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Pavilion of Women
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Directed by Yim Ho, Luo Yan
A woman defies convention to find happiness, only to discover the costs are greater than she imagined in this drama based on the novel by Pearl S. Buck. In 1938, with Communist rebels on the rise in China and Imperial Japan intent upon expanding its rule into Manchuria and China, Lord Wu (Shek Sau) is a feudal leader who rules both his community and his family with an iron fist. But his wife, Madame Wu (Luo Yan), has just turned 40 and has grown weary of her husband's dominance. With her son Fengmo (John Cho) now 18 and engaged to be married, Madame Wu sees her responsibilities to her family all but complete, so in violation of traditional custom, she arranges for Chiuming (Yi Ding), a peasant girl just turned 18, to be brought into the household as Lord Wu's concubine, freeing her from sexual servitude to her husband. However, Chiuming's lack of sexual experience proves problematic for herself as well as Lord Wu, whose erotic tastes run to the unconventional. Meanwhile, Madame Wu makes the acquaintance of Andre (Willem Dafoe), an American missionary and doctor who is helping Fengmo with his studies; Andre is kind, compassionate, and intelligent, and he makes a tremendous impression on Madame Wu, who soon finds herself falling for the mysterious American as circumstances cause both her household and China to explode into chaos. Pavilion of Women was the first co-production between an American studio, Universal Pictures, and Beijing Film Studio of China; the film was shot on location in China, but with a primarily English-speaking cast. ~ Mark Deming, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
It may be the first Pearl Buck film adaptation with a (nearly) all Chinese cast, but that's about the only distinguishing attribute of this sluggish historical romance. Clearly a personal project for co-star Luo Yan (who also produced and co-wrote the screenplay), the film has tantalizing possibilities that it never realizes. Madame Wu (Luo Yan) is one of those women who, upon turning 40, immediately understand that their role in marriage is unsatisfactory and are lucky enough to have a plan B: a concubine for her husband's "kinky" sexual tastes (he likes oral sex) and another man, a kindly priest, glumly played by a miscast Willem Dafoe. Dafoe has done nobility before, in Platoon and Light Sleeper, but he looks distinctly uncomfortable here and there's no chemistry between him and his putative romantic co-star. The dynamics of the Wu household -- the master dominated by his mother, his new young concubine drawing the interest of the household's teenaged son, who has been promised in marriage to another woman -- is enough for one film, but set this against the rise of the Communist party, the imminence of the Japanese invasion, and, oh yeah, the village getting electrical power, and you have several miniseries worth of material. Chinese films like Raise the Red Lantern and Farewell, My Concubine have handled the elements of this film with imagination and sophistication, but Pavilion's stilted dialogue, wooden acting (admittedly, Luo Yan does have some fine moments), and clunky staging drag it down to the level of Mystery Science Theater 3000 material. ~ Tom Wiener, All Movie Guide
 

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