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The Stepford Wives
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Directed by Frank Oz.
Ira Levin's best-selling novel about a town where great wives aren't born but made gets a second screen adaptation in this darkly satirical comedy drama. Joanna Eberhart (Nicole Kidman) is a successful television executive until one day her career hits the glass ceiling and crashes to the ground. Looking to take some time off to start over, Joanna and her husband, Walter Kresby (Matthew Broderick), pull up stakes and move to the peaceful suburban community of Stepford. Walter takes to his new environment with real enthusiasm and joins the local men's organization, headed by one Mike Wellington. Joanna, on the other hand, finds that Stepford is just a bit too quiet and well-groomed for her taste, and is taken aback by the aggressively cheerful and servile attitude of Mike's wife, Claire (Glenn Close), and the other women of the community. A notable exception is Bobbi Markowitz (Bette Midler), a happily misanthropic writer who revels in her lack of enthusiasm for housework or exercise. Joanna and Bobbi become fast friends, but as they look closer at the all-too-perfect surfaces of Stepford and its female inhabitants, they slowly discover a terrible secret lurking beneath. Also featuring Faith Hill, Jon Lovitz, and Roger Bart, The Stepford Wives was previously adapted for the screen in 1975, with Katherine Ross in the lead; that version spawned three made-for-TV sequels. ~ Mark Deming, All Movie Guide
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robertsmorrobertsmor So confused
by robertsmor in robertsmor Blog
disliked it.
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"So...are they androids or are they humans with chips in their heads? The flick gives us both options but doesn't decide which to go with. Is this just sheer laziness on Oz's part or did he not realize the huge plot problem? Either way...Frank baby...quit smoking that Muppet fur! " [More]
Review by All Movie Guide
All Movie Guide
lost interest.
Whoever came up with the idea to remake The Stepford Wives as a satirical comedy had a superb moment of inspiration. Paul Rudnick fills his script with the kind of catty one-liners that he is best known for, and figures out how to put new spins on the old premise. The casting in the film is right on the money. Glenn Close embodies the spirit of Stepford with a regal insistence. Matthew Broderick consistently manages to find all three dimensions in a character that seems underwritten until the final act. Just as she did in To Die For, Nicole Kidman shows that she has a gift for a particular type of cold-hearted comedy. Roger Bart, as a very flamboyant gay man who has been brought to Stepford by his straight-laced Republican life partner, perfectly delivers all the bitchy, outrageous lines not already reserved by Bette Midler. The film falls apart when it abandons the comedy in favor of actual suspense. Somewhere in the middle of the film, Kidman is surrounded in her home by the men of Stepford, but the film's tone has been so light and inconsequential it can not muster the slightest bit of terror or suspense. Sadly, an arbitrary third-act twist (no viewer will guess who the real "deus ex machina" is) fails to wrap up the main story in an interesting way -- even as the story line about Kidman and Broderick's marriage comes to a satisfying conclusion. One gets the feeling that Rudnick got it right on the page, but that Frank Oz was unable to get that film on the screen. ~ Perry Seibert, All Movie Guide
 



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