Four Eyed Monsters
Advertisement
Sign in
Username   Password         Forgot password?
Wanna join? Tour Spout | Sign up
Marie Antoinette
  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • Rate this movie.

Rent it, watch it, find it

Advertisement
Directed by W.S. Van Dyke
M.G.M.'s opulent costume drama Marie Antoinette marked a return to the screen after a two-year absence for reigning Queen of M.G.M. Norma Shearer. Shearer plays the title role of an Austrian princess who is married off to Louis Auguste (Robert Morley), the Dauphin of France. Marie, by becoming the Dauphine, finds herself plopped smack in the middle of French palace intrigue between Louis's father King Louis XV (John Barrymore) and his scheming cousin, the Duke of Orleans (Joseph Schildkraut). With Louis unable to consummate his marriage to Marie, she takes to holding elaborate parties and gambling her fortune away. In a casino, she meets the handsome Count Axel de Fersen (Tyrone Power) and they have an affair. But when Louis XV dies and Louis becomes King Louis XVI, Fersen takes his leave, telling her that he could carry on an affair with a dauphine but not the Queen of France. Marie vows to be a great queen and remain loyal to her king. But the Duke of Orleans is plotting against Louis XVI, financing the revolutionary radicals. When the monarchy is overthrown, Louis and Marie are thrown into prison, awaiting execution. But when word gets back to Fersen, he travels back to France in an attempt to rescue Marie. ~ Paul Brenner, All Movie Guide
[More]
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
is neutral about it.
Stefan Zweig, on whose popular biography this opulent film was based, had great sympathy for the star-crossed Austrian princess who became queen of France mainly to stabilize relations between two crumbling empires. History has generally not been quite as kind although most sources agree on the lady's final acts of bravery. Noblesse, after all, oblige. Like Marie Antoinette, Norma Shearer was a dethroned queen of sorts, her diminutive, workaholic husband Irving Thalberg having for more than a decade been the true power behind the scenes at Metro-Goldwyn-Mayer. But Thalberg had died more than a year before production commenced in late December of 1937 and Marie Antoinette was really a final bequest to his widow, a bequest that not even Louis B. Mayer could refuse her. To say that Marie Antoinette is overproduced is merely to state the obvious; was the real Versailles ever really this splendid? But although hundreds of extras mill about ornate sets, the narrative itself remains a bit stuffy. They borrowed Tyrone Power from 20th Century-Fox to play the dashing Von Fersen -- dashing according to Zweig but a description not entirely supported by surviving portraits -- but he is really too young to fill out the character whether in romantic clinches with La Belle Antoinette or as her heroic, if hapless, would-be savior. When all is said and done, neither Shearer nor Power do justice to the age and its decadence. And how could they, existing as they are in a Hollywood Versailles where romance at all times takes precedence over politics. The historic final days of the Bourbons are probably better represented here by the supporting cast: John Barrymore's old roue Louis XV; Joseph Schildkraut's painted and decadent Orleans; Gladys George's scheming but slightly dense Du Barry; and last but far from least, Robert Morley's awkward but well-intentioned Dauphin. The latter's performance remains Marie Antoinette's true tour-de-force and it is one of those Hollywood conundrums that he should lose a best supporting acting Oscar© to Walter Brennan, who won that year for playing Walter Brennan in Kentucky. ~ Hans J. Wollstein, All Movie Guide
 

Community ratings

mavens
Spout mavens
haven't rated it
most people
Most people
liked it.

Other opinions

Mileyfan_07
Mileyfan_07
liked it.
sealionroar
sealionroar
liked it.