Telluride 2008 Festival
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Kill, Baby, Kill
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Directed by Mario Bava.
One of the more prominent works of Italy's premier horror stylist Mario Bava, this occult murder mystery interweaves elements of the traditional giallo thriller formula with an unusual Gothic ghost story. The tale is set in a modern-day Carpathian village rocked by a series of bizarre murders, in which the female victims are found with gold coins imbedded in their hearts. The coins are revealed to be talismans placed on the victims by the local sorceress (Fabienne Dali), meant to ward off the supernatural powers of the aged Baroness Graps (Giana Vivaldi). The baroness has been acting as an earthly liaison for the vengeful ghost of her murdered daughter, who wants to claim the villagers' souls -- with Erica Blanc next on the list. In order to free the village from the evil curse, Dali must find the sequestered baroness and destroy her. The film was released in the U.S. in two dubbed and re-edited versions, Kill, Baby, Kill! and Curse of the Living Dead (packaged as part of an "Orgy of the Living Dead" triple feature). ~ Cavett Binion, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Directed by Mario Bava, this chiller is an eerie and atmospheric effort that reflects many of the elements that have made the popular Italian director's films so compelling: excellent cinematography and strong performances from the talented cast. Set in a small Transylvanian village that believes it is cursed by the vengeful ghost of a little girl, the mystery concerns a series of murders that have occurred in the 20 years since the child's death. Early on, Bava allows the ghostly girl to be seen to chilling effect. Many of the scenes are accompanied by a goosebump-inducing piece of music and a bouncing ball -- the same ball that led to the girl's death in the first place. Bava's signature visuals are particularly noteworthy in two scenes -- one featuring a number of dizzying views from the top of a spiral staircase and another in which the main character chases a man through several rooms, only to realize after catching him that he's looking at himself! The performances are serviceable, but somewhat lost amidst the scary atmosphere. A great music score by Carlo Rustichelli (Blood and Black Lace) includes a brief interlude from his romantic composition used in Bava's The Whip and the Body. ~ Patrick Legare, All Movie Guide
 

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