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Phone Booth
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Directed by Joel Schumacher.
One man's life is thrown into turmoil by picking up a telephone in this claustrophobic thriller. Stu Shepard (Colin Farrell) is a brash, cynical, and self-centered public relations man who juggles a busy career with both a wife, Kelly (Radha Mitchell), and a mistress, Pamela (Katie Holmes). Stu steps into a phone booth on a busy New York street to make a call to Pamela without Kelly being the wiser, but as soon as Stu hangs up, the phone begins to ring. Curious, Stu picks it up -- and a stranger on the other end (voice of Kiefer Sutherland) informs him that if he hangs up the phone, he'll be shot. The red dot of an infrared rifle scope convinces Stu that the caller means business, and when another man tries to make his way into the booth, he's shot mere inches from Stu, calling the attention of the police. Captain Ramey (Forest Whitaker) naturally assumes that Stu was the killer, as Stu struggles to find a way to convince the police of what's happening before more lives are lost, without leaving the booth and putting his own life on the line. At one time proposed as a vehicle for Jim Carrey, Phone Booth was directed by Joel Schumacher, from a screenplay by exploitation icon Larry Cohen. ~ Mark Deming, All Movie Guide
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SpoutBlogSpoutBlog Trailer of the Day: 88 Minutes
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"I know star power isn’t what it used to be, but doesn’t it seem like we still give Al Pacino more credit than he’s worth? Despite his receiving an Oscar fifteen years ago, the guy hasn’t been a completely dependable actor in more than two decades. And yet a lot of people write about his upcoming movies as if they could maybe, possibly, hopefully be on par with the actor’s ’70s work. I’m not denying that he’s excellent in a few films of even the past ten years (particularly The Insider), but let’s not forget he was also in Gigli, so it isn’t like he’s making the same smart choices he was making as a younger man. And now here’s 88 Minutes, another movie that attempts to give us a thrilling plot in real time, a la 24. But despite such a gimmick working with old films like High Noon and 12 Angry Men, when it’s presented as a gimmick, and clearly as the only reason a movie is made (as in the cases of Nick of Time, Timecode and Phone Booth), it always comes off as forced and (obviously) ... " [More]
pratchettfanpratchettfan Phone Booth
by pratchettfan in pratchettfan Blog
liked it.
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"In the latest Joel Schuhmacher film Colin Farrell starrs as Stu Shepard a guy working in Public Relations who mainly uses lies and deceit to get things done. After calling a client from a phone booth, the phone rings and Stu answers to what he believes to be a prank call. But the caller first reveals an immense knowledge of Stu's wrongdoings and then, when Stu tries to leave the booth, that he has him pinned down with a sniper rifle. After the death of a man by the booth the police arrive and hold Stu responsible, while the caller continues with his game. Phone Booth has a very fast pace and keeps you on the edge of your seat until the end. Although the main action takes place in the phone booth, the good use of some split screens keeps you up-to-date what is happening elsewhere. The highlights of the movie are surely Colin Farrell, who plays the desperate Stu very convincing, and the caller, who shows very convincing voice acting. Overall a very convincing movie, which I can ... " [More]
Phantasma-gore-iaPhantasma-gore-ia Re: The meaning of violence
by Phantasma-gore-ia in Gorrible
loved it.
"Thanks for the thoughtful response, taking almost a psychological look at evil. Yes, I agree that evil is a conscious force and that zombies are merely the least that it takes to live. They are no more evil than a bear, say. They just do what...may I say comes naturally? They do what zombies do and since it's against us, namely eating us, we're totally free and inculpable for any action taken toward them.As far as smart people being chilling, take the infamous Ted Bundy, a considerably calculating sort who schemed up and down for years; the fictional psychopath Jigsaw who enacts his sense of morality and vengeance, along with Kevin Spacey's character in Se7en and the Caller in Phone Booth. People who know all the exits and have planned all the angles are nerve-wracking because you never know how it's going to be possible to defeat them. " [More]
Phantasma-gore-iaPhantasma-gore-ia Re: What's your idea of terror?
by Phantasma-gore-ia in Gorrible
loved it.
"A good point and a qualified response...my own concept of mortal fear is enclosed, locked-in places. Not because of the claustrophobia so much as the potential of having to stay in there because a couple of desperate men are banging on the door to get in, because you're chained there, because your elevator broke down or because the life of a man depends on you and your decision.It's always been a firm opinion that when you restrict someone to a closed space and limit their options, you create much firmer, visceral tension than chasing them with a power tool. The latter is raw fear, in its basest form. There's obviously nothing wrong with this as I have a website devoted to them: http://www.bloodgutsandgore.co m. To the point, however, the raw psychological threat of having not so much your body sought after but rather your mind, you're in deeper trouble than before for this reason: your body conceivably can heal, or at least adjust to, say, lost parts. If someo ... " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
Joel Schumacher's minor, but tightly constructed high-concept thriller Phone Booth clocks in at a brisk and efficient 80 minutes that transpires onscreen in real time. At heart a highly charged B-movie, the film would be easy to dismiss if not for the flashes of smart dialogue and the solid lead performance of Colin Farrell. Given only a few minutes to establish his character before being plunged into a life-threatening situation, Farrell communicates Stu Shepard's remarkable facility for sleaze in both his personal and professional life. His unlikability brings the film its enjoyable buzz. As the disembodied voice of the caller (expertly performed by Kiefer Sutherland) terrorizes him, Stu's questionable morality allows the audience to side with both the cat and the mouse throughout the ordeal. That Farrell actually succeeds entirely in winning the viewer's sympathy is a testament to both his skill and the unrelenting tension of the direction and screenplay. An enjoyable popcorn film, Phone Booth delivers the goods in a neat and tidy package. ~ Perry Seibert, All Movie Guide
 



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