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The Majestic
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Directed by Frank Darabont.
Director Frank Darabont created this Frank Capra-inspired drama based on a screenplay by his friend and one-time schoolmate Michael Sloane. Jim Carrey stars as Pete Appleton, a screenwriter in the Hollywood of the 1950s. Pete's on top of the world with his first motion picture "Sand Pirates of the Sahara" just released to theaters and his romance with a beautiful starlet (Amanda Detmer) heating up. However, his triumph turns to dismay when he's called before the commie-hunting House Un-American Activities Committee and advised by a studio lawyer and his agent to play ball with the witch hunters. Depressed by the film industry's weak-kneed reaction to the hearings, Pete gets drunk and drives his car north along the California coast, where he crashes from a bridge and wakes up on shore the next morning suffering from amnesia. Wandering into the nearby small town of Lawson, Pete is mistaken for Luke Trimble, a lost hero of World War II who, like most of the area's young men, never returned from the war a decade earlier. "Luke" has soon reunited with both his father (Martin Landau) and his one-time girlfriend (Laurie Holden), and finds that his reappearance has given the citizens of Lawson an emotional boost that's sorely needed. When he refurbishes and reopens his family's decrepit movie theater, the Majestic, Luke revitalizes Lawson just as his memory of his true identity begins to reassert itself. Sloane's original script for The Majestic (2001) was entitled The Bijou. ~ Karl Williams, All Movie Guide
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Zach_22Zach_22 Re:Cast BATMAN 3
by Zach_22 in Filmgaming
hasn't rated it.
"Dear Mr. Nolan, I'd like to start by saying thank you for saving the Batman franchise. Batman Begins was great, The Dark Knight was phen-f***ing-omenal! Not to put any pressure on you, but you can see what the expectations are for the third film installment. On that note I have some ideas for the movie. As a graduate from the Film and Television department of the Orange County High School of the Arts (OCHSA), I feel I have the experience to make some legitimate recommendations. As far as the next series of villains is concerned, I definitely think the lead baddie should be Two-Face; after he gets his establishment in TDK, he now needs to come to the forefront of the series as a fallen hero-turned anti-hero. He's still looking to rid the city of crime and get revenge on Batman for the loss of Rachel. Over the course of the film, he devolves into a total villain; but there remains a smoldering redeem-ability (which seems to be routinely subjugated by negative outcomes of his coi ... " [More]
SpoutBlogSpoutBlog 10 Small Roles for Big Stars
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
1 out of 1 people found this review helpful. [What do you think?]
"We’re less than a week away from the release of Tropic Thunder, and as the reviews and puff pieces make their way onto the web, there’s one thing clearly uniting the media’s coverage: talk of Tom Cruise’s appearance in a small role as a Hollywood studio boss. Everyone seems to agree that he steals the show and that his performance — or the joke surrounding it — is one of the comedy’s major highlights, if not the actual best part. Of course, we can expect a good cameo from Cruise every now and then. He showed up for a bit part in Young Guns and played himself as playing “Austin Powers” in Austin Powers in Goldmember. But from what it sounds like, his role in Tropic Thunder is featured for longer than might qualify as a cameo. Some are regardless referring to the performance as an “extended cameo”, and in theory it certainly fits in with the huge crop of so-called “ironic cameos” that have become popular in movies and TV in the last ten years. Still, despite my not having yet seen th ... " [More]
Review by All Movie Guide
All Movie Guide
lost interest.
Despite a deftly understated performance from leading man Jim Carrey, this fable from writer Michael Sloane and director Frank Darabont too self-consciously apes the work of Frank Capra and Preston Sturges, while giving in to Darabont's penchant for inflated running times. It's a shame that, given the picture's nearly three-hour length, many of the characters' emotional connections don't play realistically. Especially unconvincing is the burgeoning romance between Carrey and his leading lady, Laurie Holden, which happens at a lightning pace; after she makes a few comments about needing to be convinced of his identity, she's speedily frolicking with him in a sunset-dappled field and helping him scale a picturesque lighthouse. It's all handled with so much precious, gauzy triteness that the film's more serious themes don't resonate and its emotional beats aren't convincing. A tighter story structure and swifter pacing might have helped things considerably: Audiences want to like sweet, patriotic tales such as this and are willing to check their cynicism at the theater door if the film doesn't bluntly pummel them with treacle and phony melodrama. Despite his hefty paychecks, Carrey is fast becoming one of the cinema's most underrated leading men, but unfortunately, he's not likely to help his cause with the subtlety and naturalism of his performance here. Like his fellow thespian Tom Cruise, he's advanced his craft to the point of making it look too easy. If the rest of this material displayed his same mastery of tone and subtext, The Majestic (2001) would have been a nostalgic winner. Instead, it's a potent reminder that Capra, while not taken seriously by many in his lifetime, was truly a master of his homey, flag-waving idiom. ~ Karl Williams, All Movie Guide
 

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