João Francisco dos Santos was a figure of no small infamy in Brazil during the 1930s -- he was a flamboyantly gay drag performer who was also a notorious criminal, thoroughly unashamed of his sexual orientation and willing to defend himself with deadly force if the situation demanded. Writer and director Karim Ainouz brings dos Santos' story to the screen in this vibrant drama seasoned with music and dance. A tall and physically imposing man, dos Santos (played by Lázaro Ramos) grew up poor on the streets of Brazil; and once he reached adulthood, he shared a home in one of Rio de Janeiro's less picturesque neighborhoods with a handful of friends, including Laurita (Marcelia Cartaxo), a streetwalker; her baby daughter; Taboo (Flavio Bauraqui), a nightclub performer who sometimes turned tricks for extra cash; and Renatinho (Felippe Marques), one of dos Santos' lovers. After landing a job at a nightspot called The Blue Danube, dos Santos grew fascinated with the elaborate costumes and choreography of the stage shows, and became a singer and dancer at the club. However, when the management declined to pay him, dos Santos took matters into his own hands and demanded his salary at knifepoint, leading to the first of many stays behind bars. Upon his release, dos Santos pledged to make his name as a cross-dressing entertainer, though his fiery temper made taking advantage of him a bad idea. Madame Satã was screened as part of the "Un Certain Regard" series at the 2003 Cannes Film Festival. ~ Mark Deming, All Movie Guide
Review by All Movie Guide
All Movie Guide
is neutral about it.
This movie has plenty of atmosphere. It's set in the underbelly of 1930s Rio, populated by small-time hustlers who wear period clothing and listen to period music, shot with a high-contrast, bleached-out, and sepia-toned look, and dominated by a larger than life character. Lazaro Ramos demonstrates a commanding screen presence as Joao Francisco dos Santos (aka "Madame Satã"). It's a tricky role to pull off without chewing too much scenery, but Ramos does an impressive job of seeming natural as this lithe but tough-as-nails character who always seems to have an undercurrent of rage simmering beneath (and sometimes bubbling over) the surface. The movie seems more like an impressionistic snapshot of a period in Joao's life than a full-fledged biography; the individual scenes aren't interwoven to form a tight narrative and the movie ends before Joao even becomes a star, which makes the story line seem somewhat truncated. It's not fully satisfying as a story because of this, and it doesn't get enough into Jao's head to be fully satisfying as a character study either. ~ Todd Kristel, All Movie Guide