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The Beaver Trilogy
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Directed by Trent Harris
In 1979, while working as a cameraman for a local news program in Salt Lake City, Trent Harris made the acquaintance of a genial but eccentric entertainer from the nearby town of Beaver, UT, who called himself Groovin' Gary. Harris' experiences with Groovin' Gary inspired three different short subjects, and The Beaver Trilogy collects Harris' three Groovin' Gary films into one feature presentation. In 1979's The Beaver Kid, viewers are introduced to Groovin' Gary, the self-proclaimed "Rich Little of Beaver," as he shows off his car (named after Farrah Fawcett), does impressions, and plugs a talent show in which he'll be appearing. Gary's act turns out to be a full-drag (and painfully sincere) impersonation of Olivia Newton-John performing "Please Don't Keep Me Waitin'." Two years later, Harris made The Beaver Kid 2, essentially a satiric recreation of the first film, with Sean Penn (who had then only recently scored his first film role) playing Groovin' Larry (the real Gary had since chosen to distance himself from Harris and his documentary). Finally, 1985's The Orkly Kid features Crispin Glover (who later starred in Harris' Rubin and Ed) as Larry, an aspiring comic and entertainer from Orkly, IA, who bears a certain resemblance to Groovin' Gary. Larry feels he has a gift and a message he wants to share with the world, but his fellow citizens of Orkly aren't so sure they're ready for Larry's Olivia Newton-John tribute, eventually leading Larry to move on to the big city in hopes of making his dreams come true. Both The Beaver Kid and The Beaver Kid 2 were produced on color video (the latter on a reported budget of only one hundred bucks), while The Orkly Kid was filmed in 16 mm, with the support of the American Film Institute; the three shorts were transferred to 35 mm film for their release as The Beaver Trilogy. ~ Mark Deming, All Movie Guide
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Rubin and Ed
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"Rubin and EdThis is where you can see Crispin Glover's Rubin Farr character whose manner and dress he seemed to love so much that he has used in several other videos such as the music videos for his album The Big Problem ≠ The Solution. The Solution = Let It Be. He also famously appeared this way on Late Night With David Letterman in which he almost kicks the host in the face and prompts him to end the interview early. Glover still acts as though there is some controversy as " [More]
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Featured in "This American ...
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"December 9th, 2006 from Chicago Public Radio WBEZ, This American Life #226: Reruns, features the director talking about his movie... I really want to see it... it sounds so incredibly fascinating. Listen to the podcast in iTunes: (and be sure to subscibe) http://phobos.apple.com/WebObj ects/MZStore.woa/wa/viewPodcas t?id=201671138 " [More]
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Review by All Movie Guide
All Movie Guide
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An enthralling character study of a true outsider and a man whose simple goal in life is to entertain no matter what the cost, Trent Harris' The Beaver Trilogy offers three accounts of the filmmaker's encounter with a remarkable individual known as Groovin' Gary. Beginning with the real-life chance encounter between the self-proclaimed "Rich Little of Beaver" and news cameraman/filmmaker Trent Harris, the friendly impressionist offers up his take on John Wayne and Sylvester Stallone before admitting that his true passion, and best impression, is Olivia Newton-John. Harris next takes up Gary's offer to attend a local talent show, and after he dons his wig and makeup, Gary's performance of Newton-John's "Please Don't Keep me Waitin'" may well be one of the most captivating displays of painfully embarrassing sincerity ever presented onscreen. As the talent show draws to a close and Groovin' Gary bids audiences farewell, viewers next see the familiar parking lot scene from the beginning of the film. This time featuring Sean Penn as the fame-craving impressionist (now named "Larry"), the story is presented once again with the noted addition of continuing to explore Larry's depressed reaction following the small town's negative reaction to his performance. As Larry takes their criticism to heart and pleads with the filmmaker not to air the footage, one can't help but detect a slight mean streak in second installment as the film seems at times to make fun of Larry instead of simply observing him as did the first film. Though Penn does a decent job at recreating Groovin' Gary's mannerisms and voice, one can't help but feeling as if he and the director were cracking jokes at the real Gary's expense between takes. Once again returning to the parking lot for the final installment in the trilogy, viewers bear witness to the same story acted out one final time, this time with actor Crispin Glover taking the role of Larry. Where the second film leaves the distinct impression of mean spirited mockery, Glover's sympathetic embrace of the outsider in Larry (in addition to his remarkably uncanny portrayal of Groovin' Gary) lends the film the perfect balance of mockery and affection. It's OK to laugh at Larry this time around, and in fact, it's what he wants most. Though the negative reaction of the townspeople once again momentarily crushes Larry's spirit, the final scene leaves the viewer with the gratifying feeling that the joke's not on Larry, but on those unfortunate enough not to get the joke. ~ Jason Buchanan, All Movie Guide
 

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