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They Drive by Night
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Directed by Raoul Walsh
They just don't make 'em like They Drive By Night anymore. This slam-bang Warner Bros. attraction stars George Raft and Humphrey Bogart as Joe and Paul Fabrini, owners of a small but scrappy trucking firm. The film deftly combines comedy with thrills for the first half-hour or so, as the Fabrini boys battle crooked distributors and unscrupulous rivals while establishing their transport company. Things take a potentially tragic turn when the overworked Paul Fabrini falls asleep at the wheel and cracks up, losing an arm in the accident. He's pretty bitter for a while, but, with the help of his loving wife, Pearl (Gale Page), Paul eventually snaps out of his self-pity and goes to work as a dispatcher for the Fabrinis' company. Meanwhile, Joe's on-and-off romance with wisecracking waitress Cassie Hartley (Ann Sheridan) is threatened by the presence of seductive Lana Carlsen (Ida Lupino), the wife of glad-handing trucking executive Ed Carlsen (Alan Hale). At this point, the film metamorphoses into a remake of the 1935 Paul Muni-Bette Davis vehicle Bordertown. Desperately in love with Joe, Lana murders her husband, making it look like an accident, then offers Joe half-interest in Carlsen's organization. Joe accepts the offer, but spurns Lana's romantic overtures, whereupon the scheming vixen accuses Joe of plotting Carlsen's murder. Thus, the stage is set for a spectacular courtroom finale, completely dominated by a demented Lana, whose "mad scene" rivals those of Ophelia and Lucia di Lammermoor. In addition to the full-blooded performances by the stars and the virile direction by Raoul Walsh, They Drive By Night benefits immeasurably from the nonstop brilliant dialogue by Jerry Wald and Richard Macaulay -- especially in an early lunch-counter scene between Ann Sheridan and George Raft, generously seasoned with hilarious double- and single-entendres. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
liked it.
Humphrey Bogart has very little to do in They Drive by Night, except feeling sorry for himself. Instead, the film belongs squarely to George Raft, who, for once didn't turn down a great role. (He passed on, among others, The Maltese Falcon and Casablanca.) But what good fortune that both worked for Warner Bros., that most blue-collar oriented of all the Hollywood studios. More than anything, They Drive by Night is a working-class movie -- working-class chic, perhaps, what with Ann Sheridan in full Hollywood war paint despite playing a roadhouse waitress -- and embodies all the hopes and aspirations of what they used to call the "working stiff." Raft doesn't necessarily want to become a millionaire like his friend, Alan Hale, and certainly want nothing to do with the latter's grasping wife, never mind what she is willing to do for him. All he wishes for is a little business of his own, to punch his own time clock and do an honest day's work without answering to anyone. And when he finally achieves that goal -- through the circuitous road route the screenwriters have mapped out for him -- he is just what you knew he would be: the most democratic of bosses. Imagine what they would have done with such a plot and such a character over at posh, other-worldly MGM. Ida Lupino, meanwhile, overacts her hysteria in the climactic courtroom scene but the great Warner stock company is out in force to make sure that They Drive by Night is the slam-bang action-drama that its press book promised. ~ Hans J. Wollstein, All Movie Guide
 

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