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The Killers
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Directed by Don Siegel.
Don Siegel directed this intensely pessimistic re-make of Robert Siodmak's 1946 film noir masterpiece The Killers, based upon a story by Ernest Hemingway. As the story opens two professional looking men in business suits -- Charlie (Lee Marvin) and Lee (Clu Gulager) -- push their way into a school for the blind and terrorize a secretary until she reveals the whereabouts of Johnny North (John Cassavetes). When Charlie and Lee trace Johnny to an automobile repair class, Johnny just stands there as the two men gun him down. Afterwards, Charlie wonders why Johnny just stood there, accepting his death. He also starts to wonder about his hefty paycheck for the murder and rumors that Johnny was involved in a million-dollar heist. He decides to pay Johnny's old friend Earl Sylvester (Claude Akins) a visit at his auto shop in Florida. Earl recalls the summer day long ago when former race car driver Johnny caught the eye of the rich and beautiful Sheila Farr (Angie Dickinson). Johnny has been preparing for a race, but Sheila's attentions sidetrack him. The day of the big race, Earl notices that Sheila is visited by a group of rich gangsters, headed by Browning (Ronald Reagan, in a very surprising performance). During the race, Johnny is involved in a terrible crash, effectively ending his racing career. However, it seems Browning is arranging a mail heist and hires Johnny to drive the getaway car. ~ Paul Brenner, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
About a decade removed from film noir's heyday, Don Siegel's remake of The Killers (1946) provided a much-needed jolt of bleak noir sentiment to mid-1960s American cinema. Originally intended for television, the 1964 version was released in theaters due to its violent content. Featuring intricate plotting, Siegel's typically lean direction, and Lee Marvin's wonderfully nasty star turn, The Killers was in many ways a precursor to the more subversive material which emerged later in the decade, such as Bonnie and Clyde and another Marvin vehicle, Point Blank (both from 1967). Marvin is at his steely best here: it's this sort of unmerciful yet peculiarly sympathetic role that highlighted his career. The Killers was also notable as Ronald Reagan's last feature; he provides some of his most impressive work, as a corrupt, wealthy bad guy. ~ Brendon Hanley, All Movie Guide
 



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