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L.I.E.
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Directed by Michael Cuesta.
A teenaged boy in desperate need of a father figure finds one in a place no one should ever have to look in this controversial drama. Howie (Paul Franklin Dano) is a 15-year-old who has been emotionally at sea ever since the death of his mother in an auto accident several years before. Howie's father Marty (Bruce Altman) is also having trouble dealing with the loss, and distracts himself with empty sex while avoiding authorities attempting to prosecute him for using unsafe materials in his building contracting business. Howie falls in with a group of homeless delinquents his own age, becoming especially close to streetwise Gary (Billy Kay). In time, Howie begins to wonder if his feelings for Gary go past ordinary friendship, but the issue of his sexuality is forced into a very different light after Gary persuades Howie to join him in robbing the home of middle-aged former Marine Big John Harrigan (Brian Cox). It doesn't take long for Big John to track down the culprits after Howie and Gary steal several guns from his house, but Howie learns that Big John and Gary have met before -- Gary sometimes works as a male prostitute, and Big John, whose tastes run to boys in their early teens, is a regular customer. When Gary runs away to California, Big John proposes that Howie work off their debt by having sex with him; while Howie is hardly comfortable with this arrangement, he has nowhere else to go after his father ends up in jail, and he finds an unexpected degree of emotional support in his relationship with the curiously compassionate pedophile, who comes to understand just how badly Howie needs help. L.I.E. (the title stands for "Long Island Expressway") premiered at the 2001 Sundance Film Festival. ~ Mark Deming, All Movie Guide
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thefilmpanelnotetakerthefilmpanelnotetaker Interview: Leah Meyerhoff Bring ...
by thefilmpanelnotetaker in thefilmpanelnotetaker Blog
hasn't rated it.
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"On Saturday, Brooklyn, NY-based filmmaker Leah Meyerhoff will be heading to Beantown to present a retrospective of her short films at the Brattle Theatre during the Boston Underground Film Festival. I had the great pleasure to hang out with Leah recently during the South by Southwest (SXSW) Film Festival in Austin, Texas. I first became familiar with Leah’s work at a screening of short films at the Brooklyn Independent Cinema Series last year where I saw the music video she directed, Team Queen. Soon after, I watched her Student Academy-Award nominated short Twitch, which has played in over 200 film festivals around the world and won numerous awards. Last night, I spoke with Leah about her upcoming trip to Boston and what people can expect there, as well as what’s going on with her feature film in development, Unicorns, and other defining moments in her young career. Leah finds a unicorn in the Enchanted Forest in Austin, Texas, at the Bi The Way World Premiere party during SXSW.TF ... " [More]
tadivtadiv Re:Re:Episode 15 and the rave o ...
by tadiv in The Naked Lunch radio show
loved it.
"Ricky -- It's good to read that you don't give out spoilers on the radio show. I find that most of my best film experiences are when I know nothing, or as little as possible, before seeing the film. I'm not sure about your comment "This film is not for everyone. Mostly for ..." - this implies that I must not be a film student or film maker, or, in a broader stroke of the brush, somehow unable to appreciate film as a form of art. I'm not sure I want to make any more comment on that...Regarding your remarks that defend your liking of the film...- Anderson being more mature as a film maker and artist has little to do with the quality of the film - this is not a stab at the quality of the film, I'm just making the logical argument that maturity does not imply a great film will be made. I have not followed Anderson's career, but reviewing his filmography, I have to say that I loved Punch-Drunk Love. I hope that this is not too much of a surprise (I loved Los ... " [More]
NakedLunchRadioShowNakedLunchRadioShow Re:Episode 15 and the rave over ...
by NakedLunchRadioShow in The Naked Lunch radio show
liked it.
"Frist I would just like to say that we never give out any spoilers of any movies that are less than a year old. I am glad that you went back and listened to the show again after you saw the film. Now for your answer. As I mentioned in the show. This film is not for everyone. Mostly for film students and film makers. Also I said that it is a film that will only really be appreciated by future generations. Even the early films by Stanley Kubrick were only considered masterpieces a decade later. A few points of why I like the film so much .. - The film marks a major advance for Anderson who reveals increased maturity and artistic assurance with this film. - Dano’s performance is outstanding. His confidence in his character’s truth is breathtaking. -The original music by Jonny Greenwood is fantastic. - There are good performances, and great performances, and then there are performances that so extraordinary that you can’t look away. Like Brando in A Streetca ... " [More]
jlgdrdjlgdrd Everyqueers : Luster
by jlgdrd in Wicked Fun
hasn't rated it.
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"Jackson (laughing): Tattoos are cool. But it takes a little more than that to turn me on. Derek: Really? “Turn me on?” See I’m talking about love.Jackson: Hey. I’m just a guy.Derek: Hey, I’m just a guy too.They kiss. The above exchange summarizes the key strength of Luster, Everett Lewis’ dry, not altogether unsuccessful comedy on queer attraction. The title is a double-entendre’ for one caught up in the pitch of desire and the gleam of their beloved. It is a wry parable on the dangers of “love at first sight.” All the key characters are love victims, including our hero, Jackson, whose jolts of romantic epiphany are not reciprocated. Not for nothing is the music store milieu (ground zero for Luster) called “No Life.” Practically everyone is tortured by infatuation or poised for their one great, dangerous, ecstatic love to appear on the horizon. Luster doesn’t always work, but the moments when it does are splend ... " [More]
PuhnnerPuhnner Re: Hannibal Lecter vs Norman B ...
by Puhnner in HORROR MOVIES 101
loved it.
"Very well put! How about Mr. Cox in L.I.E.; astonishing. He appears as the character he plays, not Cox. " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
A difficult, tricky subject is given thoughtful, droll treatment by terrific first-time writer/director Michael Cuesta in this funny, revealing look at the unlikely bond between an aging ex-Marine who happens to like very young boys and a deserted 15-year old who enters his life. Instead of reveling in smutty put-ons and generalizations about pedophilia and teenage rebellion, the movie looks deeper at the complexities of its highly intriguing male characters and becomes an acute study of behavior and loneliness. The film is successful mostly due to the superlative performances in the lead roles by Brian Cox and Paul Franklin Dano, both of whom inject emotional validity and uncommon depth into characters that could have been lazily conceived. Their relationship unfolds in a refreshing, naturalistic fashion, and until the hollow final scenes (which wrap the movie up far too neatly), it never hits a single false note in the execution. A fine feature debut, markedly better than many recent independents due to its sensitive portrait of troubled individuals, the film premiered at the 2001 Sundance Film Festival but took some time finding a distributor due to its strong subject matter and ratings board disputes. (The film received an NC-17 upon submission, which seems highly unwarranted.) ~ Jason Clark, All Movie Guide
 



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