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Blue Car
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Directed by Karen Moncrieff.
The coming-of-age drama Blue Car is the directorial debut feature from actress Karen Moncrieff. Played by newcomer Agnes Bruckner, quiet high school student Meg lives in an apartment complex where she takes care of her troubled little sister, Lily (Regan Arnold), while her emotionally unavailable mom (Margaret Colin) is busy at work or school. Since her dad left, the family has been under financial strain and Lily suffers from starvation, delusions, and self mutilation. Meg maintains a calm demeanor and endures her responsibilities but unleashes her frustrations and pain through her poems, which she shares with her supportive English teacher, Mr. Auster (David Strathairn). With his encouragement, she wins a regional poetry competition and makes it to the finals in Florida. However, she is faced with repeating hardships as her sister's condition intensifies, she gets fired for stealing, and her mom kicks her out of the house. Temporarily staying with her friend Georgia (Sarah Beuhler), she meets the delinquent Pat (A.J. Buckley) and gets involved in some petty crime. Agnes eventually goes to Florida by herself, where she meets Mr. Auster's intelligent yet discontented wife, Delia (Frances Fisher), and she finds her relationship with him becoming more complicated. Blue Car premiered at the 2002 Sundance Film Festival. ~ Andrea LeVasseur, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
A grittily realistic drama, Blue Car is as downbeat as it is honest about adolescent abandonment and the desperate need for connection. Though the story is made up of conventional elements, all the unglamorous truth hangs out and the emotional turns are warranted by the solid script and nuanced performances. In her breakthrough performance as Meg, Agnes Bruckner is the embodiment of understated teenage pain. The role of a high school poet is often made into a caricature, but Bruckner brings a raw honesty and apprehension to the part that avoids overwrought stereotypes. Veteran actor David Strathairn also hits the right note in the difficult role of Mr. Auster; their scenes together in the classroom are carefully observed with nervous details and real teacher-student interaction. With her ragged fingernails and glassy composure, Meg shows incredible strength in reserve by constructing her identity from the scraps left around her. Her search for connectedness is a sincere one, and each devastating experience seems to attest her tenacity. The ethereal soundtrack by Adam Gorgoni skillfully reflects the intimate nature of the story, especially during the reflective second half. After all of the dark abandonment and betrayal she endures, the conclusion at the final poetry competition reveals a cathartic personal victory. Though the subject matter could've been mistreated by other filmmakers, Blue Car is handled with care and enough concern to get all the bleak details right. ~ Andrea LeVasseur, All Movie Guide
 



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