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Lost in Translation
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Directed by Sofia Coppola.
After making a striking directorial debut with her screen adaptation of The Virgin Suicides, Sofia Coppola offers a story of love and friendship blooming under unlikely circumstances in this comedy drama. Bob Harris (Bill Murray) is a well-known American actor whose career has gone into a tailspin; needing work, he takes a very large fee to appear in a commercial for Japanese whiskey to be shot in Tokyo. Feeling no small degree of culture shock in Japan, Bob spends most of his non-working hours at his hotel, where he meets Charlotte (Scarlett Johansson) at the bar. Twentysomething Charlotte is married to John (Giovanni Ribisi), a successful photographer who is in Tokyo on an assignment, leaving her to while away her time while he works. Beyond their shared bemusement and confusion with the sights and sounds of contemporary Tokyo, Bob and Charlotte share a similar dissatisfaction with their lives; the spark has gone out of Bob's marriage, and he's become disillusioned with his career. Meanwhile, Charlotte is puzzled with how much John has changed in their two years of marriage, while she's been unable to launch a creative career of her own. Bob and Charlotte become fast friends, and as they explore Tokyo, they begin to wonder if their sudden friendship might be growing into something more. ~ Mark Deming, All Movie Guide
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AlexaSchlosserAlexaSchlosser Re:TOP 5 MOVIES TO TEACH AN ALI ...
by AlexaSchlosser in Filmgaming
hasn't rated it.
"1. Love Actually -- Maybe not the most realistic representation of love on planet Earth, but the copious amount of varied stories on the theme might be helpful to an arriving alien. 2. Elf -- The story is pretty much an alien trying to fit into the real world. I think any non-Earthling could benefit from some of the tips Papa Elf imposes on Buddy, especially not to eat leftover gum. 3. Babel -- Very important Netflix fodder for an alien because it does not just showcase American cities and American problems, it is an Earth affair that tackles issues of communication, something an alien could easily relate to. 4. Lost in Translation -- A variation on the alien-in-a-new-land theme. Bill Murray gives a performance that maybe the most apathetic and sarcastic of aliens could get down with. Although I don't think that an alien is going to find its Scarlett Johannson counterpart quite as easily, or beautifully. 5. The Good Girl -- How do you know that this alien isn't going to visit a sma ... " [More]
KarinaKarina Bill Murray Divorces, Fulfills ...
by Karina in Karina on SpoutBlog
is neutral about it.
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"Bill Murray’s indie film career resurgence over the past decade, through which the sometime “funny man” has taken melancholic serio-comic roles in films like Rushmore, Lost in Translation and Broken Flowers, has been animated by a kind of communal, revisionist nostalgia. Filmmakers like Wes Anderson and Sofia Coppola were teenagers during Murray’s first brush with fame in the early 80s, which would have made them extremely susceptible to the prototypical Murray character of the day, which hit its zenith with Ghostbusters. Like Dr. Peter Venkman, many Murray characters seemed capable of doing anything, but usually chose to do nothing, and even when forced into action, they’d remain detached from the task at hand behind permanently rolled eyes. As Venkman was saving New York City from the Keymaster and the Gatekeeper and a possessed Stay Puft Marshmallow Man, he did it with whilst mumbling one-liners around the cigarette hanging out of his mouth, without any obvious attachment to th ... " [More]
SpoutBlogSpoutBlog Bill Murray Divorces, Fulfills ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"Bill Murray’s indie film career resurgence over the past decade, through which the sometime “funny man” has taken melancholic serio-comic roles in films like Rushmore, Lost in Translation and Broken Flowers, has been animated by a kind of communal, revisionist nostalgia. Filmmakers like Wes Anderson and Sofia Coppola were teenagers during Murray’s first brush with fame in the early 80s, which would have made them extremely susceptible to the prototypical Murray character of the day, which hit its zenith with Ghostbusters. Like Dr. Peter Venkman, many Murray characters seemed capable of doing anything, but usually chose to do nothing, and even when forced into action, they’d remain detached from the task at hand behind permanently rolled eyes. As Venkman was saving New York City from the Keymaster and the Gatekeeper and a possessed Stay Puft Marshmallow Man, he did it with whilst mumbling one-liners around the cigarette hanging out of his mouth, without any obvious attachment to th ... " [More]
tadivtadiv Re:Re:Re:Re:Re:Episode 15 and t ...
by tadiv in The Naked Lunch radio show
loved it.
"Ricky - The additional commentary I have about Paul Dano playing both Paul and Eli Sunday (and Anderson deciding to make those characters identical twins) has to do with the ambiguity caused my this casting choice.While driving home from There Will Be Blood, the friend who saw it with me said something like "Okay - so was it that Paul and Eli were the same person?" As it was that we stayed for most of the credits, my reply was that Paul Dano was credited with playing two characters - Paul and Eli Sunday. My friend was not convinced, but I argued that Paul mentioned his sisters and a brother to Daniel. My friend thought that could just have been Eli being clever - creating the expectation of Daniel finding a brother there... I told him that my guess was that Paul was a separate character who decided to take the opportunity to flee an abusive home life with enough cash to start life on his own. My friend thought maybe - or maybe it was Eli all along. This debate between my fri ... " [More]
tadivtadiv Re:Re:Episode 15 and the rave o ...
by tadiv in The Naked Lunch radio show
loved it.
"Ricky -- It's good to read that you don't give out spoilers on the radio show. I find that most of my best film experiences are when I know nothing, or as little as possible, before seeing the film. I'm not sure about your comment "This film is not for everyone. Mostly for ..." - this implies that I must not be a film student or film maker, or, in a broader stroke of the brush, somehow unable to appreciate film as a form of art. I'm not sure I want to make any more comment on that...Regarding your remarks that defend your liking of the film...- Anderson being more mature as a film maker and artist has little to do with the quality of the film - this is not a stab at the quality of the film, I'm just making the logical argument that maturity does not imply a great film will be made. I have not followed Anderson's career, but reviewing his filmography, I have to say that I loved Punch-Drunk Love. I hope that this is not too much of a surprise (I loved Los ... " [More]
NakedLunchRadioShowNakedLunchRadioShow Re:Episode 15 and the rave over ...
by NakedLunchRadioShow in The Naked Lunch radio show
liked it.
"Frist I would just like to say that we never give out any spoilers of any movies that are less than a year old. I am glad that you went back and listened to the show again after you saw the film. Now for your answer. As I mentioned in the show. This film is not for everyone. Mostly for film students and film makers. Also I said that it is a film that will only really be appreciated by future generations. Even the early films by Stanley Kubrick were only considered masterpieces a decade later. A few points of why I like the film so much .. - The film marks a major advance for Anderson who reveals increased maturity and artistic assurance with this film. - Dano’s performance is outstanding. His confidence in his character’s truth is breathtaking. -The original music by Jonny Greenwood is fantastic. - There are good performances, and great performances, and then there are performances that so extraordinary that you can’t look away. Like Brando in A Streetca ... " [More]
pippin06pippin06 Nothing Lost in this Film
by pippin06 in Reel Thoughts
loved it.
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"Ah, Netflix. And scene.Lost in Translation was the next film in queue. Again, I don't know why I missed it when it was released, and it was an Oscar film no less! I have wanted to see it for a long time, for reasons not the least of which include Bill Murray. I love this actor. He really has a wide range, of which people have only recently, relatively speaking, taken notice. Granted, he began his career as strictly a comedian, and his evolution as an actor has been just that, a meticulous and natural evolution, but arguably, hints of the depth of his acting ability were evident even in some of his earliest comedic performances.This movie blew me away. I have only one complaint about the whole thing - one. Other than that, I think it's a beautiful, searingly artistic film, and now I want to check out all of Sofia Coppola's other two films. She's got talent, that one.Bill plays Bob Harris, who finds himself in Tokyo. He's an actor past his prime who, nee ... " [More]
Go-ApeGo-Ape Sometimes you have to go halfwa ...
by Go-Ape in Go-Ape Blog
loved it.
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"This is such an amazing film. I am a huge fan of Bill Murray but this is easily his best role to date. Everything about this film is subtle and quiet and there is humour and style and I cannot even think of ways in which to explain just how good it really is. I have been to japan, I went to 5 locations that were used in this film just so that I knew that I'd been somewhere where such a fantastic film was made. The performances in this film are brilliant despite the fact that Murray and Johnasson apparently hated each other, and there seems to be such a chemistry that it is hard not to get completely drawn into the film and into thier lives. The film is also complimented by some beautiful visuals. Tokyo is a beautiful place and Coppola captures it at it's best. I haven't yet met a person who hasn't liked the film which is rare, although I am sure there are people out there who don't like it, but I loved it and I think that most people will. So I'd say ... " [More]
TenenbaumsTenenbaums Translation: Oscar Gold
by Tenenbaums in Tenenbaums Blog
loved it.
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"A review from the vaults! 1/7/04!!! I'm sticking by it: There are many great things that I can say about Lost In Translation, but I will keep it short. This is the most overall enjoyable film I have seen in years and maybe ever. A subtle smile appeared on my face from the first shot (not just because of the pink panties....) and steadily grew as I watched Bob and Charlotte's equally subtle relationship blossom. Sometimes less is more, and the sparse dialogue and restrained performances allow this picture to resonate with powerful emotion. Through facial expressions (most notably Bill Murray's eyes) and patches of lonely silence, the two leads become a part of the viewer and we lose ourselves in their kindred souls.The reinvention of Murray (which started in Rushmore, was polished in The Royal Tenenbaums and will be furthered in The Life Aquatic. Thank you Wes Anderson) is a marvel to watch and through Lost in Translation is worthy of the Best Actor Oscar. Scarlett Joh ... " [More]
SpoutBlogSpoutBlog The Super Awesome Adventure of ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Inspired the news that Bill Murray was stopped in Stockholm on suspicion of drunkenly driving a golf cart (yes, seriously), I just spent an hour on YouTube watching fan tributes to the former Ghostbuster. It’s amazing how many of these somehow involve Bill Murray successfully or unsuccessfully attempting to save the world. The clip above is my favorite–I just think it’s really funny that even with the Power Rangers egging him on, our hero just isn’t very good at flying–but there’s also this clip, in which Bill Murray “rebuilds the WTC in godlike miracle.” And really: on some level, isn’t Lost in Translation just a little girl’s fantasy of Bill Murray rescuing her from adulthood? Especially if you assign any merit to this interpretation of the final scene. Is the idea that Bill Murray will bail us out of catastrophe just ingrained in the collective consciousness of our generation? Has everybody really seen Ghostbusters as many times as I have? Or is it more of a Groundhog Day, “he’ ... " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
Sofia Coppola's Lost in Translation is a low-key but emotionally penetrating story that contains a multitude of feelings. Simultaneously delicate and assured, the film is about two people who find each other at the right time in their lives. Scarlett Johansson's confused and lonely Charlotte is smart enough to know that her marriage may be a mistake, but she is not emotionally equipped to know how to handle the problem. Her outstanding performance balances sadness, intelligence, vulnerability, and self-possession. Bill Murray gives the finest performance of his career as the actor who is, thanks to an emotionally stunted marriage and a sell-out career move, suffering from a mid-life crisis. Bob Harris could keep people at a distance with his comedic armor, much like Bill Murray, but he is at a phase in life where he is tired of acting that way. Murray delivers a disciplined, nuanced performance that deserves the highest forms of praise. Coppola herself shows that The Virgin Suicides was not beginner's luck. She frames Japan so that the audience feels how "foreign" it is for her two protagonists, while still showing great respect for the people and the culture even when her characters, in their more selfish moments, do not. With two films to her credit, Sofia Coppola has proven herself to be a master of tone and indirect characterization. The natures of the people in this film are revealed through behavior and through conversations that usually have very little to do with the plot. We get a glimpse of the depth of Charlotte's unhappiness in a phone call to a friend, and Bob's karaoke performance reveals his contained emotions for this young woman who has touched him in ways he believed were untouchable. Lost in Translation is a beautiful film. It is beautifully shot, but most importantly what passes between Bob and Charlotte is beautiful. Their time together will stay with each of them, and the viewer, for a very long time. ~ Perry Seibert, All Movie Guide
 



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