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The Man without a Face
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Directed by Mel Gibson.
Mel Gibson made his feature film directing debut with this drama, loosely based on the book by Isabel Holland, which combines elements from The Elephant Man, Mask, Scent of a Woman, and The Karate Kid in a study of the capacity for human trust and compassion. Gibson plays Justin McLeod, a former teacher who, after having his face and his body terribly disfigured in an automobile accident, has taken to living alone in a big house in an island off the coast of Maine. McLeod works as a free-lance artist who undergoes the humiliation of being shunned by his neighbors and called "hamburger head" behind his back. McLeod keeps to himself and wants nothing to do with his neighbors. But one day an adolescent boy, Chuck Norstadt (Nick Stahl), comes knocking at his door desperate for a tutor. At first suspicious, McLeod gradually warms up to Chuck and they become pals. But their burgeoning friendship is frowned upon by Chuck's family and the local police chief, Stark (Geoffrey Lewis), apparently because of rumors circulating that McLeod had a record concerning child molestation. This piece of gossip threatens Chuck with the loss of his teacher and a new-found friend. ~ Paul Brenner, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
Mel Gibson's directorial debut is as routine as they come, packaging familiar elements from movies about mentors, disfigurement, and unjustified fears of the unknown, then sealing it all up with gorgeous cinematography of coastal Maine. In addition to his first directing project, the film seems to semi-intentionally double as Gibson's attempt to place his talents as an actor at the forefront, blurring his matinee-idol looks through burn scars that obscure half of his face. The Man Without a Face has the utterly conventional feel of a film given a director for his first effort, something with modest ambitions that can't be screwed up by a neophyte. On this level, it has the pleasures to keep the viewer interested, as long as expectations are kept low enough. Child actor Nick Stahl makes an impressive debut in the central role, appearing in almost every scene and proving himself always up to the task. And Gibson really doesn't need to don a bunch of makeup to prove he's more than just a pretty face, as prior works like Hamlet (1990) have demonstrated. The Man Without a Face may not stake a claim toward lingering importance, but viewed as the film that allowed Gibson to get his feet wet before directing Braveheart, it becomes a useful and necessary achievement. ~ Derek Armstrong, All Movie Guide
 



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