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The Polar Express
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Directed by Robert Zemeckis.
Starring Tom Hanks.
Directed by Robert Zemeckis and based on children's author Chris Van Allsburg's modern holiday classic of the same name, The Polar Express revolves around Billy (Hayden McFarland), who longs to believe in Santa Claus but finds it quite difficult to do so, what with his family's dogged insistence that all of it, from the North Pole, to the elves, to the man himself, is all just a myth. This all changes, however, on Christmas Eve, when a mysterious train visits Billy in the middle of the night, promising to take him and a group of other lucky children to the North Pole for a visit with Santa. The train's conductor (Tom Hanks) along with the other passengers help turn Billy's crisis in faith into a journey of self-discovery. A long-time fan of Van Allsburg's book, Hanks also helped produce the film. ~ Tracie Cooper, All Movie Guide
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CinemaRianCinemaRian The Polar Express (2004, USA, R ...
by CinemaRian in CinemaRian Blog
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"Oh, Roger. I don't know what was whirrling through your head as you raved about a sub-standard kids movie and said it was on the level of The Wizard of Oz and It's a Wonderful Life. I will concede that I might have liked this movie when I was seven or eight, but for anyone older than the age of about ten, the movie is a complete waste of time. I doubt that many kids would even like it. The movie is based on a classic children's book by Chris Van Alysburg, which I am sure was read to me at some point, but I barely remember. Needless to say, the story has been mightly expanded for a near-two hour movie. The film begins as an unammed boy (actully none of the charcters have names except for "Mr. C") falls asleep one Christmas when he is on the brink of not belieivng in Mr. C. The boy is then given a chance to travel on The Polar Express, which is like the Orient Express except that it goes to the North Pole. There are other kids on the train and a lot of them are annoying. They ... " [More]
SpoutBlogSpoutBlog Comic-con 2007: Beowulf
by SpoutBlog in SpoutBlog on spout.com
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"Co-writers Roger Avary and Neil Gaiman introduced a reel of fully-rendered footage from Robert Zemeckis’ Beowulf last night at Comic-con, and the reviews are rolling in. David Poland thinks it’s an Oscar contender: It is very easy to imagine, based on this small amount of footage, that Beowulf could be a huge smash that critics can actually get behind and that it could be a serious Academy player in the way Lord of the Rings was. Though this is not a trilogy, it seems ready to break even more ground in a real way. (The issue of acting nominations was something Avery & Gaiman considered out loud in the room tonight. With big names like Hopkins, Jolie, and Malkovich, one thinks they might actually turn that trick if all the pieces come together. The great Ray Winstone, who doesn’t look like himself, might have trouble on that basis alone.) IGN’s Todd Gilchrist says that although Beowulf relies on the same motion-capture process Zemeckis used for The Polar Express, the director seems ... " [More]
MovieBabeMovieBabe Bridget Jones: The Edge of Reas ...
by MovieBabe in MovieBabe Blog
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"By Tricia Olszewski At the beginning of Bridget Jones: The Edge of Reason, our chubby heroine gushes about her perfect relationship with her perfect boyfriend and declares with perfect confidence, “Bridget Jones is a love pariah no more!” Lucky for us, that doesn’t mean she’s no longer awkward, paranoid, or obsessive. To Bridget, happiness and heartache are equal causes for alarm, with romantic bliss being as potentially catastrophic as a pint of Chunky Monkey in the icebox. Based on Helen Fielding’s novel of the same name, this uneven sequel to Bridget Jones’s Diary kicks off with Bridget (Renée Zellweger) swooning over her six-week courtship with Mark Darcy (Colin Firth), the heavenly human-rights lawyer she started dating at the end of the first film. The 33-year-old Bridget is beginning a fresh diary for what she naturally expects to be a brilliant year, one in which her career in TV journalism takes off and “boyfriend” re ... " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
Even if it didn't boast state-of-the-art motion-capture effects, the holiday adventure The Polar Express would be a notable film for the way it patiently compiled an impressive box-office haul the old-fashioned way: gradually over time, thanks to strong word of mouth. That's a stark contrast to the usual harbinger of a film's success: the ritual, vigorous looting of moviegoers' pockets in one or two weekends, quickly, before anyone realizes the film stinks. Its slow build was probably due to a marketing campaign failure -- a blitz of television commercials that made the film's animation seem stodgy, dull, and flat. In fact, it's quite the opposite. Director Robert Zemeckis and his effects wizards faithfully render the distinctive style of illustrator and writer Chris Van Allsburg, the creator of the original children's picture book upon which the film is based, with magically arresting results. If The Polar Express flags a bit in the middle, it's due to the strain of stretching a very short story into a feature-length running time, but that's the only flaw in what is otherwise an instant holiday classic. Tom Hanks delivers a skillful performance in multiple roles (especially as the flinty conductor), and kids are sure to be swept up in the literal roller-coaster ride that the movie becomes. Though it's a polar opposite (pun intended) in tone, it is exciting to note that, just six months later, Sin City (2005) from director Robert Rodriguez represents a second notable effort to adhere as closely as possible to the creator's artistic vision and style, a remarkable and hopeful development in an era of cookie-cutter, corporate product. ~ Karl Williams, All Movie Guide
 



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