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Kiss Me Deadly
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Directed by Robert Aldrich.
Regarded by many critics as the ultimate film noir, and by many more as the finest movie adaptation of a book by Mickey Spillane, Kiss Me Deadly stars Ralph Meeker as Spillane's anti-social private eye Mike Hammer. While driving down a lonely road late one evening, Hammer picks up a beautiful blonde hitchhiker (Cloris Leachman), dressed in nothing but a raincoat. At first, Hammer assumes that the incoherent girl is an escaped lunatic; his mind is changed for him when he and the girl are abducted by two thugs. The men torture the girl to death as the semiconscious Hammer watches helplessly. He himself escapes extermination when the murderers' car topples off a cliff and he is thrown clear. Seeking vengeance, Hammer tries to discover the secret behind the girl's murder. Among those who cross his path in the film's tense, tingling 105 minutes are a slimy gangster (Paul Stewart), a turncoat scientist (Albert Dekker), and the dead woman's sexy roommate (Gaby Rodgers). All clues lead to a mysterious box -- the "Great Whatsit," as Hammer's secretary Velda (Maxine Cooper) describes it. Both the box and Velda are stolen by the villains, at which point Hammer discovers that the "Whatsit" contains radioactive material of awesome powers. The apocalyptic climax is doubly devastating because we're never quite certain if Hammer survives (he doesn't narrate the story, as was the case in most Mike Hammer films and TV shows). Director Robert Aldrich and scriptwriter Jack Moffit transcend Kiss Me Deadly's basic genre trappings to produce a one-of-a-kind melodrama for the nuclear age. ~ Hal Erickson, All Movie Guide
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chrismorrellchrismorrell Re:The idea of female hysteria ...
by chrismorrell in Female Hysteria
loved it.
"Black and White images of Barbara Stanwick ,Joan Crawford and Bette Davis ,screaming,with mascara running down ... The current top hysteria gal,must surely be Naomi Watts.(my all time fave).she does runny-nosed crying soo well..."Mulholland Drive" spoilt me for movie watching for ages,has anyone ever ,before or since given such a gut-wrenching total,turning inside out performance?.. "21 grams" gave her another grief- stricken sob of a workout. Even in her "bad" films,(like"Ring" and "Funny Games" )we know we are getting some masterly screaming etc... Thinking back...check out all that screaming at the start of "Kiss Me Deadly",courtesy of Cloris Leachman ,totally ace..ah,then what about Madeliene Khan in High Anxiety?..back to David Lynch,and wigg-out duties are taken up by Laura Dern in "inland Empire" parts of which i worry about seeing again... A definite Queen of the Hysterics is Carmen Maura (more recently found hiding from Penelope cruz in "Volver",along with the other To ... " [More]
RisseladaRisselada Movie year countdown viewing pr ...
by Risselada in Risselada Blog
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"This is a list for Round 2 of my movie year countdown viewing project as first described here. If by any strange chance whoever is reading this is actually following along you may notice that I'm still less than two thirds of the way through my original one. Well I'm starting this new one because as much as I love old movies it can get a little tedious watching just older movies. So I'm going to be blending my watching of the two lists together. Still focusing on the original one, but every once in a while sliding in the next entry from this new list.Again these new movies are limited to full length movies that are available on Netflix. And for this new round instead of picking a movie from every year, I will be picking a movie from every two years. For example the first movie must have come out during 2006 or 2007. The second movie must have come out in 2004 or 2005. The next in 2002 or 2003. You see.The list is not finished yet, but here is what I have decide ... " [More]
dibotdibot Kiss Akeelah in the Asphalt Jun ...
by dibot in dibot Blog
is neutral about it.
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"The filmspotting noir marathon started out very strong. I was loving every movie. But the last two films left me a bit cold. The Asphalt Jungle is very famous, directed by John Huston ("Prizzi's Honor"), nominated for four Oscars, but I couldn't get into it. It's very well done. The cinematography is gorgeous, but I just didn't care about any of the characters, or even the story really. Maybe because this is a heist film instead of a detective story. And I don't always enjoy a heist. But at least all of the women weren't evil. So that's a plus. But at the same time, there wasn't a femme fatale.I enjoyed Kiss Me Deadly a bit more. Possibly because it was so strange. Detective Mike Hammer picks up a scantily clad female hitchhiker. She asks him to remember her if she doesn't make it. So when their car is overtaken, leaving her dead and him unconscious, he sets out to unravel the mystery. Though I can't say I really liked any of the characters i ... " [More]
Review by All Movie Guide
All Movie Guide
loved it.
Widely considered the best (if loosest) film adaptation of a Mickey Spillane novel, Robert Aldrich's Kiss Me Deadly (1955) features Spillane hero Mike Hammer in the ultimate Cold War paranoia investigation. With macho "bedroom dick" Hammer using any violence necessary, this darkest of 1950s films noirs sends him on a search for the "Great Whatsit," an ominously incandescent box encompassing America's nuclear nightmares, as well as man's deepest fears about unpredictably explosive female potency. Starring Ralph Meeker as the brutal Hammer, Kiss Me Deadly is shot through with Aldrich's anarchic sensibility, from Cloris Leachman's desperate opening run along a pitch-black road to the final apocalyptic conflagration. While the film was dismissed by U.S. reviewers, the French Cahiers du cinéma critics praised Kiss Me Deadly's hysterically expressionist style and singular power, as then-critic François Truffaut declared Aldrich the revelation of 1955. Later rediscovered by American film buffs, Kiss Me Deadly has since assumed its rightful place in the film noir pantheon, and films from Alex Cox's Repo Man (1984) to Quentin Tarantino's Pulp Fiction (1994) have paid homage to that evocatively glowing container. The 1998 restoration returned the final minute-and-a-half of footage to 35mm prints, dramatically altering the film's conclusion. ~ Lucia Bozzola, All Movie Guide
 



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