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The Jungle Book
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The final animated feature produced under the supervision of Walt Disney is a lively neo-swing musical, loosely based upon the tales of Rudyard Kipling. The story takes place in a tropical jungle where people are conspicuously absent. But one day Bagheera the Panther (voice of Sebastian Cabot) discovers a baby in the wreck of a boat. Feeling pity on the child, Bagheera takes him to be raised with the wolves. Ten years later, the child has grown into Mowgli (voice of Bruce Reitherman). Mowgli discovers that his life is in danger because of the return to the area of Shere Khan the Tiger (voice of George Sanders), whose hatred of humans is such that Mowgli faces certain death if discovered. Bagheera agrees to transport Mowgli to the human village, where he will be safe from Shere Khan. Along the way to the village, night falls and Mowgli and Bagheera almost succumb to the man-eating snake Kaa (voice of Sterling Holloway). Escaping Kaa's coils, they run into the lock-step military elephant band of Colonel Hathi (voice of J. Pat O'Malley). Afterwards, Mowgli, who doesn't want to be sent to the human village, runs away from Bagheera and meets up with the fun-loving Baloo the Bear (voice of Phil Harrris). With both Bagheera and Baloo to protect him, Mowgli is saved from several more life-threatening situations -- including a barber-shop quartet of vultures, the crazed King Louie of the Apes (voice of Louis Prima), and Shere Khan himself -- before making it to the village of humans. ~ Paul Brenner, All Movie Guide
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"This series of side-by-side comparisons of frames from various Disney films (via WIRED's Underwire blog) is meant to show how Disney recycles frames from one 2D animated flick to another in order to save time, money and labor value. But more impressively, it's also solid proof of the animation factory's tendency to recycle themes across decades. The tableau above tracks the "nubile nymph dances for plump (read: impotent) male onlookers" theme, first seen in 1937's Snow White and the Seven D " [More]
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"he Jungle Book will always hold a special place in my cinematic heart, as it's the first movie I ever saw in a theatre. Not on its original run, of course, but during a 1990 re-release, when I was six years old. I hadn't seen the movie since then and its remarkable how much of that early experience came back. I guess I have thing for remembering movies I see. What I remember most about the movie was how I got creeped out by the python, Kaa (voice of Sterling Halloway). The snake has the abilit " [More]
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"From what I hear, Star Wars: The Clone Wars is really bad. Bad enough for the king of the fanboys, Harry Knowles, to reportedly write, “I hated the film. HATED IT. REALLY HATED IT.” Bad enough that Warner Bros. had the review removed from Aint it Cool News due to a review embargo — though probably it had more to do with it being so damaging to the studio’s marketing of the film (apparently Warners had no issue with Variety publishing its so-so review on the same day). I’m not in the least bit " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
Although it is quite skillfully drawn, The Jungle Book is noteworthy for being the first time that the Disney studio let the choice of actors play an influential role in the development of an animated feature. It's true that previously some actors, such as Ed Wynn in Alice in Wonderland, had made significant contributions, but not to the extent that Phil Harris, Louis Prima, George Sanders, and Sebastian Cabot do in Jungle Book. Their distinctive personalities add enormously to the effectiveness of the film, helping to mask the fact that, although the film has incident, it actually has very little plot. The catchy score also helps, from the imminently hummable "Bare Necessities" to the wildly capering "I Wanna Be Like You" to the barbershop-disguised-as-Beatles "That's What Friends Are For." As always, the character animation is top notch, from Kaa's slinky, slithering coils and Shere Khan's significantly shifty eyes to King Louie's long-armed neo-boogie moves and Baloo's carefree swinging gait, and the backgrounds make good use of the jungle color palette. The triangular relationship between Baloo, Bagheera, and Mowgli is also well presented and entirely convincing. The film benefits from an exuberant joie de vivre; it's one of the most high-spirited feature cartoons, and free from excessive sentimentality. The use of "star" voices would continue in future Disney entries, such as Robin Hood and The Aristocats, both with Phil Harris. ~ Craig Butler, All Movie Guide
 

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