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Bowling For Columbine
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Directed by Michael Moore.
Filmmaker, author, and political activist Michael Moore trains his satirical eye on America's obsession with guns and violence in his third feature-length documentary, which gets its title from a pair of loosely related incidents. On April 20, 1999, shortly before they began their infamous killing spree at Columbine High School in Littleton, CO, Eric Harris and Dylan Klebold attended their favorite class, a no-credit bowling course held at a bowling alley near the school, the same bowling alley which would become the scene of a robbery and triple homicide two years later. While pondering these events, Moore humorously considers the link between random violence and the game of ten pins; along the way, Moore calls on the Michigan Militia (and gets to know some of the models for their "Militia Babes" calendar); spends some time with James Nichols, brother of Oklahoma City bombing accomplice Terry Nichols; visits K-Mart's corporate offices with two teenagers injured in the Columbine massacre as they ask the retail chain to stop selling bullets for handguns; investigates the media's role in the American climate of fear and anger; compares crime statistics in the United States with those of Canada (which, despite higher unemployment and a larger number of guns per capita, manages to rack up a small fraction of the homicides committed in the United States), and questions actor and National Rifle Association president Charlton Heston regarding his appearance at a pro-gun rally held in Littleton a few days after the Columbine massacre, and a similar rally in Flint, MI, after a six-year-old boy killed a classmate with a gun he took from his uncle's house. Bowling for Columbine received its first public screening at the 2002 Ann Arbor Film Festival; the film's official premiere took place a few months later at the Cannes Film Festival. ~ Mark Deming, All Movie Guide
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minerwerksminerwerks Getting 'Sicko'
by minerwerks in minerwerks Blog
liked it.
Was this review helpful? [Be the first to tell us!]
"At the risk of being a polarizing figure right off the bat, I'm going to review Michael Moore's 'Sicko,' but there might be a bit of my own personal feelings in there as well. It's not that I planned this, it's just that I happened to see the film today, and it's the first thing I've watched since signing up at Spout.Since 'Fahrenheit 9/11' came out, Michael Moore probably doesn't need an introduction. Some love him and some hate him, but does that relate to the quality of his films? I have watched Moore ever since seeing 'Roger & Me' on video and being impressed with his particular ability to highlight the absurdity of real life and his firm grasp of film language which results in very compelling and emotionally charged films. His new film, 'Sicko,' is in many ways is obviously of the same pedigree, but other subtle things (good and bad) set this one apart.'Sicko' is possibly the most straight-forward presentation Moore has ever made on film. The stories here flow pretty smoot ... " [More]
stuntman_Jamesstuntman_James MY Two Cents on.......Michael M ...
by stuntman_James in stuntman_James Blog
is neutral about it.
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"I am going to take a probably an unpopular stance here with my views on Michael Moore. It seems that in the time when being a right wing republican with conservative views is quite dangerous, I planned on discussing about Michael Moore with out injecting my political views, but I find that as I am crafting my blog, it seems quite hard. I am, or was a documentary filmmaker. With that said, I take great pride when documentaries take center stage for whatever reasons. It is a unique art form that shows reality in any form it wishes. However, I do also realize that documentary filmmakers give a very one-sided view on the subject matter the are filming. Take Jesus Camp. It was one of the few films that moved me when I viewed it last year. I sat in disgust and pure terror, and after several different viewings of the film, realized that even though it was disturbing, it was a one sided view. So, now comes my thoughts on Michael Moore. The conservative side of me becomes sick ... " [More]
RisseladaRisselada Re: Deception
by Risselada in Philosophy of Film
is neutral about it.
"I suppose so.I guess I'm not surprised that people would be fooled by either. But I can understand why people would be rather upset by the Michael Moore type situation rather than the Coen brothers. What are the implications for our lives if Fargo isn't what they claim? Not much I'd suspect. What about something like Bowling for Columbine or Fahrenheit 9/11? Well the issues are about the government, and the movie itself is a claim that what it's saying is important. It's argument really.Fargo is a story. It doesn't need to justify itself. The others are claiming to be affecting arguments, calls to action. If the premises are deceitful, there seems to be more reason to be upset.But in some ways I would actually hope that people would be more likely to fall for Fargo's deceit than Michael Moore's for this very reason. If something presents itself as an argument, I think you should be inquisitive from the start. If it's just a story, whet ... " [More]
paulpaul Re: Documentaries That Can't Exist
by paul in PulpFiction1975
lost interest.
"In the tradition of documentaries that don't go where the director intended (Kurt and Courtney), Olaffson is elected to stay behind and protect the women and children because, at age 34, he's a little long in the tooth for battle.As Karlson says goodbye to his father, he leaves behind a critical piece of nautical gear—Olaffson's metaphorical baton passed on to his son. The horde wonders listlessly at sea much longer than expected until they turn back to go home.Meanwhile at the monastery, an unseasonable cold snap ruins th majority of the apple orchards production that year. The monks reluctantly open their stores of beer as their winter staple. It's going to be a long one. But a litter of orphaned squirrels appear in the cellar and, for the monks, serve as a providential distraction from the long winter months.In a last ditch effort to pull the film out of total banality, the director tries to arrange a marriage between Karlson and a girl from a rival tribe. Like Michael Moore cha ... " [More]
Review by All Movie Guide
All Movie Guide
liked it.
In Michael Moore's best work, the director's attitude toward his subject walks a fine line between bemusement and bitter outrage, and those two extremes are closer than one might ever expect in his film Bowling for Columbine. Moore's examination of America's three-way addiction to guns, violence, and fear doesn't offer many answers to the tough questions it poses, but to a large degree that's part of the point; one of the film's most telling moments comes when Moore interviews the father of one of the students killed in the Columbine High School massacre, and after a while he can only conclude ruefully that he simply doesn't know why America has become such a violent society. Of course, Moore certainly has his opinions about this matter, but for every moment where he's taking on K-Mart for selling handgun ammo or Charlton Heston for appearing at major pro-gun rallies days after highly publicized incidents of handgun violence (in the latter case, at least Moore's entitled as a member of the NRA), there's another where Moore sets out to find if it's true that Canadians don't lock their doors by simply barging in unannounced, or visits a bank where you can get a free rifle for opening a savings account. Moore is able to make the absurdity of real life communicate his message just as well as his rage or sadness, and the film's pointed but effective comedy not only makes the film more entertaining, but also reinforces the more somber (and sometimes shocking) material elsewhere. Bowling for Columbine has an obvious and specific political agenda (and your appreciation of the film may well have a lot to do with the degree to which you share his views), but Moore seems less interested in determining who is right or wrong than in asking what can be done to make America a safer and saner place to live, and for all the craziness (both funny and disturbing) on view, it's the shaggy regular-guy humanity of Bowling for Columbine that makes it most effective, both as a polemic and as cinema. ~ Mark Deming, All Movie Guide
 



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