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Dark Blue
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Directed by Ron Shelton.
A cop's personal code of justice begins to change after a number of incidents lead his city to a tragic wave of violence in this police drama. Eldon Perry (Kurt Russell) is a veteran cop with the LAPD's Special Investigations unit, a man who isn't above bending the law if it means putting people behind bars who deserve the treatment. As Los Angeles waits on the verdict in the Rodney King police beating trial, Perry is presenting testimony to Assistant Chief of Police Arthur Holland (Ving Rhames), who is well aware of the corruption in the SIS unit and wants to stop it. Perry, however, twists some facts as he speaks in the defense of his new partner, Bobby Keough (Scott Speedman), who is being investigated for inappropriate use of deadly force. For lack of honest testimony, Keough is let off the hook, and soon he and Perry have a new case to investigate -- a robbery at a liquor store than turned into a quadruple homicide. Perry and Keough quickly track down two likely suspects, Orchard (Kurupt) and Sidwell (Dash Mihok), but Perry is surprised when the head of SIS, Van Meter (Brendan Gleeson), tells him to let Orchard and Sidwell go, and instead points the finger at two ex-cons who should be taken off the street, even though they're innocent of this crime. Perry follows Van Meter's orders, despite Keough's misgivings, but in the wake of the L.A. riots, Perry has a change of heart, and decides to start working with Holland against Van Meter's corrupt methods. In the midst of it all, Perry is trying to hold together his troubled marriage to Sally (Lolita Davidovich), while Keough finds himself romancing a fellow officer, Beth (Michael Michele). Dark Blue was adapted from an original screenplay by noted crime novelist James Ellroy; originally set against the backdrop of the 1965 Watts riots, the story was later updated to 1992. ~ Mark Deming, All Movie Guide
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usesoapusesoap Takin' it to the 'Street'
by usesoap in usesoap Blog
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"Sure, it’s good to be the king, be it Henry VII, Billie Jean or Stephen. But there are so-called “kings” of questionable virtue.1) The King of Pop: A dandy whose contributions to the music arts have been eclipsed by his personal predilection for young squires in his kingdom.2) Burger King: Rules by treating his subjects to high-fat, empty-calorie meals; contributes to obesity epidemic; stars in rather creepy commercials where he’s often depicted as a voyeur.3) Chess King: Flagrant violator of many laws of fashion; turns a blind eye while keeping his minions ensconced in garish, pseudo-suave outfits.We can now add the “Street Kings” to the list of those with dubious contributions during their sovereignty. While it possesses a few complimentary attributes, its overall merits are overshadowed by a number of tired cinematic truisms.Keanu Reeves heads a cast of misused and miscast talent in the latest police drama from a man (directo ... " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
This hard-boiled cop flick is mean, nasty, and violent, inspired as it is by the writing of James Ellroy, who penned the story it's based on. It's very much true to Ellroy's gutter-style crime fiction, and that's the film's best quality. The screenplay by David Ayer is very much in keeping with Ellroy's style, perhaps even more so than L.A. Confidential. The film also has plenty of similarities to 2001's Training Day with Denzel Washington. Both films deal with thoroughly corrupt LAPD units. Dark Blue focuses on the Special Investigations Squad (SIS), which killed an incredible amount of bank robbers over a short period of time. The unit's amazing kill rate was never a huge story and was eventually overshadowed by the Rampart Scandal. Dark Blue, like Training Day, also has a seasoned corrupt cop Eldon Perry (Kurt Russell) paired up with an anxious rookie Bobby Keough (Scott Speedman). While Russell does a fine job playing an alcoholic, out-of-control jerk and Brendan Gleeson is good as his completely crooked mentor, Speedman is weak in the good-cop role, as is his love interest, another cop (Michael Michele). Both are TV actors who make Dark Blue feel like a crummy TV cop show when they're together on screen. The story takes place as the Rodney King verdict and L.A. Riots unfold and does a good job of showing the sort of cop culture that led to those events. The riot scene near the end of Dark Blue is quite a spectacle, but the very end of the film is too staged. This doesn't take away, however, from what is surely one of the grittiest cop pictures Hollywood has ever made. ~ Adam Bregman, All Movie Guide
 



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