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The Transporter
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Directed by Corey Yuen.
An outlaw finds his life becoming all the more dangerous when he turns against a gang of criminals in this action drama. Frank Martin (Jason Statham) is a former Special Forces officer who lives on the French Mediterranean and has a lucrative second career as a underworld courier for hire. Martin will deliver anything anywhere, but he has three iron-clad rules - once the plan is in motion it cannot be changed, neither he nor his customers are to ever use their real names, and under no circumstances will he open the package. Martin is hired to make a delivery to a wealthy but unscrupulous American known as Wall Street (Matt Schulze), but after taking possession of the package he realizes that whatever is inside happens to be alive. Breaking his own rule, Martin opens the bag to discover a beautiful Asian woman, Lai (Shu Qi), who is bound and gagged. Lai briefly escapes, but Martin captures her, and delivers her to Wall Street as promised. However, after being given a parcel to deliver by Wall Street, Martin finds out what Wall Street is up to - in partnership with Lai's father Mr. Kwai (Ric Young), Wall Street is part of a scheme to smuggle Asian illegal aliens into France. Martin's conscience gets the better of him, and he sets out to rescue Lai and put Wall Street and Mr. Kwai out of business; however, as if this wasn't enough of a challenge, Martin discovers a French detective, Tarconi (Francois Berleand) has gotten wind of his illegal business. The Transporter was the first English-language feature for Hong Kong-based director Corey Yuen, who along with directing a number of HK action flicks designed fight choreography for several American films. ~ Mark Deming, All Movie Guide
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usesoapusesoap Green, back
by usesoap in usesoap Blog
liked it.
1 out of 1 people found this review helpful. [What do you think?]
"Oh , Kermit T. Frog. What a sage you are. For you have foretold the dilemma facing one similarly hued hero and his battle for acceptance among the masses. Let's take a look at his Magi-like prognostication on a more thorough level to unveil his astute observations concerning the current box office bind concerning one “Incredible Hulk”: It's not that easy bein' green,Having to spend each day the color of leaves. For five years, the not-so-jolly, lime-colored character has been the target of many a nasty fan-boy rant, ever since director Ang Lee decided to saddle the comic book adaptation with Freudian subtext and layer his tale with psychoanalyses better left on the couch than in a mega-watt movie. The film was levelled by hoards of angry basement-dwellers who puffed up like the titular beast and smashed the best way they knew how – through anonymous postings on message boards. In an attempt to rectify the situation, Hulk's owners, Marvel Comics, have opted ... " [More]
SpoutBlogSpoutBlog Felon Fest: Statham vs. The Man
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Steven Boone joins SpoutBlog as a columnist covering politics and social issues and how they intersect with movies. Periodically, he’ll check in–as he’s done below–with firsthand accounts of watching movies with residents of a halfway house in Brooklyn. A halfway house in East New York, Brooklyn. Spring, 2008. The male residents––ex-junkies, parolees and disability recipients––all gathered for their nightly movie ritual. Four to a room, two bunk beds, one cheapo DVD player and a 13-inch Coby TV set. Audio commentary provided by the audience of (on average) five men: two on the bunks, three hunched around the screen on milk crates. The core crew of film fanatics is Kid and Hef, two old-timer felons, each of whom could be mistaken for a black variation of Walter Brennan in Rio Bravo. It’s a strange festival. Welcome Home, Roscoe Jenkins, Hoodlum, Alfred Hitchcock’s Suspicion, The Bank Job, Why Did I Get Married?, Tsui Hark’s Vampire Hunters, and lots of TV-on-DVD: Annie Oakley, CSI, ... " [More]
usesoapusesoap Stratham's 'Bank' shot
by usesoap in usesoap Blog
liked it.
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"Jason Statham is not a name that exactly inspires confidence in moveigoers.He was director Guy Ritchie’s lapdog for “Lock, Stock and Two Smoking Barrels” and “Snatch,” before boxing himself in to roles that played up his martial-arts prowess, squelching any dramatic potential that nuanced his performances.Starring in a string of empty-calorie cinematic Twinkies (“The Transporter” films, “Chaos,” “War” and “Crank” were all designed solely to accentuate his pugnacious proclivities) only kept him out of the direct-to-video purgatory that befell fellow fighters Steven Segal and Jean-Claude Van Damme.He’s often dismissed as the British version of Bruce Willis (balding, gruff on-screen demeanor, characters of few words and a cupboard filled with cans of whoop-ass), but he has the potential to bring on more than brawn to his roles.His followers may be small, but they are loyal, and he has staked his claim ... " [More]
JbecherJbecher A bit far fetched - but good
by Jbecher in Jbecher Blog
loved it.
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"This is one of those fun loving films. You just watch for fun and hang on for the ride. I really like the original film (Transporter) . This one was a bit far fethed but enjoyable. " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
Cool, kinetic, and supremely self-assured, this compact little action flick moves far too quickly to sink under the weight of its plot holes and occasional pretensions. Although clearly indebted to writer/producer Luc Besson's previous exercises in Gallic underworld glamour, The Transporter perfectly balances the contributions of co-directors Corey Yuen and Louis Leterrier. Yuen, a Hong Kong vet with a several American fight-choreography credits under his belt, turns in some breathless action set pieces whose grace and economy seem miles away from the blustery Michael Bay school of excess. Leterrier, meanwhile, presumably deserves credit for eliciting such wry humor and genre-defying humanity from the performers. Freed from the cocky, talky constraints of Guy Ritchie's world, star Jason Statham exudes coiled tension underneath his controlled exterior. The tale of an underworld courier's crisis of conscience could too easily slip into mawkish self-parody, but Statham's less-is-more approach lends the scenario an undeniable authenticity; this man, rather than Vin Diesel or The Rock, should be the model for tomorrow's action hero. It helps that Shu Qi makes such a credible combination of victim, femme fatale, and witty foil. After a twisted "meet cute" silly enough to satisfy the most rabid romantic comedy fan, Qi and Statham settle into a delicious chemistry that survives several unlikely plot twists. François Berléand's role as a wise, wary police detective proves problematic, but he and Statham wring as much dramatic frisson as possible from their frequent, pseudo-philosophical tête-à-têtes. Matt Schulze's double-crossing villain is strictly pro forma, but fans of television's Alias will not be surprised to learn that Ric Young achieves an effortless air of smug menace as the imposing and ultimately cold-blooded Mr. Kwai. The Transporter may have failed to cross over at the American box office the way Besson's and Statham's previous efforts did, but it's an unassuming delight in a genre fraught with loud, showy duds. ~ Brian J. Dillard, All Movie Guide
 

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