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Sunshine State
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Directed by John Sayles.
Writer and director John Sayles returns with another multi-layered look at an American community, subtly exploring how race, class, economics, and both national and regional history come together to shape people's lives. Plantation Island is a community on the coast of Florida; the island was once a notorious hotbed of segregationists, with most of the African-American population centered in the neighborhood of Lincoln Beach, while Delrona Beach is primarily home to white residents. Marly Temple (Edie Falco) is the sixth generation of her family to live in Delrona Beach, where she helps run a motel and cafe owned by her elderly and ill-tempered father (Ralph Waite) and drama instructor mother (Jane Alexander). Marly's former husband, Steve (Richard Edson), is a scruffy ne'er do well who's a sucker for get-rich-quick scams, while her current boyfriend, Scotty (Marc Blucas), is struggling to make something of himself as a golf pro. Meanwhile, Desiree Perry (Angela Bassett) is an actress who is returning to Lincoln Beach for the first time since she was a teenager, hoping to introduce her new husband, Reggie (James McDaniel), to her mother, Eunice Stokes (Mary Alice). Desiree was the center of a minor local scandal when she became pregnant as a teenager and moved away. Eunice has never quite forgiven her, while Flash (Tom Wright), Desiree's high school boyfriend and the man responsible, hasn't seen her since. Eunice is looking after Terrell (Alex Lewis), a troubled youth recently found guilty of arson, and Desiree and Reggie soon find themselves bonding with the misguided youth. In time, Delrona Beach and Lincoln Beach are brought together by a common concern; Greg (Perry Lang) and Lester (Miguel Ferrer) are representatives from a nearby resort community looking to expand, with Plantation Island looking like their most likely target. As homeowners debate whether to sell or stay put, local government officials and the town's business community argue the merits and faults of the resort's expansion into Plantation Island. Meanwhile, Marly becomes romantically involved with Jack (Timothy Hutton), a landscape architect affiliated with the developers who seems to believe his work is doing more harm than good. Sunshine State also features Mary Steenburgen, Alan King, and Bill Cobbs. ~ Mark Deming, All Movie Guide
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jjgittesjjgittes Sunshine State on Reel 13
by jjgittes in jjgittes Blog
is neutral about it.
Was this review helpful? [Be the first to tell us!]
"I took two whole pages worth of notes for SUNSHINE STATE when it aired on Reel 13 on Saturday. There a couple of reasons for this: 1) the film is about two and a half hours long, so I had the time and 2) the film is very slow and boring, so I wasn’t lost in the film and could focus on my notes without fear of missing anything. What’s most surprising about the failure of SUNSHINE STATE is that director John Sayles is usually pretty reliable and (as we were oft-reminded by the Reel 13 hosts) is a legend in independent cinema. He has at least two masterpieces (Orson Welles used to say you only needed one) with EIGHT MEN OUT (1988) and the frequently forgotten Spanish-language MEN WITH GUNS (1998) (Some people might include LONE STAR (1996) on that list, but I am not among them). He might even have a few more with MATEWAN (1987) and CITY OF HOPE (1991), but I haven’t seen them yet, so I’ll have to abstain. The point is: how did such a prolific auteur miss the ma ... " [More]
JimBellJimBell The Sunshine State
by JimBell in JimBell Blog
loved it.
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"John Sayles wrote, directed, and edited The Sunshine State (2002). I have not seen his other movies: Limbo (1998) about modernization in Alaska; Men with Guns (1997); Lone Star (1996) set in a one-sheriff town in Texas; or The Secret of Roan Inish (1995) about a 10-year old girl in coastal Ireland. Yet all of these movies were appreciated by critics if not the Hollywood box office. I’d try to see a second Sayles film because this movie is mature and subtle. I thought The Sunshine State would be a knock-down, drag-out confrontation between evil land developers and energized local citizens, but it is nowhere near that straight-forward. This movie is a slice of life, showing a host of day-to-day struggles—trying to make Pirate Days work, fighting gambling addiction, dealing with an angry teenager, breaking up with your boyfriend, playing golf with your old retired friends, and on and on. Predictably, this caused some critics to complain that the movie was unfocused, too lo ... " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
John Sayles' Sunshine State is an intricate multi-character family drama with political undertones. While the film has its share of sharply written dialogue and strong performances, it's a little fuzzy around the edges, and doesn't approach the power of Sayles' previous two films, Lone Star and Limbo. Sayles' points about real estate development and race relations are well taken, but the speechifying by certain characters, including Ralph Waite as patriarch Furman Temple, and Alan King as an obnoxious golfer who appears throughout the film, is tiresome. Sayles dealt with the similar issues in Lone Star and Limbo, but managed to get his points across through richly drawn character studies. Sunshine State interrupts the flow of the narrative to insert its messages, making the film more pedantic and less engaging. There's a subplot involving Mary Steenburgen and Gordon Clapp that doesn't really go anywhere. But the film still offers plenty of pleasures, chief among them Sayles' wry, well-observed dialogue. Mary Alice and Angela Bassett are wonderful as an estranged mother and daughter, and Edie Falco is also very good (and does a passable Southern accent) as a confused and depressed woman falling for a very compromised suitor (Timothy Hutton). Her morning-after self-critique is believable, funny, and sad. There's also a wealth of interesting supporting characters, including a very funny Richard Edson (Stranger Than Paradise) as Falco's ex-husband. There's enough humor and heart on display in the film that its occasional lapses into heavy-handedness can be forgiven. ~ Josh Ralske, All Movie Guide
 



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