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S.W.A.T.
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Directed by Clark Johnson.
Clark Johnson's big-screen adaptation of the 1970s television series S.W.A.T. stars Colin Farrell as Jim Street, a young special weapons and tactics team member who, in the film's opening sequence, is demoted after his hothead partner Jeremy Renner shoots a hostage while trying to kill her captor. In need of good press, the higher-ups call in SWAT expert Hondo Harrelson (Samuel L. Jackson) to put together an elite team that can bring some luster back to the badge. He chooses Street, veteran T.J. (Josh Charles), and tough single mother Chris Sanchez (Michelle Rodriguez). The new team survives a series of tests before hitting the streets. Their first big assignment involves transporting an international criminal (Olivier Martinez) to federal authorities. The criminal had offered a hundred million dollars to anyone who can bust him out. ~ Perry Seibert, All Movie Guide
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SpoutBlogSpoutBlog Movies on TV 07/08/08
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Two westerns on AMC show strong men grappling with the loss of freedom and dignity. The Shootist is John Wayne’s last film, and though the Duke is normally invincible in his movies, this one begins with the premise that he’s dying of cancer. He sets one last goal for himself–to die in a shootout. Then there’s Open Range, the rare film that Kevin Costner is perfect for. Costner plays a haunted Civil War veteran of a killing persuasion, which he unleashes when a friend is cruelly beaten by a group of trigger-happy thugs. Also featuring the excellent Annette Benning and Robert Duvall, and one of the most intense gun battles I’ve ever seen on film. If westerns aren’t your thing, you’ve got the classic Jason and the Argonauts playing on TCM. Not everything about the film has aged well, but Ray Harryhausen’s stop-motion skeletons still give me the creeps. Also playing tonight is the Samuel L. Jackson vehicle S.W.A.T. I only saw the last twenty minutes of it at a drive-in, but if that’s s ... " [More]
lopezdashlopezdash Expectations game
by lopezdash in The Movie Blog
liked it.
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"The film doesn't promise much; and it delivers on that promise. " [More]
HawkmageHawkmage Re:Double features
by Hawkmage in B Movies
hasn't rated it.
"[quote user="SkyPilot"] I've only been to one or two double features in my life, but they were both great experiences. Even though Kill Bill Vol. 1 was preceded by Payback instead of the original Point Blank! Even though the movies at the drive-in were S.W.A.T. and Bad Boys 2! Some double features I'd pay to see anywhere: 1. Escape From New York, then Doomsday 2. Bucket of Blood, then The Abominable Dr. Phibes 3. The Black Scorpion, then The Mighty Peking Man 4. If You Live, Shoot! then Point Blank 5. Dog Soldiers, then Big Trouble in Little China [/quote] Back to the Future and Pleasantville Grosse Point Blank and ....Aren't there any good horror films set during a High School Reunion? Isn't there any way we can get The Breakfast Club to be attacked by zombies, for cryin' out loud? As for your list above, I'd change #2 to Theater of Blood followed by Doctor Phibes. And you left out Corman--Try The Raven and Tales of Terror. http://www.youtube.com/watch?v =yi4GRpOS7NU SES " [More]
SkyPilotSkyPilot Double features
by SkyPilot in B Movies
hasn't rated it.
"I've only been to one or two double features in my life, but they were both great experiences. Even though Kill Bill Vol. 1 was preceded by Payback instead of the original Point Blank! Even though the movies at the drive-in were S.W.A.T. and Bad Boys 2! Some double features I'd pay to see anywhere: 1. Escape From New York, then Doomsday 2. Bucket of Blood, then The Abominable Dr. Phibes 3. The Black Scorpion, then The Mighty Peking Man 4. If You Live, Shoot! then Point Blank 5. Dog Soldiers, then Big Trouble in Little China " [More]
Review by All Movie Guide
All Movie Guide
lost interest.
S.W.A.T. adheres closely to the conventions of police-action films. That helps the film during its first half. The filmmakers understand what the characters have to do and so they are relaxed enough to give the cops flashes of real personality. Colin Farrell and Michelle Rodriguez have some genuine chemistry and they easily earn the audience's goodwill; Samuel L. Jackson is his usual engaging self; and Josh Charles registers with very little screen time. Sadly, when the admittedly brilliant high-concept second half of the movie begins, the filmmakers shift focus entirely onto the action sequences at the expense of the characters. That might have been enough if director Clark Johnson had a taste for action sequences, but he seems more comfortable with his characters conversing in a bar than he does when they beat each other up. Only Oscar-winning composer Elliot Goldenthal shows creativity and originality through the entire film with his amusing musical score that finds numerous humorous ways to recycle the theme song from the television show that inspired this just slightly better-than-average action film. ~ Perry Seibert, All Movie Guide
 



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