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Life With Father
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Directed by Michael Curtiz
The longest-running non-musical play in Broadway history, Life With Father was faithfully filmed by Warner Bros. in 1947. William Powell is a tower of comic strength as Clarence Day, the benevolent despot of his 1880s New York City household. Irene Dunne co-stars as Day's wife Vinnie, who outwardly has no more common sense than a butterfly but who is the real head of the household. The anecdotal story, encompassing such details as the eldest Day son's (James Lydon) romance with pretty out-of-towner Mary (Elizabeth Taylor), is tied together by Vinnie's tireless efforts to get her headstrong husband baptized, else he'll never be able to enter the Kingdom of God. Each scene is a little gem of comedy and pathos, as the formidable Mr. Day tries to bring a stern businesslike attitude to everyday household activities, including explaining the facts of life to his impressionable son. Donald Ogden Stewart based his screenplay upon the play by Howard Lindsey (who played Mr. Day in the original production) and Russell Crouse; the play in turn was inspired by a series of articles written by Clarence Day Jr., shortly before his death in 1933. Due to a legal tangle with the Day estate, Life With Father was withdrawn from circulation after its first run; it re-emerged on the Public Domain market in 1975. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
liked it.
Life With Father is yet another well-made film from the versatile Michael Curtiz, who probably directed more types of films well than anyone else in screen history. This is another "family values" film from the post-WWII era, with William Powell as the loving patriarch and Irene Dunne as the wife who understands her duties to gender traditions. One of the best reasons to watch is to see a young Elizabeth Taylor in an important supporting role. The film does not so much evoke the values of a bygone era as advocate them, and current-day audiences may have difficulty relating to its simplistic world view. As with nearly all of Curtiz' studio efforts, the production is first-rate, the performances strong, and the events fast-moving. The film is perhaps better remembered by reputation than by re-viewing, but it was one of Warner Bros.' top films of the era, and it remains a well-constructed piece of commercial filmmaking. ~ Richard Gilliam, All Movie Guide
 

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