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A Beautiful Mind
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Directed by Ron Howard.
The true story of prominent mathematician John Forbes Nash Jr. is the subject of this biographical drama from director Ron Howard. Russell Crowe stars as the brilliant but arrogant and conceited professor Nash. The prof seems guaranteed a rosy future in the early '50s after he marries beautiful student Alicia (Jennifer Connelly) and makes a remarkable advancement in the foundations of "game theory," which carries him to the brink of international acclaim. Soon after, John is visited by Agent William Parcher (Ed Harris), from the CIA, who wants to recruit him for code-breaking activities. But evidence suggests that Nash's perceptions of reality are cloudy at best; he is struggling to maintain his tenuous hold on sanity, and Alicia suspects a diagnosis of paranoid schizophrenia. Battling decades of illness with the loyal Alicia by his side, Nash is ultimately able to gain some control over his mental state, and eventually goes on to triumphantly win the Nobel Prize. Based loosely on the book of the same name by Sylvia Nasar, A Beautiful Mind (2001) co-stars Paul Bettany, Adam Goldberg, Anthony Rapp, Christopher Plummer, and Judd Hirsch. ~ Karl Williams, All Movie Guide
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indieabby88indieabby88 Movies 101-Leading Men
by indieabby88 in Bloggish review blog
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"I'll admit that I'm a real sucker for interview shows. I've been a fan of "Inside the Actor's Studio" for years, so I was really looking forward to Professor Richard Brown's series of interviews with (mostly) well-respected actors, and for the most part, this disc delivered. I got "Leading Men," which contained interviews with George Clooney, Josh Lucas (huh?), Daniel Day-Lewis and Dennis Quaid.Clooney's interview provided a lot of interesting information about his background. I thought his description of his childhood and his idealistic journalist father really explained a lot about the kind of public figure the actor is today, and why he's taken on so many of the recent projects he has, like Syriana and Good Night and Good Luck. While he still seemed pretty self-important, Clooney's view that his stardom has everything to do with luck and ability, and less to do with arrogance was a great point of view to hear. It seems as thou ... " [More]
cspraguecsprague Cinematic Elements in A Beautif ...
by csprague in Bloggity Blah Blah Blog
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"Usually, when we ask a person what they enjoyed about a film they will say they enjoyed the story, characters, or the surprise twist at the ending. Rarely does the average viewer take into account the cinematic elements that work to communicate all of those details in an intriguing or enjoyable way. Furthermore, it seems as though few films that we would agree have excellent stories or characters could also be poorly produced. These things tend to go hand-in-hand for filmic narratives simply because in order for a story to be good it has to be told well, which, for film, implies the proper use of elements such as the score, mise en scene, and cinematography, just to name a few. For example, A Beautiful Mind, directed by Ron Howard and released in 2001, relies heavily on these elements to tell a story and construct a compelling plot over a progression of time.A Beautiful Mind, winner of the Academy Award for Best Picture in 2001, was based on the book by Sylvia Nasar and adapted for ... " [More]
cspraguecsprague The 2007 Water Front Film Festival
by csprague in Bloggity Blah Blah Blog
hasn't rated it.
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"I have never been to a Film Festival before, so I was pretty fresh to the scene at Water Front in Saugatuck, MI this year. It was a small, quiet resort town, mostly untainted by hype or the onslaught of cinephiles. There were just a lot of people, anywhere between the ages of 1 and 80, who simply came out to enjoy the films and maybe meet a few other film-lovers. The festival itself flowed pretty smoothly (except Fed-Ex some how managed to misplace several films, which then had to be shown in digital instead of celluloid; much to the film-purists chagrin), which is pretty incredible considering it is a completely volunteer-run festival. Even the promotional media that they showed before films seemed well-done, and were at the very least clever and humorous. The first film I watched while I was there was The Go-Getter, a film by Martin Hynes; his second after a film he made in 1999. The Go-Getter stars Nick Offerman, Jena Malone, William Lee Scott, Zooey Deschanel, and Lou Taylor P ... " [More]
thefilmpanelnotetakerthefilmpanelnotetaker Tribeca Talks – Alfred P. Sloan ...
by thefilmpanelnotetaker in thefilmpanelnotetaker Blog
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"Tribeca Talks – Alfred P. Sloan Foundation presents: Prodigies, Nobelists and Penguins: Science and Stereotypes in the Movies – May 5, 2007 (Left to right: Sidney Perkowitz, Darren Aronovsky and Billy Shebar)Panelists:Darren Aronovsky (DA) – Filmmaker, The Fountain, Requiem for a Dream, PiBilly Shebar (BS) – Screenwriter, Dark MatterModerator:Sidney Perkowitz (SP) – Professor of Physics at Emory University (SP) What do you think of how Hollywood portrays scientists in film?(BS) I’ve seen portraits that go either way, but things have gotten better and better. There used to be a lot of films with mad scientists, but we’ve gone beyond that. Dark Matter is about post-Tiananmen Square Chinese students in the U.S. facing a lot of scholarly pressure. The film looks at cosmology. It’s an interesting moment in history. I researched cosmology and found that “dark matter” itself is an unsolved problem. The film is about a mentor/student relationship where the mentor studies the cherished mode ... " [More]
Review by All Movie Guide
All Movie Guide
liked it.
A skillful adaptation of a real-life story by director Ron Howard, who matures beyond the facile emotions and obviousness inherent to most of his previous work, embracing a new level of maturity that is a welcome compliment to his clear, if workmanlike visual style. Howard has always been a reliable film craftsman, efficiently translating words into pictures even if his compositions have remained more functional than creative. It's a curse endemic to those who made their bones in television, including Howard's contemporaries Garry Marshall and Penny Marshall. Despite two successful decades on the A-list, they have few major-league peers with such a lack of distinguishable artistic signatures. Without skipping a beat, Howard has moved effortlessly from the rapid-fire compactness of Apollo 13 (1995) to the bloated, sugary, over-the-top razzle-dazzle of the almost unforgivably heinous How the Grinch Stole Christmas (2000). So equated is he with a glossy, marketable broadness that the sheer elegance and subtlety of his approach to this largely internal story is astonishing. It's a quantum leap forward that would be comparable to the achievement of Steven Spielberg with Schindler's List (1995), if not for the difference in emotional, physical, and historical scale. Always a demanding, exacting actor, Russell Crowe continues a winning streak by delivering the latest in a series of knockout performances, adroitly handled by a director who seems simpatico with his every choice. The film's structural gimmick turns in on itself halfway through, challenging the viewer to observe every previous and subsequent event through the eyes of paranoia, a brilliant twist that works beautifully, even better so because it is never hammered indelicately home by the filmmaker. A Beautiful Mind (2001) is a serious, fully realized story gracefully handled by Howard, proving that an artist never stops evolving no matter how accomplished his resumé. ~ Karl Williams, All Movie Guide
 



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