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Series 7: The Contenders
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Directed by Daniel Minahan.
The "reality TV" craze is taken to its final, logical extreme as six people hunt each other down in a small town for the benefit of network TV cameras in this darkly comic satire. "The Contenders" is a top-rated television game show in which six contestants are set loose in the same Connecticut community, with orders to kill or be killed; the last of the six who is still alive is declared the winner. As "The Contenders" goes into its seventh season, Dawn (Brooke Smith) is a two-time champion who is hoping to hold on to her title, despite the fact that she's due to have a baby in a month. Dawn's rivals this time out are Tony (Michael Kaycheck), an unemployed blue-collar worker with a taste for violence; Connie (Marylouise Burke), a middle-aged nurse who doesn't like to hurt people but is an experienced hand with a syringe; Lindsay (Merritt Wever), an 18-year-old dance student whose parents are eager to see her compete; Franklin (Richard Venture), an elderly conspiracy theorist with a tenuous hold on reality; and Jeff (Glenn Fitzgerald), who is dying of testicular cancer -- and was Dawn's boyfriend years ago. Series 7: The Contenders marked the directorial debut for Daniel Minahan, who previously employed pop culture and America's obsession with violence as themes in his screenplay for I Shot Andy Warhol. ~ Mark Deming, All Movie Guide
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Phantasma-gore-iaPhantasma-gore-ia Re: Videodrome
by Phantasma-gore-ia in Gorrible
loved it.
"Honestly, it's been a fair bit since I've seen it, but I do recall a few things, one of them being that it was extremely difficult to discern any "messages" at all. I've found Cronenberg films (with the distinguished due exception of Dead RIngers) to be characteristically pointless. Existenz was frustratingly inconclusive, meandering and underdeveloped; Naked Lunch was...everything (disorganized, complicated and impossible to follow and Videodrome: incomplete, convoluted and frustrating.So, as far as its messages on violence and its role in media and popular culture including television and film, more meaningful, direct and coherent stories on this, I reference The Running Man and, perhaps more to the point, the brutally fearless Series 7: The Contenders and The Last Horror Movie. They more purposefully address the issues concerned than Videodrome, and their stories are complete, fully thought out and provocative. " [More]
patchespatches Love will tear us apart
by patches in Litter Box blog
liked it.
Was this review helpful? [Be the first to tell us!]
"I'm a big fan of the high school production-quality music video that the two main characters made together in this one, to Joy Division's "Love will tear us apart". I love the fun outfit changes.I swear my cousin Courtney made one just like that with a boyfriend in the late 80's, between making up dance routines to random Police and Cure songs, all the while watching Ice Castles or Garbage Pail Kids on Video Disc in her bedroom upstairs. Absolutely priceless. You can't make up that kind of stuff. " [More]
Phantasma-gore-iaPhantasma-gore-ia A dire movie, it absolutely ske ...
by Phantasma-gore-ia in Phantasma-gore-ia Blog
loved it.
Was this review helpful? [Be the first to tell us!]
"About as grim and bleak a movie as you could get (people conscripted into a goverment-run game show where contestants must kill each other to be the only to survive), it completely works and, if I may be so blunt, sticks it in and breaks it off for reality TV, something years overdue when this movie came out, much more so now. " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
Daniel Minahan's remarkable debut feature has the sting of some of the best American media send-ups (Network, for starters), but its timeliness gives it an impressive ardor all its own. One of the more inventive and audacious recent films to explore the nation's obsession with sensationalism, the movie scores also as bona fide entertainment, reeling in the viewer in the same way an actual "reality" program might. The violence-as-spectatorship angle has been explored onscreen before, but never with such gallows humor and insight. Wisely conceived in crisp digital video, it is the rare satire that truly gets inside the mindset of the medium it examines, to a point that it's difficult to separate reality from fiction. Just when one thinks Series 7 has exhausted its possibilities, it always has one more trick up its sleeve. The cast is exceptional, providing real dimension to characters that could have been cardboard and throwaway; in a potentially star-making role, the gifted Brooke Smith renders every detail expertly observed. A film that is bound to be misunderstood my some audiences, Series 7 is completely of its time. The film was developed at the Sundance Labs in both the screenplay and directorial phases, and had its premiere at the 2001 Sundance Film Festival to mostly positive notices. ~ Jason Clark, All Movie Guide
 



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