Four Eyed Monsters
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Directed by Costa-Gavras.
The collective crimes against humanity known as the Holocaust have been well-documented since the end of World War II, but lingering questions remain about how much was known about the Nazi mass-extermination schemes outside Germany, and what could have been done to prevent them. Political filmmaker Costa-Gavras confronts this thorny issue in this film, adapted from the stage drama The Representative and based in part on actual events. Kurt Gerstein (Ulrich Tukar) is a German chemist whose work on various government health projects led to him being added to the scientific staff of the Nazi SS. While working on disinfection and water purification programs to stem the tide of typhoid among German troops, Gerstein creates a toxic cleanser called Zyclon B. Gerstein soon learns that the SS has found a different use for Zyclon B -- in gas form, it is being used to exterminate Jews and other political undesirables en masse. Gerstein, a man of strong Christian faith, is horrified by this revelation, and he is determined to tell the world in hope of stopping the genocide; however, in Germany, Sweden, and the United States, Gerstein's story falls on deaf ears. One man who does believe Gerstein is Riccardo Fontana (Mathieu Kassovitz), a Jesuit with ties to the Vatican and close contact with Pope Pius XII (Marcel Iures). Fontana urges the Pope to speak out against the ongoing massacre, but the Pope declines, believing Russia is a greater menace to the Catholic Church than the Nazis. In time, desperate to spread the word of the holocaust, Gerstein and Fontana find themselves joining ranks with Roman Jews being rounded up by Nazi forces in occupied Italy. ~ Mark Deming, All Movie Guide
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leeroy711leeroy711 Re:Films that deserve the Crite ...
by leeroy711 in Criterion Collection
loved it.
"[quote user="Smooth_J"] The Coen Bros would be awesome, but I'm not sure if they'd be into Criterion...who knows though. I've been thinking of a lot of movies lately that would make a great Criterion release, the most prominent of which being The Assassination of Jesse James by the Coward Robert Ford. I also would love to see Malick's Badlands get the treatment, though I have yet to see it, because I'm planning on buying it anyways. And, since they've done all other Wes Anderson movies, I'm thinking that they might as well do The Darjeeling Limited. [/quote] Or how about a Costa-Garvas collection, I think Z for his old stuff and maybe Amen for his newer stuff. Eventually, I'd love to see if Juenet makes it, Amelie has gotten the most critical acclaim, but they could probably just do all of his stuff at some point............sans the Aliens one. " [More]
CinemaRianCinemaRian Amen (2002, France, Costa-Gavra ...
by CinemaRian in CinemaRian Blog
hasn't rated it.
1 out of 1 people found this review helpful. [What do you think?]
"Before I even saw Amen my review was mentally half-written. I was going to argue that it's ahistorical anti-Catholic propaganda from a ultra-radical director with an axe to grind. But while I disagree with the it's conclusion, this is not an unreasonable film. The film is based on the Rolf Hochhulth's super contraversial play The Deputy: A Christian Tragedity. Both Hochhulth and Costa-Gavras examine the same question (why were so many religious leaders silent during the Holocaust?) and give special attention to the role of Pope Pius XXII. A brief but neccessary historical sidenote: Pius, born Eugiono Pacelli, was Pope from 1939 until his death in 1958. His actions during the Second World War have been contraversial ever since the publication of Hochhuth's play in 1963 (before that, he had been widley popular, even with non Catholics and non Christians, and was considered to be one of the greatests Popes ever). Pius's detractors critized him for his "silence" during the Holoca ... " [More]
 



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