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Mata Hari
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Directed by George Fitzmaurice
"So much for Carlotta" muses the head of German Espionage (Lewis Stone), shortly after secret agent Karen Morley is put to death. Morley's successor is exotic dancer Mata Hari (Greta Garbo), an enigmatic woman of Javanese-Dutch ancestry who seldom thinks twice about luring some poor swain to his doom. Assigned to intercept allied war messages, Mata Hari romances garrolous-general Lionel Barrymore. She falls in love for the first and only time in her life when she meets dazzlingly handsome lieutenant Ramon Novarro. Barrymore finds out about the affair and threatens to expose both Mata and Novarro as spies, whereupon Ms. Hari shoots Barrymore dead. She arranges for Novarro to leave the country lest he be implicated in the murder. He is subsequently blinded in an airplane crash, setting the stage for Garbo's now-famous "Let me be your eyes" scene. Mata Hari is tried and sentenced to death, but is permitted a few final precious moments with Novarro, allowing him to go on believing that he is in a military hospital rather than a prison cell, and that his beloved is dying of a mysterious ailment rather than facing a firing squad. The debate still rages among film buffs as to whether Greta Garbo does her own dancing in Mata Hari, or whether that's her double in the long shots. There is no question, however, that the condemned prisoner in the first reel who refuses to betray Mata to his captors is none other than Mischa Auer. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Mata Hari is the kind of experience that one can get only from motion pictures. Which isn't to say that it is a great film, mind you. The script is a lot of claptrap, for example. As expected, it is totally inaccurate as biography, but it is also excessively melodramatic and filled with dialogue that makes modern day viewers wince when they don't laugh. But it does provide a showcase for the one and only Greta Garbo, and only a motion picture could do justice to this unique talent. The filmmakers dispense with concessions to reality, creating a visual wonderland that exists solely to point up the beauty and allure of their star. William Daniels' stunningly lit cinematography, Adrian's plethora of gowns, capes and furs, and Cedric Gibbons' fanciful sets are all icing on Garbo's cake, as is leading man Ramon Novarro. His performance is perfunctory, but that's almost beside the point: he LOOKS like the kind of man Garbo should be exchanging passionate kisses with. And Garbo makes all the trouble well worth while. She exudes that strange, indefinable attraction in every frame, somehow making even the sappiest scenes (of which there are several) palatable -- and occasionally genuinely moving. As for the rest of the cast, Lionel Barrymore is decidedly over-the-top, but that's in keeping with the general "film-ic" quality of the piece; C. Gordon Henry has some good moments; and Karen Morley is memorably feisty in her brief appearance. ~ Craig Butler, All Movie Guide
 

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