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Gosford Park
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Directed by Robert Altman.
Maverick American filmmaker Robert Altman takes a witty and absorbing look at the foibles of the British class system in this intelligent murder mystery set in the early '30s. Sir William McCordle (Michael Gambon) and his wife Lady Sylvia (Kristin Scott Thomas) are a pair of wealthy British socialites who have invited a variety of friends, relatives, and acquaintances to their mansion in the country for a weekend of hunting and relaxation. Among the honored guests are Constance (Maggie Smith), Lady Sylvia's matronly aunt; Ivor Novello (Jeremy Northam), William's cousin who is also a well-known actor and songwriter; and Morris Weissman (Bob Balaban), an American film producer who is friendly with Ivor and researching an upcoming project. Observing the proceedings are the domestic staff of the mansion, including imperious butler Jennings (Alan Bates); footmen George (Richard E. Grant) and Arthur (Jeremy Swift); Probert (Derek Jacobi), a valet to Sir William; housekeeper Mrs. Wilson (Helen Mirren); Mrs. Croft (Eileen Atkins), who oversees the kitchen; and Elsie (Emily Watson), a maid. Also on hand are the guests' personal servants, including Mary (Kelly MacDonald), Constance's maid; Henry (Ryan Phillippe), Weissman's valet; and Parks (Clive Owens), a butler. While the servants are required to display a high level of decorum, they are expected to be passive observers who do not comment on what they see, though the gossip among them travels thick and fast once they retire to the servants' quarters downstairs. And it turns out that there's plenty worth gossiping about, especially after Sir William turns up dead, and everyone is ordered to stay at the mansion while the police investigate the killing. Gosford Park also features Charles Dance, Tom Hollander, Natasha Wightman, and Ron Webster; the screenplay was written by Julian Fellowes, based on a story by Altman and co-star Bob Balaban. ~ Mark Deming, All Movie Guide
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HairyLimeHairyLime M*A*S*H
by HairyLime in HairyLime Blog
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"In a discussion group recently the topic of 'book adaptations' has been brought up, and while I was watching this last night it occurred to me that this one is another good example of a successful 'book to movie' transformation that is neither too literal of a rote retelling, and stands on its own as a film.Caught the final third of this one a couple weekends ago while flipping channels, and then watched the rest of the movie yesterday evening. Not the first time I'd seen it (I've actually lost count how many times), and it struck me how very fresh and innovative it still seems 30 plus years after the fact. There wasn't really anything like it seen before, with its overlapping dialog, meandering storyline and counter-cultural viewpoints.Those brought up on the television series may find the flavor a little hard to digest, no neatly tied up plotlines, no laugh track, a subtler brand of humor.Gould and Sutherland are a great pairing, and would go on to cos ... " [More]
Review by All Movie Guide
All Movie Guide
liked it.
This handsome whodunit-cum-comedy of manners marks a return to form for maverick filmmaker Robert Altman. Set in a sprawling estate in the English countryside circa 1930, the movie gives Altman the chance to do what he excels in -- namely, juggle a cast of more than two dozen actors and weave a coherent, cohesive panorama of human behavior. As with most Altman movies, that behavior is distinguished by frailty and pettiness. The breezy barbarism of "civilized" people is on display, as is the strange symbiotic relationship that binds masters and servants. Altman commandeers his fluid camera through the halls, rooms, and lawns of the crowded mansion with the assurance of a master storyteller. There seems not one wasted shot in this efficient movie, and yet it breathes with the spontaneity typical of Altman. Also typical is Altman's perfunctory approach to the murder mystery. Never one interested in the rote workings of a genre, Altman sees the mystery less as an engine for suspense than as an opportunity for sad wisdom and sobering epiphany -- you could say it's less a whodunit than a whydunit. Needless to say, the material is familiar: weekends-in-the-country and upstairs-downstairs intrigues have been the stuff of other excoriations of the landed class, most famously Jean Renoir's canonical La Règle du jeu. Altman and his glittering cast -- a who's who of British acting -- wisely do not attempt to excavate new truths from the familiar form. Staying within its parameters, the movie is a lovely addition to a timeworn genre and a graceful echo of a timeless masterpiece. ~ Elbert Ventura, All Movie Guide
 



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