Trailer Page Revamped
Advertisement
Sign in
Username   Password         Forgot password?
Wanna join? Sign up
The Lost Squadron
  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • Rate this movie.

Rent it, watch it, find it

Advertisement
Directed by George Archainbaud
Unable to find steady work after WWI, three former flying aces -- Gibson (Richard Dix), Woody (Robert Armstrong) and Red (Joel McCrea) -- hire themselves out as stunt flyers for the movies. They find themselves employed by tyrannical director Von Furst (Erich Von Stroheim, playing what amounts to a self-caricature), who has no qualms about sending men to their deaths for the sake of "realism." Developing an esprit de corps with their fellow stunt pilots, our heroes regularly converge at the local watering hole to honor the latest casualties, wiping their names from a blackboard just as they'd done back in the Great War. When Von Furst, driven to insane jealousy by his much-abused wife Follette (Mary Astor), murders one of the pilots in cold blood, the others take a grim but thoroughly justifiable revenge. Boasting several first-rate aviation sequences, The Lost Squadron was scripted by real-life Hollywood stunt flyer Dick Grace (who also appears in the film); it was also the first RKO Radio production to carry the screen credit "executive producer, David O. Selznick." ~ Hal Erickson, All Movie Guide
[More]
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
liked it.
The Lost Squadron is an early classic from producer David O. Selznick, who had the insight to put former director Erich Von Stroheim in front of the camera, even as he put the prolific, lackluster George Archainbaud behind it. The film is one of several from the late 1920s and early 1930s to ask the question, "what do soldiers do after the war?" Squadron's former flying aces are noble in combat but lack a peacetime outlet for their close-knit adventurousness. The story is played for comedy, which plays well against its more obvious pathos. Von Stroheim's performance stands the test of time, as does the film's behind-the-scenes look at silent movie production. The film recalls 1927's Oscar-winning Wings, as well as 1928's The Last Command. Similar post-war themes would be explored by George Roy Hill in his more polished 1975 effort, The Great Waldo Pepper. ~ Richard Gilliam, All Movie Guide
 

Community ratings

mavens
Spout mavens
are not interested.
most people
Most people
disliked it.

Other opinions

erv
erv
is neutral about it.
rik_tod
rik_tod
is not interested.