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The Ballad of the Sad Cafe
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Directed by Simon Callow.
This first film directorial effort of actor Simon Callow is based on a novel by Carson McCullers -- which, in turn, was adapted for the stage by Edward Albee in 1964. Vanessa Redgrave plays a powerful Southern matriarch who, sequestered in her café/general store, holds her home town in the palm of her hand. Redgrave's benevolent despotry is threatened by the arrival of her hunchbacked cousin, Cork Hubbert (in the role played on stage by dwarf actor Michael Dunn), and her jailbird husband Keith Carradine. Unable to remove this threat to her authority by her usual means, Redgrave is reduced to challenging Carradine to a bare-knuckle fight! Carson McCullers' fascination with the disintegration of the Old South coupled with her preoccupation with the grotesque requires delicate handling (as witness Heart Is a Lonely Hunter). Callow works overtime keeping things controlled and tasteful; unfortunately, this results in a very mannered and stilted production, all too obviously betraying its stage origins. ~ Hal Erickson, All Movie Guide
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jlgdrdjlgdrd Tears of a clown : The Embalmer
by jlgdrd in Wicked Fun
loved it.
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"The Embalmer is Matteo Garrone’s fable on love, desire, loneliness and despair. An achingly sad film about a love-triangle that culminates in tragedy. Peppino is a taxi-dermist who falls for Valerio ( Valerio Foglia Manzillo) from the moment their paths cross at the zoo. Peppino offers him a job as his assistant, with a considerable pay increase, and soon Valerio becomes his protege‘. Car trouble introduces the third principal, Deborah (Elisabetta Rocchetti) a receptionist for an auto mechanic. As she begins to take Valerio away from Peppino, the friction escalates. An awful feeling starts in the pit of your stomach that something terrible is going to happen, something ghastly and unavoidable. And, of course it does. Peppino (Ernesto Mahieux) is skilled, cunning, intelligent and charismatic. He is also diminutive. He is not an actual dwarf, but in comparison to the tall, attractive Valerio, he seems small and clownish. Just like the dwarfs in Carson McCuller’s The ... " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
A haunting, occasionally grotesque little film, The Ballad of the Sad Café doesn't really work onscreen, despite the noble efforts of all involved. Michael Hirst has succeeded in bringing the bare bones of the Carson McCullers book (and Edward Albee play) to the screen, but director Simon Callow has not sufficiently filled in the emotional and atmospheric blanks necessary to make this delicate, difficult story the involving and wrenching experience it wants to be. Ballad is an outsized piece, requiring bold and confident yet discreet direction, and Callow's work is too hesitant and too reverential. That Ballad manages to work as well as it does is primarily due to the mesmerizing performance of Vanessa Redgrave. Wearing close-cropped hair and a weathered face that somehow suggests David Bowie, her performance is a powerhouse, almost an act of nature in its strength and intensity. There's life and vibrancy in every move of this character, perhaps too much so; at times, Redgrave overreaches, makes choices that simply don't work , especially given the restraint with which so much of the material is otherwise handled. But she at least has the courage to make those choices and to strive to capture the painful poetry that informs the McCullers original. Ballad needs to dig deeper to capture the perverse beauty it purports to celebrate, but Redgrave provides enough lightning flashes of brilliant illumination to make the film worthwhile. ~ Craig Butler, All Movie Guide
 



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