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McCabe & Mrs. Miller
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Directed by Robert Altman.
Memorably described by Pauline Kael as "a beautiful pipe dream of a movie," Robert Altman's McCabe and Mrs. Miller reimagines the American West as a muddy frontier filled with hustlers, opportunists, and corporate sharks -- a turn-of-the-century model for a 1971 America mired in violence and lies. John McCabe (Warren Beatty) wanders into the turn-of-the-century wilderness village known as Presbyterian Church, with vague plans of parlaying his gambling winnings into establishing a fancy casino-brothel-bathhouse. McCabe's partner is prostitute Mrs. Miller (Julie Christie), who despite her apparent distaste for McCabe helps him achieve his goal. Once McCabe and Mrs. Miller become successful, the town grows and prospers, incurring the jealousy of a local mining company, who wants to buy McCabe out. Filmed on location in Canada, McCabe and Mrs. Miller makes use of such Altman "stock company" performers as Shelley Duvall, Rene Auberjonois, John Schuck and Keith Carradine. The seemingly improvised screenplay was based on a novel by Edmund Naughton and the movie features a soundtrack of songs by Leonard Cohen. McCabe and Mrs. Miller joined such other Altman efforts as MASH, The Long Goodbye, and Thieves Like Us in radically revising familar movie genres for the disillusioned Vietnam era. ~ Hal Erickson, All Movie Guide

interview with Vlimos Zsigmond about McCabe and Mrs. Miller.

Aaron interviews cinematographer, Vlimos Zsigmond, following a screening of Robert Altman's film, McCabe and Mrs. Miller.
(11/12/2006 Starz Denver Film Festival)


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CinemaRianCinemaRian McCabe & Mrs. Miller (1971, USA ...
by CinemaRian in CinemaRian Blog
hasn't rated it.
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""It's hard to hold the hand of anyone who is reaching to the sky to just to surrender." – Leonard Cohen, "The Stranger Song" from McCabe & Mrs. Miller. Although Robert Altman's film is often thought of as a deconstructed Western, to me, it seemed more like a fantasy or science fiction film. It creates a world completley unto itself, that seems to exist outside of time and history. The small town of Presbyterian Chuch-probably in Montana or Washington state, is one of the most distinctive and memorable locatins in all of cinema, and one of the most depressing. Although the title refers to two of its characters, the movie seems to be told from the point of veiw of God- looking down on a town of miserable sinners. Presbyterian Chruch is a mining town that consists almost entirely of men, who are not particularly cultured, or inellient, or ethical for that matter. They want entertainment, and traveling businessman John McCabe (Warren Beatty) thinks ... " [More]
ShaunHustonShaunHuston Re: Top Westerns
by ShaunHuston in Top 5
hasn't rated it.
"I want to mention McCabe and Mrs. Miller and The Claim. McCabe is probably my favorite Robert Altman film and is one of the best revisonist Westerns of the 70s - reworking both the classic location, from desert southwest to wet and snowy Pacific Northwest, and characters, deconstructing the gunslinger myth and upsetting traditional gender dynamics. The Claim was heavily inspired by McCabe and intensifies the earlier film's sense of how isolated, lonely, and boring life on the frontier must have been for white settlers/colonizers. Wes Bentley's railroad surveyor is also an interesting character and one that you don't see very often inspite of how important the railroad was to Western communities (a theme that The Claim shares with Once Upon a Time in the West). I also think that Deadwood owes a debt to McCabe in its look and feel. I would also like to second the mentions of Heaven's Gate, which is far more interesting than its reputation suggests, and Open Range, whi ... " [More]
analogzombieanalogzombie McCabe and Mrs. Miller
by analogzombie in analogzombie Blog
liked it.
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"McCabe and Mrs. MillerJohn McCabe is a drunk, a card sharp, and full of personal demons. He's also a business man with the dream of opening a rspectable gambling den and whorehouse in a frigid Pacific Northwest mining community. Luckily for him, he runs across Mrs. Miller, brilliantly played by Julie Christie, a well-worn brothel madam with more wits and business sense than McCabe. Striking a deal that'll ensure their mutual success, McCabe agrees to put up the money for Miller's whores, and bath house in exchange for half of the profits. When McCabe pisses off a couple bussinessmen looking to buy him out, a trio of gunslingers arrive in town to help him understand their position. What ensues is anything but the average Western.Altman uses the languid, and melahncholy sound of Leonard Cohen's music to structure the slow and thoughtful pace of the film. The snow covered mountains and icy streets of the town heighten the cold relationship between McCabe and Miller, ne ... " [More]
paulpaul Top 5 westerns
by paul in paul on spout.com
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"UnforgivenOnce Upon a Time in the WestHeaven's GateMcCabe and Mrs. MillerThe Three Burials of Melquiades Estrada Originally posted on:Schwinnfender " [More]
HairyLimeHairyLime M*A*S*H
by HairyLime in HairyLime Blog
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"In a discussion group recently the topic of 'book adaptations' has been brought up, and while I was watching this last night it occurred to me that this one is another good example of a successful 'book to movie' transformation that is neither too literal of a rote retelling, and stands on its own as a film.Caught the final third of this one a couple weekends ago while flipping channels, and then watched the rest of the movie yesterday evening. Not the first time I'd seen it (I've actually lost count how many times), and it struck me how very fresh and innovative it still seems 30 plus years after the fact. There wasn't really anything like it seen before, with its overlapping dialog, meandering storyline and counter-cultural viewpoints.Those brought up on the television series may find the flavor a little hard to digest, no neatly tied up plotlines, no laugh track, a subtler brand of humor.Gould and Sutherland are a great pairing, and would go on to cos ... " [More]
Review by All Movie Guide
All Movie Guide
loved it.
Deconstructing the Western, Robert Altman's McCabe & Mrs. Miller (1971) defied conventional myth-making with an oblique narrative steeped in Vietnam-era mistrust of American institutions. Shooting on location in Canada on a haphazard set built as filming progressed, Altman upended Western clichés of heroic Progress in an environment that was authentically rough, even as it evoked the muddy mires of Vietnam. Warren Beatty's McCabe was more buffoonish dreamer than powerful gunfighter, while Julie Christie's business-minded hooker Mrs. Miller had a heart of opium; Altman's widescreen zoom shots and soundtrack of overlapping voices and haunting Leonard Cohen songs downplayed McCabe's presence amid peripheral action and characters. The incursion of corporate interests on McCabe's success seems almost incidental, but the sudden eruption of pointless violence and a lawyer's hypocrisy about freedom and sacrifice reveal McCabe's doom. With cinematographer Vilmos Zsigmond's grainy, desaturated colors lending the interiors an orange-brown glow that contrasted with the hazy green-gray exteriors, Altman eschewed heroic frontier vistas in favor of a murky, hallucinatory beauty, particularly in McCabe's snowbound, eerily quiet final shoot-out. Confounding viewers with its layered soundtrack and tonal shifts, McCabe & Mrs. Miller failed to catch on; it has since come to be seen as one of the period's best revisionist Westerns and one of the most poetic and elegiac genre revisions of the 1970s. ~ Lucia Bozzola, All Movie Guide
 



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