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De-Lovely
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Directed by Irwin Winkler.
The public and private lives of famed songwriter Cole Porter are both explored in this musical drama, in which the aging Porter (played by Kevin Kline) looks back on his life while watching a rehearsal of a stage musical based on his story. As Porter compares notes on the play with director Gabe (Jonathan Pryce), he shares thoughts on his rise to fame in the mid-'20s, writing witty and sophisticated tunes for a string of successful Broadway musicals. Porter seemed to be living a charmed life when he met Linda Thomas (Ashley Judd), a beautiful American woman who, like Porter, was enjoying a sojourn in Paris following the collapse of her first marriage. Thomas is immediately taken with Porter, whose intelligence and charm is a welcome change after her brutal first husband, and the two discover they share a remarkable understanding of one another. Porter and Thomas marry, even though she's aware that her new husband is gay; Thomas is willing to forgive Porter's indiscretions with other men in favor of the emotional support he brings her. However, as the years wear on and the couple takes up residence in Hollywood as Porter begins writing tunes for motion pictures, Thomas finds Porter drifting away from her as his liaisons become more frequent and more serious. Then tragedy enters their life when Porter loses the use of his legs in a riding accident and Thomas is diagnosed with cancer. De-Lovely features a number of noted pop singers interpreting classic songs from Porter's catalog, including Diana Krall, Sheryl Crow, Alanis Morissette, Elvis Costello, Robbie Williams, Mick Hucknall, and others. ~ Mark Deming, All Movie Guide
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unemployedwaifunemployedwaif Queer Musicians + Film = ?
by unemployedwaif in Queer Cinema
hasn't rated it.
"The addition of our talented new member nathan503 got me to thinking about representations of queer musicians and how they are portrayed and/or their music is used in film.For me, at least what is coming to mind at this moment, are the glam rockers; specifically Todd Haynes' Velvet Goldmine and John Cameron Mitchell's Hedwig and the Angry Inch. Both films are written and directed by gay men about queer musicians and miraculously succeed at telling poignant, engaging stories that don't fall victim to the abundance of stereotypical cliches that so many others do.Within recent years, a number of films have begun to delve into the lives of rather famous musicians of the past whose queer sensibilities have only recently come to light. Irwin Winkler's De-Lovely which chronicles the life of Cole Porter, and Atom Egoyan's Where The Truth Lies. Unfortunately, due to the (homophobic) powers that be, the films tended to skim the surface of this aspect of their lives and ul ... " [More]
jlgdrdjlgdrd Irwin's Wee Winkler: De-Lovely
by jlgdrd in Wicked Fun
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"What can I tell you about De-Lovely, Irwin Winkler's musical biopic on the life of Cole Porter? It's disappointing, but not overwhelmingly so. It's engaging and more than pleasurable enough to warrant your time and the cost of a ticket. When it clicks, it's amazing. When it falters, the result isn't fatal. It takes a lot of risks, which more often than not succeed to great effect. There are times when the set pieces, acting, dialogue, lighting almost melt as the film combines it with Porter's wistful, ruminating music and you can feel the flood of emotion surpassing contextual detail. Borrowing from other films, such as Pennies from Heaven, A Chorus Line, and especially All That Jazz, De-Lovely's music spills over into reality. Performance as artifice is deconstructed. Kevin Kline (as Porter) and Ashley Judd (Porter's wife Linda) are inspired casting choices. Kline can seem self-absorbed without being dull. His desire to be liked makes us forget his compulsive need for attention. H ... " [More]
 



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