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Baby Face
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Directed by Alfred E. Green.
Baby Face is a good example of the kind of spitfire lead female characters that appeared in the cinema of pre-code Hollywood. Lily Powers (Barbara Stanwyck) works as a barmaid in her father's factory-town saloon where she learns to deal with the unwanted advances of male customers. When her father dies, she moves to New York City with her maid, Chico (Theresa Harris), to become a ruthless gold digger. First she meets office boy Jimmy McCoy (a young John Wayne in an uncharacteristically clean-cut role) who helps her get a job at the Gotham Trust Company. From there, she seduces and discards various men (George Brent, Donald Cook, Henry Kolker) as she sleeps her way to the top of the company. Jealously between the men causes a murder scene, so Lily takes her furs and jewels and moves to Paris with Chico. The production code censors tacked on an ending that featured Lily giving away her money and returning to her home town with Brent. ~ Andrea LeVasseur, All Movie Guide
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mercurialmercurial Re:5 Pre-Hays Code Films
by mercurial in Top 5
loved it.
"1.) Baby Face - Wow, is she a slut! For its time it's incredible that she sleeps with practically every man in the building she works in (it's a skyscraper).2.) Freaks - The cool as shit "freaks" in the movie know how to get revenge.3.) Grand Hotel - Amazing cast, insanely quotable, intense subject matter for its time.4.) The Maltese Falcon - Homosexuality, fornication, murder and mayhem. And most of it is just alluded to.5.) Christopher Strong - Hepburn is hot in those manly pantsuits and insane (the happy kind of insane) with love that leads her to do something pretty insane (the scary kind of insane). " [More]
mercurialmercurial Baby Face - Review
by mercurial in a filmblog
loved it.
Was this review helpful? [Be the first to tell us!]
"A refreshing slap in the face to classic movie haters, Baby Face revels in its pre-Code freedom and presents a morally corrupt woman that lives to seduce men and take from them anything and everything that she wants. From the soot covered speakeasy where she learned of her power as a woman after hearing a few lines of Nietzsche to the phallic monoliths lining the streets of New York, Barbara Stanwyck is incredible as the unsympathetic yet lovable whore that finally learns the true meaning of love after sleeping with, well, pretty much everyone she encounters. " [More]
SpoutBlogSpoutBlog Barbara Stanwyck Birthday Essen ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Today would have marked the 100th birthday of Barbara Stanwyck. Perhaps the greatest tough-cookie of an era in which tough-cookies were in no short supply, Stanwyck worked steadily from the 30s through the 60s. She had a rare gift for adopting the expected conventions of any given genre, while maintaining her signature blend of wise-cracking sensuality and drowsy hostility. Some of Ms. Stanwyck's must-see performances are screening on Turner Classic Movies today and tonight; though I'd prefer to watch Howard Hawks' Ball of Fire, the gem of the program is probably Baby Face, which airs tonight at 8pm EST. Baby Face was the ultimate pre-Code picture, and one of the least morally defensible products of Warner Brother's early-30s stab at social relevancy. Stanwyck plays Lily, a saloon maid who, perhaps too-loosely interpreting the advice of her Nietzschean mentor, "accidentally" kills her father and, with her handservant/only friend in tow, hightails it to the big city to commence sl ... " [More]
 



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