recently rented Elizabethtown and I had high hopes. I love Cameron Crowe. Almost Famous, Singles and Say Anything are favorites of mine. I hate Jerry McGuire (so ingratiating, ugh) and I never saw Vanilla Sky (maybe because of Tom Cruise), but more often than not, I enjoy the introspective, conversational and uplifting spirit of Mr. Crowe’s films. However, Elizabethtown proves that you can have too much of a good thing. There’s a lot of conversation in the film, most of the action between the two main characters occurs over the phone. And yes, there’s a lot of introspection that happens when you fail, as massively as Orlando’s character does. And it’s quite uplifting to meet someone new to love (and how can you not fall in love with Kirsten Dunst in a cute, red hat?), but all of this without a plot is a mishmash of carelessness. You, as a member of the audience don’t care about these hip, attractive people. The whole set up of the movie is flawed, starting with the miscasting o ... " [More]
Review by All Movie Guide
All Movie Guide
lost interest.
Near the end of Elizabethtown, Claire Colburn (Kirsten Dunst) tells the lead character, Drew Baylor (Orlando Bloom), that he must go deep into the "beautiful melancholy" of everything that has happened to him. That pretty much sums up director Cameron Crowe's modus operandi for the movie. While Crowe would certainly describe the film as whimsical, the word Drew uses to describe the look on his father's face the first time he sees his dad's corpse, the truth is that the film is unfocused. Containing elements of a corporate satire, a romantic comedy, an affectionate look at an eccentric southern family, and a warm-hearted lesson about living through tough times, Elizabethtown fails to make any of these elements cohere. Orlando Bloom gives a one-note performance, but he is playing a one-note character who spends the whole film in a listless suicidal funk doing little more than waiting to cry. He offers nothing that compels an audience to pay attention to him, so the average viewer will begin focusing on the edges of the film. Crowe obliges by stuffing the film with ancillary characters. Alec Baldwin, Judy Greer, Susan Sarandon, and Bruce McGill all have a scene or two that showcases their talent, but they are also each given moments so misconceived that they produce little more than head-scratching disbelief in the audience. Playing a character simply too good to be true, Dunst embodies her perfect, unselfish woman with just enough pain below the surface to make her interesting, even though she remains entirely unbelievable. Without her, the film would be close to unbearable. What makes this mess of a movie all the more fascinating is that Crowe's relentless bittersweet melancholy seems entirely heartfelt. He is not talking down to his audience, tricking them into feeling big emotions. Crowe's honesty and earnestness make it difficult to hate the film because he plainly believes the moral of his own story. However, he became so focused on sharing his feelings in each moment that he never saw the big picture. As a result, Elizabethtown is a mess of a movie that only a talented writer could create. ~ Perry Seibert, All Movie Guide
 



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