Telluride 2008 Festival
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At Close Range
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Directed by James Foley.
Amazingly, At Close Range was based on a true story. Bored teenager Sean Penn meets his prodigal father (Christopher Walken) for the first time in years. Though Penn is vaguely aware that his father is a criminal, he is nonetheless impressed by his dad's high life style and creature comforts. But Walken's veneer of charm is fragile indeed, and it becomes clear that he is willing to kill anyone--even his family--if they get in his way. When Walken rapes Penn's girl friend (Mary Stuart Masterson) to keep the boy from cooperating with the DA, it is only a warm-up for the horrors to come. The screenplay for At Close Range was written by Nicholas Kazan, the son of prominent film director Elia Kazan. ~ Hal Erickson, All Movie Guide
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JymkataJymkata Re: Latest unknown fave
by Jymkata in Viewing with a purpose
liked it.
"Again, this is not totally unknown and it's recent, but it completely missed at the theaters. The Lookout is a great little crime thriller with loads of character. The acting is great - Jeff Daniels is always good but the entire cast is effective. Matthew Goode turns in one of my favorite smart bad guy roles and Joseph Gordon-Levitt has grown on me immensely over the years. From annoying me as Demi's androgynous kid in The Juror to overracting in the first couple seasons of Third Rock From The Sun, he began to show a flair for comedy that made him one of my favorite characters and now he has become a compelling actor that knows how to pick interesting projects. I really enjoyed the film and think it should have been a hit - it reminded me of A Simple Plan crosssed with Memento and a dash of At Close Range. Nice pedigree, huh? " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
A superbly written and acted film based loosely on real-life events, this intense crime drama is a major artistic success for all concerned, especially stars Christopher Walken and Sean Penn in two of their best roles, as well as screenwriter Nicholas Kazan and director James Foley. The latter's style might strike some viewers as too cool, remote, or austere, but this nearly documentary-like approach allows the cast room to stretch and improvise while slyly emphasizing the picture's similarity to the classic In Cold Blood (1967). However, the film is definitely not a docudrama, the director reminding viewers of the emotionally potent subtext with subtle, symbolic transitions in which such incongruous, attention-getting images as bound chicken talons or singing lips suddenly appear. His is the art of transcending the establishing shot by going for something a little more penetrating. Walken and Penn are marvels of nuance employed in the arts of linguistic inflection and the physicality of inhabiting a character with one's entire body, from the way they laugh to how they walk. (Just watch Penn as he shifts from a cocky swagger that emanates down from his shoulders, moving like nothing so much as a suit buoyed by a massive hanger, to a defeated, slump-shouldered shuffle by the finale). Kazan goes light on dialogue but what's there is charged with unspoken meaning, while visual cues and arresting images tell the story. All of this shows the mark of a great screenwriter enjoying a meeting of the minds with a director who gets it. At Close Range (1986) is one of the best examples of its genre from the 1980s. ~ Karl Williams, All Movie Guide
 

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mavens
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are neutral about it.
most people
Most people
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patbanks
patbanks
loved it.
Serena07
Serena07
loved it.
Macabre_FilmNut
Macabre_FilmNut
loved it.
Diabolical_Shadow
Diabolical_Shadow
disliked it.
floatingegg
floatingegg
is not interested.