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The Mean Season
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Directed by Phillip Borsos
Canadian actor/director Philip Borsos made a couple of interesting films before an untimely death in his early forties, including The Grey Fox (1982) and this crime thriller starring Kurt Russell as police beat reporter Malcolm Anderson. Happily abandoning the Miami Daily for which he's labored for years, he takes a job on a small town paper hoping to take life in the slow lane for a time. Of course, he's soon caught up in a career-making story, after a serial killer (Richard Jordan) likes his account of a murder he's committed and decides to use the journalist as his mouthpiece. As the killings continue, Anderson begins to receive national attention, and the Numbers Killer, motivated primarily by a desire for the limelight, becomes jealous, and decides to kidnap Anderson's girlfriend (Mariel Hemingway) to teach him a lesson. As he has with Anderson, the killer soon develops a relationship of sorts with the woman, and slowly reveals the workings of his bizarre personality while the police search desperately for the pair. ~ Michael Costello, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Borsos' engrossing, deliberately paced thriller boasts a career performance by Richard Jordan, but its formulaic finish cops out on the issues the film has raised. Another twist on the theme of the power of the press as a vehicle for self-aggrandizement that Billy Wilder first explored in Ace in the Hole (1951), it adds the pet Hitchcock-ian theme of the secret sharer, suggesting the killer's insane hunger for attention as a distorted reflection of the more carefully concealed ambition of Russell's journalist. Borsos' intelligent, low-key direction plays down the potentially sensational aspects of the story, never showing a murder, and keeping the gore at a discreet distance. Richard Jordan is brilliantly creepy as the disturbed killer, a man so vulnerable within the fascinatingly elaborate system of paranoid delusion he inhabits, that he almost gains his captive's sympathy. Russell, if not entirely credible as a journalist tortured by ethical questions, is convincing as a bereft lover and as a foil for the madman. Andy Garcia is also quietly effective as a detective assigned to the case. While the film never resolves the questions about the uglier aspects of ambition and the quest for fame, it succeeds as an above-average thriller. ~ Michael Costello, All Movie Guide
 

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