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Kiss of the Spider Woman
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Directed by Hector Babenco.
Political prisoner Valentin Arregui (Raul Julia) and homosexual pederast Luis Molina (William Hurt) share a Brazilian prison cell in this fantastical drama from the book by Manuel Puig. Sensitive and flamboyant, Molina helps pass the time by recounting memories from one of his favorite films, a wartime romantic thriller that just may also be a Nazi propaganda film. He weaves the characters into an ongoing narrative meant to spur Valentin's imagination and distract him from the brutal realities of political imprisonment and separation from the woman he loves. Hard around the edges, and willing to die for his political principles, Valentin nonetheless allows Molina to penetrate some of his defensive shell. An odd friendship forms between the two vastly different prisoners, the dreamer and the activist. As the narrative unfolds, it becomes clear that Valentin is being poisoned by his captors, to compel him to reveal names and secrets, and that Molina may have other agendas that belie his honesty and openness with Valentin. The intense character study builds toward a surprising conclusion. Kiss of the Spider Woman received Oscar nominations for best picture, best director and best adapted screenplay, and Hurt took home the best actor trophy for his portrayal of the soulful and conflicted Molina. The film was later adapted into a Broadway musical. ~ Derek Armstrong, All Movie Guide
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jlgdrdjlgdrd Strange Flowers: Proteus
by jlgdrd in Wicked Fun
hasn't rated it.
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"Proteus is an historical drama, shot directly on video in the style of many past PBS specials, more comparable in experience to theatre than film. In the wrong hands stiff and self-conscious, in the right ones understated and dynamic. Filmmakers John Greyson and Jack Lewis have found in actual records of incidents emerging from Robben Island, a penal colony of Cape Town, South Africa, intriguing metaphors (or barometers) for the politics of masculinity that suffused Amsterdam and South Africa in 1725. What makes Proteus ingenious, is how easily it applies to contemporary culture. Like To Kill a Mockingbird, it says more about the community than the accused. Informs by the questions it raises in the audience’s minds. Questions the characters never ask. A possible theme of Proteus might be grotesque consequences of the unspoken: particular acts that are untranslatable in Christian society. Professions of love that even the subtitles refuse to transmit in English.Proteus opens w ... " [More]
EggShenEggShen Where has this beauty gone?
by EggShen in EggShen Blog
loved it.
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"I wouldn't mind seeing a Criterion edition of Hector Babenco's adaptation of Kiss of the Spider Woman. Now that I think about it, I wouldn't mind seeing it again PERIOD. It's a hard movie to get a hold of (at least in the U.S.) which is a real shame considering that it was such a wonderful movie. It was nominated for best picture in 1985 at both the Academy Awards and the Cannes Film Festival, William Hurt received the Oscar for his role in it as Luis, was nominated for best actor at Cannes (or was it the other way around?) and the movie also addressed some very unpopular issues of that time. I would also be curious to see if the commentary were able to address Valentin's Marxism without including an analysis of our foreign policy during that period. Hurt and Raul Julia are outstanding in this film as complete opposites in what are probably their best performances, and while the effeminate Hurt may have been the one to walk away with the awards Julia more than ... " [More]
Review by All Movie Guide
All Movie Guide
liked it.
It's surprising that Kiss of the Spider Woman didn't hit the stage until after it was filmed: Much of the narrative takes place inside the contained space of a Brazilian jail cell, all the more isolated by being boarded off from the rest of the prison. Hector Babenco's sensitive direction avoids claustrophobia by visiting dreamy images from a romantic fantasy/Nazi propaganda film, which William Hurt's Molina describes to Raul Julia's Valentin to distract him from reality. Just as quirky as it sounds, the film triumphs as a study of how imprisonment alters behavioral tendencies -- and inspires unforeseen motivations -- in the prisoners' attempts to simulate normalcy. The gruff Valentin adheres to Molina's flight of fancy and confronts an awakening sexual curiosity, while Molina, the apolitical drama queen, courts danger by agreeing to assist Valentin's rebellion. Both leads show major acting chops here, generously layering their portrayals. Spider Woman is less interesting when it ventures outside the cell, including the muddled, unsatisfying ending. But there's a lot of substance here, and more laughs than one might expect from a prison film, though this certainly strays from that genre. The details of the hokey propaganda film are especially funny. ~ Derek Armstrong, All Movie Guide
 



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