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Gunman in the Streets
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Eddie Roback (Dane Clark), an American army deserter turned criminal, is going to trial in Paris after a ten-month delay when he is sprung on his way to court in a pitched gun battle. A manhunt ensues with the police just a few paces behind, including a nicely staged scene in a department store in which Roback manages to improvise an escape, only to be standing by across the street from his intended destination as his waiting confederates are taken by the police. Investigators try to get ahead of him by reaching out his girlfriend, Denise Vernon (Simone Signoret). Feigning innocence, she makes contact with the wounded Roback, who is turned away by his former associates in his attempts to find shelter and escape. She eventually finds him a hiding place in the studio of Max Salva, a lecherous photographer with a sadistic streak, who may have given Roback up to the police. Denise tries to find him a way out of the country, with money from an American writer, Frank Clinton (Robert Duke), while the police slowly catch on to Roback's whereabouts, drawing the net ever closer. Several battles of wits unfold at once, drawing the viewer in, across intertwining, overlapping plot elements. Even nature raises its hand against Roback as a crippling fog slows his seemingly easy escape to Belgium. All of the players are drawn together for a final confrontation that is every bit as violent as anything seen in American crime films of the period. ~ Bruce Eder, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Gunman in the Streets, originally released in France as Le Traque, is a lost movie that was well-worth finding. Shot in Paris at the end of the 1940s by Frank Tuttle, who had found his Hollywood career interrupted by the Red Scare, it possesses a lot of the same smooth, almost hypnotically subtle elements that characterized Tuttle's best film, This Gun for Hire. In the role of Eddie Roback, Dane Clark mostly acts with his eyes and his body, uttering precious few words over the course of the 88-minute movie. Simone Signoret carries a lot of the movie with her cool presence, which is startling in its mix of cheerful corruption and emotional detachment. The movie flows along with a beguiling ease, trailing out several plot threads and relationships that neatly draw together in a heightening dramatic arc, the suspense tableaus shifting elegantly from one scene to another, overlapping time and plot elements, and pulling the viewer inexorably into the center. Gunman in the Streets wasn't shown theatrically in the United States until 2001, 50 years after its premiere in France, and 49 years after it reached England. Despite its French origins, it has enough of an American feel in its pacing and approach to appeal to lovers of crime movies (it would make a great double-feature with White Heat, which it resembles to some extent), but its Gallic cast and Parisian settings, and its postwar ambience, make it alluring to foreign film buffs as well. ~ Bruce Eder, All Movie Guide
 

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