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Far from Heaven
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Directed by Todd Haynes.
Maverick director Todd Haynes embraces the look and feel of classic Hollywood melodramas of the 1950s in this period drama. Cathy Whitaker (Julianne Moore) and her husband, Frank (Dennis Quaid), are a seemingly perfect couple; living in a handsome suburban neighborhood in Hartford, CT, in 1957, Cathy and Frank have a beautiful home and two happy, healthy children, while Frank pursues a successful career in sales and Cathy cares for the home. But Cathy has begun to sense something isn't quite right in her marriage, as Frank begins working late, spending less time with her, and seems cold and distant. One day, Cathy visits Frank's work and discovers something she never expected -- her husband is kissing a man. At Cathy's urging, Frank undergoes psychotherapy, but as she tries to keep up a brave face, the emotional trauma takes a great toll on her, and she finds there are very few people she can talk with. Cathy strikes up a friendship with Raymond Deagan (Dennis Haysbert), an African-American gardener who works for the Whitakers, and as she discovers how intelligent and compassionate Raymond is, she finds herself drawn to him. However, Hartford is in many ways still a small town, and when Mona (Celia Weston) sees Cathy and Raymond alone together, it sets off a wave of vicious gossip that threatens to make the Whitakers' many secrets public knowledge. Far from Heaven premiered at the 2002 Venice Film Festival, where Julianne Moore's performance won the prize for Best Actress. ~ Mark Deming, All Movie Guide
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thefilmpanelnotetakerthefilmpanelnotetaker Zeitgeist 20th Anniversary Salu ...
by thefilmpanelnotetaker in thefilmpanelnotetaker Blog
hasn't rated it.
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"The Museum of Modern Art (MoMA) in New York began a celebration this week of the distributor Zeitgeist Films 20th anniversary with a retrospective of some of their best releases from over the years. Friday night, Todd Haynes presented two of his earlier films from the Zeitgeist collection, the short Dottie Gets Spanked and the controversial feature Poison , both shot by the great indie cinematographer Maryse Alberti, who most recently lensed Alex Gibney's documentary Taxi to the Darkside and whom I've had the personal privilege to work with on two short films in my own early days of independent film, a mere eight years ago compared to Zeitgeist's, Haynes' and Alberti's longevity. As an aside, Dottie Gets Spanked stars two former One Life to Live castmates, J. Evan Bonifant (ex-Al Holden) and Barbara Garrick (Alison Perkins). I state this because a few weeks ago, I posted notes from from the OLTL 40th anniversary panel discussion (speaking of anniversaries) at the Paley Center. Hay ... " [More]
thefilmpanelnotetakerthefilmpanelnotetaker NYFF- HBO Directors Dialogue: T ...
by thefilmpanelnotetaker in thefilmpanelnotetaker Blog
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"45th New York Film FestivalHBO Directors Dialogue: Todd HaynesOctober 6, 2007Todd Haynes in New York Film Fesival's Green Room for I'm Not There. Photo Credit: C.J.ContinoSaturday at the New York Film Festival, Village Voice film critic J. Hoberman conducted an HBO Directors Dialogues with filmmaker Todd Haynes whose new film, I???m Not There, premiered at the festival a few days earlier. I was at the premiere and took notes at the Q&A, and thought it would be a good complement to take additional notes at the Directors Dialogue to get further insights from Haynes on his directing styles and choices for I???m Not There and his other bodies of work. What follows are highlights of the discussion and questions and answers from the audience.Hoberman opened by saying ???the greatest pleasure a film journalist can have is to come across a movie you never heard of from someone unknown and to have the privilege to write about it first 20 years ago.??? The film refers to was Haynes??? 1987 s ... " [More]
ShaunHustonShaunHuston The Good German (2006) on DVD: ...
by ShaunHuston in ShaunHuston filmblog
hasn't rated it.
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"One thing, maybe the thing, that makes The Good German perplexing is that its best quality, the meticulous recreation of a 40s international noir ala Casablanca (1942) or The Third Man (1949), is also its biggest weakness.There are some beautiful and authentic images in the film, but there are others that verge on parody (mostly those involving rear projection; sorry no stills or screen grabs available - I popped the film back into the mail before thinking I might want it). By itself, that wouldn't be a problem except that director Steven Soderbergh and writer Paul Attanasio haven't rethought the films they reference so much as attempted to reproduce them, but with the jarring addition of language, violence, and sex that wouldn't have been allowed in the 1940s. Unlike, say, homosexuality (and, really, race) in Far From Heaven (2002) or the disappearing blandness of Ed (Billy Bob Thornton) in The Man Who Wasn't There (2001), the updating and revisioning of genre in The Good German i ... " [More]
chesterfilmschesterfilms More Than A Weepie
by chesterfilms in chesterfilms Blog
loved it.
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"It's not just a Douglas Sirk ripoff, Far From Heaven works completely on it's own. Beautiful & truly powerful it hits harder than it's predecessors. One of my favorite films from the past few years. " [More]
chesterfilmschesterfilms More Than A Weepie
by chesterfilms in chesterfilms Blog
loved it.
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"It's not just a Douglas Sirk ripoff, Far From Heaven works completely on it's own. Beautiful & truly powerful it hits harder than it's predecessors. One of my favorite films from the past few years. " [More]
Review by All Movie Guide
All Movie Guide
liked it.
Douglas Sirk became a cineaste darling for making 1950s weepies that were as passionate as they were ironic, reveling in gleaming surfaces and big emotions while telegraphing their hollow core. Todd Haynes's exquisite Far from Heaven captures the Sirk mood to perfection from the moment the first pristine images hit the screen. A reinterpretation of All That Heaven Allows (1955), with a dash of Imitation of Life (1959), Far from Heaven gets every detail right, from the well-appointed, expressively lit homes replete with imprisoning screens and shiny mirrors, the Technicolor foliage that matches the crisp '50s women's fashions, and the tasteful dissolves to Julianne Moore's Hollywood finishing-school elocution and the violin crescendo at a moment of crisis. Though Haynes nods once or twice to the camp possibilities in his retro vision, the performances in this gorgeous homage pulsate with genuine feeling. Moore shines as the content wife who resists looking through the surface of her life yet has the soul to grasp the alternatives therein, while Dennis Haysbert reveals that the noble black man also has a touch of humor along with the sensitivity and wisdom. Dennis Quaid's closeted husband cracks with anguish, but his underlying aura of white male privilege illuminates the greater suffering inflicted on Moore within the gilded society cage guarded by her pitch-perfect "best friend" Patricia Clarkson. Even with Haynes's potentially over-determined message about prejudice, Moore's fate at Far from Heaven's less-than-happy end honestly earns every tear. ~ Lucia Bozzola, All Movie Guide
 



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