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The Killing
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Directed by Stanley Kubrick.
The Killing was director Stanley Kubrick's first major film effort -- though, like Kubrick's earlier films, it was economically produced with an inexpensive cast. In a variation of his Asphalt Jungle role, Sterling Hayden plays veteran criminal Johnny Clay, planning one last big heist before settling down to a respectable marriage with Fay (Colleen Gray). Teaming with several cohorts, Johnny masterminds a racetrack robbery. The basic flaw is that all the crooks involved are losers and small-timers who find themselves in way over their heads despite their supposed cleverness. None of the participants is more pathetic than George Peatty (Elisha Cook Jr.), who is goaded into the robbery by his covetous and far-from-faithful wife (Marie Windsor). As in a Greek tragedy, Johnny's best-laid schemes go awry. Prominently featured in the cast of The Killing are offbeat character actors Tim Carey and Joe Turkel, who'd show up with equally showy roles in future Kubrick productions. The Killing is based on the novel Clean Break by Lionel White. ~ Hal Erickson, All Movie Guide
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WindbreakerWindbreaker THE KILLING
by Windbreaker in Windbreaker!
loved it.
Was this review helpful? [Be the first to tell us!]
"The mood of The Killing is pretty much summed up by this quote from Johnny Clay:You like money. You've got a great big dollar sign there where most women have a heart.It's near impossible to give a full summary of a classic noir without spoiling. In fact, I never read the back of a DVD case. I just buy/rent and enjoy. It's hard for a director to go wrong with Sterling Hayden and Elisha Cook cast, but Kubrick does distinguish himself. The Pulp Fiction-like storytelling is unique and very effective. Enough of me, go pick up this DVD. " [More]
RisseladaRisselada Re: Top 5 Heist Films
by Risselada in Top 5
loved it.
"Hey great category, even though I'm sure I've not seen enough of the greats. For instance I've never seen Rififi, although I know it's considered the best. Although I HAVE seen Big Deal on Madonna Street, which from what I'm told is pretty much a parody of Rififi in a way.1. Reservoir Dogs. Yeah it takes all of the best and puts them together into something even better.2. The Killing. You said it well enough.3. The Sting. Does this count? They really didn't have to break into anywhere, but they sure did hussle a huge amount of cash. Oh well, it's a great freakin movie.4. The Ladykillers and the remake. Yes the original was fantastic, and no matter what many people say, I believe the Coen brothers can do no wrong.5. Sexy Beast. Wonderful heist sequence.I also seem to remember an interesting heist sequence in Dead Presidents, but don't remember it quite well enough.Joem, wonderful mention of Groundhog Day! I had no idea what you were tal ... " [More]
josephkuzmajosephkuzma Re: Films that deserve the Crit ...
by josephkuzma in Criterion Collection
liked it.
"Personally I find it odd that the only Kubrick to be Criterionized (not a word) is Spartacus. Don't get me wrong, I liked Spartacus but I would prefer to see Criterions of the other Kubrick films. Specifically Dr. Strangelove, A Clockwork Orange, 2001: A Space Odyssey, The Shining & The Killing.Also, what's with the Beastie Boys video anthology? How to Criterionize something that will (apparently) never cease being added to. It's already out of date, isn't it? Plus: THE BEASTIE BOYS!? Really, that's an important contemporary music DVD? Monterey Pop is perfectly understandable but Beastie Boys? Arrrgh... At least Criterionize Big Time of The Last Waltz. " [More]
HairyLimeHairyLime Before Pretention Set In
by HairyLime in HairyLime Blog
loved it.
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"Unusual Clint Eastwood vehicle, in that he participates in an ensemble cast rather than being the sole focus of the plot. A combination Road Movie/Buddy Picture/Caper Film that I was drawn to after researching the 1974 oscar race, and noticing Jeff Bridges nominated for his role in this film. Michael Cimino puts together a tight, well-paced character study with occasional surreal touches (what's up with the guy with a trunkload of white rabbits?) that carries none of the pretentious baggage and extraneous backstory that plagued his Deer Hunter/Heaven's Gate years. George Kennedy puts in a fine performance as an ex partner of Eastwood's with a huge chip on his shoulder, and Jeff Bridges puts in another in what would eventually prove to be a long career of underappreciated character roles. Also a good 'downer' ending that could only have come from the seventies. Other good 'caper gone wrong' movies that I also enjoy: Kubrick's The Killing, The Hot Rock ... " [More]
JymkataJymkata Re: Top Classic Noir
by Jymkata in Top 5
loved it.
"[quote user="Risselada"] As much as I have LOVED pretty much every classic film noir I've seen, I'm surprised that I've seen so few. But here's my top 5. It's pretty much more than half of all of them I've seen. 1. Out of the Past, 1947. 2. Pickup on South Street, 1953. 3. The Killing, 1956. 4. The Big Sleep, 1946. 5. Strangers on a Train, 1951. If you'd have let it go to 1958, I would have put Touch of Evil up there for sure! Here's a couple I'm hoping to see. Anyone want to recommend any of them?D.O.A., 1949.The Big Clock, 1948.The Postman Always Rings Twice, 1946.In a Lonely Place, 1950.The Lost Weekend, 1945.This Gun for Hire, 1942. [/quote] Rizzo- In my opinion This Gun for Hire is a masterpiece - midget-sized Alan Ladd makes a very tough noir anti-hero. I would also highly recommend The Big Clock (decently remade as No Way Out in the 80's) and D.O.A. (horribly remade in the 80's), but I would caution that I only have one problem with D.O.A. (early in the film there ... " [More]
RisseladaRisselada Re: Top Classic Noir
by Risselada in Top 5
loved it.
"As much as I have LOVED pretty much every classic film noir I've seen, I'm surprised that I've seen so few. But here's my top 5. It's pretty much more than half of all of them I've seen. 1. Out of the Past, 1947. 2. Pickup on South Street, 1953. 3. The Killing, 1956. 4. The Big Sleep, 1946. 5. Strangers on a Train, 1951. If you'd have let it go to 1958, I would have put Touch of Evil up there for sure! Here's a couple I'm hoping to see. Anyone want to recommend any of them?D.O.A., 1949.The Big Clock, 1948.The Postman Always Rings Twice, 1946.In a Lonely Place, 1950.The Lost Weekend, 1945.This Gun for Hire, 1942. " [More]
Review by All Movie Guide
All Movie Guide
liked it.
Stanley Kubrick's third feature showed that he was no ordinary director, as he dispensed with traditional time structure to detail the planning and execution of a racetrack heist gone wrong. Combining a non-linear story with a unifying, matter-of-fact voice-over narration, Kubrick constructed an intricate yet lucid cinematic puzzle that shifted back and forth both in time and among the central characters, revealing the personal stakes for each participant by following their individual actions leading up to the fateful seventh race. Johnny the leader thinks he has it all under control, but, in true Kubrick fashion, his plan is not immune to human failure. While the fractured time frame and use of long takes and tracking shots signaled Kubrick's stylistic break from classical form, the sharp black-and-white photography, Marie Windsor's insidious femme fatale, and Sterling Hayden's doomed Johnny place The Killing in the mode of 1940s/1950s film noir. His first film made on a reasonable budget and with an established cast of pros, The Killing caught critics' attention and established Kubrick as a director to watch, especially for such future cinematic time-tricksters as Quentin Tarantino. ~ Lucia Bozzola, All Movie Guide
 



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