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Catch Me If You Can
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Directed by Steven Spielberg.
A gifted forger and confidence man attempts to stay one step ahead of the lawman determined to bring him to justice in this comedy-drama from Steven Spielberg, based on a true story. Frank W. Abagnale Jr. (Leonardo DiCaprio) is a 16-year-old high school student who finds himself emotionally cut adrift when his mother, Paula (Nathalie Baye), leaves his father, Frank Abagnale Sr. (Christopher Walken), after Frank Sr. falls into arrears with the Internal Revenue Service. One day at school, Frank Jr. attempts to pass himself off as a substitute teacher, and easily makes the subterfuge work. His small-scale success gives Frank some ideas, and he soon discovers bigger and more profitable ways of hoaxing others, passing himself off as an airline pilot, a doctor, and an attorney. Along the way, Frank learns how to become a master forger, and uses his talent and charm to pass over 2.5 million dollars in phony checks. Frank's increasingly audacious work soon attracts the attention of Carl Hanratty (Tom Hanks), an FBI agent who is determined to put Frank behind bars. Frank seems to enjoy being pursued by Carl, and even goes so far as to call Carl on the phone to chat every once in a while. While posing as a doctor, Frank falls in love with Brenda Strong (Amy Adams), a sweet girl working as a candy striper. When Frank asks Brenda to marry him, he decides to assume a new identity to impress her father, Roger (Martin Sheen) -- who happens to be the District Attorney of New Orleans, LA. Catch Me If You Can was based on the autobiography of the real Frank W. Abagnale Jr., who has a cameo in the film and today works on the side of the law as a top consultant on preventing forgery and designing secure checking systems. ~ Mark Deming, All Movie Guide
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downwestdownwest Do you concur?
by downwest in downwest Blog
is neutral about it.
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"This wasn't particularly outstanding, but the performances were decent. " [More]
jlgdrdjlgdrd Spiv's Journal: AKA
by jlgdrd in Wicked Fun
hasn't rated it.
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""Spiv " is a word the British use for someone who gets by on their wits (Americans might say "hustler" or "con") and could describe Dean Page's struggles with upward mobility in Duncan Roy's AKA. From the true story of Page's intuitive rise to comfort and privilege Roy has spun an affecting fable on self-respect, wealth, aristocracy and true class. Think of merging Pygmalion, The Talented Mr. Ripley and Catch Me If You Can, but resulting in a film successful on its' own terms. AKA is foremost about the caste system that makes self-esteem difficult if you must earn your own livelihood. Compared to the didacticism of Brecht and Shaw it is subtle and surprisingly revelatory, without the usual depiction of the moneyed class as depraved and menacing. On the contrary, in AKA we find unlikely heroes, numerous villains, plenty of blame to go around and spivs at every plateau.Early in the film, Dean's father kicks him out, ostensibly because he is gay, or perhaps because ... " [More]
Review by All Movie Guide
All Movie Guide
liked it.
Leaving behind the darker implications found in A.I.: Artificial Intelligence and Minority Report, Steven Spielberg brings audiences a highly enjoyable cat-and-mouse escapade in Catch Me if You Can. Despite purposely fudging some fairly major aspects of Frank Abagnale Jr.'s personal history for dramatic effect -- the character of Carl Hanratty (Tom Hanks), for example, is completely fictitious -- the film is nonetheless an engaging and relatively accurate account of Abagnale's life. Somewhat overshadowed by Daniel Day-Lewis and Liam Neeson in Gangs of New York, Leonardo DiCaprio's talents have not been showcased this well since his Academy Award nominated performance in What's Eating Gilbert Grape. DiCaprio's boyish features and bright charisma make for a sympathetic portrayal of the young con artist, and Frank's actions seem less motivated by greed than they are by the desire to restore his family to what it once was, as well as, ironically, a way to discover his true identity. Tom Hanks puts in an equally strong performance as droll FBI agent Hanratty, whose determination to apprehend Frank is more of an exercise in his own ideals and even paternal concern than an ego-motivated manhunt. The film's only major faults are the palpable slow down in its later half, and a conclusion that, like A.I. and Minority Report, does not seem to end where it should. Regardless, Catch Me if You Can is a beautifully shot, thoroughly enjoyable movie with a whole lot of heart. ~ Tracie Cooper, All Movie Guide
 

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