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Hedwig and The Angry Inch
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Adapted from the hit off-Broadway musical of the same name is this tale of an "internationally ignored" rock & roll singer who hails from Communist Berlin and who dreams of becoming an American sensation. Hedwig (John Cameron Mitchell), born a boy named Hansel, is raised by a single mother (Alberta Watson) who wishes to see her son do better than his poverty-stricken family. Some years later, Hansel is attracted to a good-looking American G.I, who promises a better life overseas for young Hansel, under one condition: that he undergo a sex-change operation to become a fully functional female who he can then marry. The operation is seriously botched, leaving the now-renamed Hedwig with an "angry inch" only to be stranded in a dingy Kansas trailer park on the day the Berlin Wall comes tumbling down. Hedwig then supports herself through a series of ill-fated lounge gigs and side jobs, meeting up with 16-year old Tommy Gnosis (Michael Pitt), a religious type who befriends her and later steals her songs and becomes the rock star Hedwig always dreamed of being. Undeterred, Hedwig continues to perform in the shadow of Tommy's sold-out stadium tour, attempting to make herself whole in spirit, if not physically. The film features several songs by composer Stephen Trask, who also appears as a member of Hedwig's disinterested rock band; Miriam Shor portrays Hedwig's newfound love and back-up singer. ~ Jason Clark, All Movie Guide
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SpoutBlogSpoutBlog SXSW Review: Rainbow Around the ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Rock musicals about rock stars are almost as tiring as independent films about independent filmmakers. They’re too self-involved and too self-satisfying, and they typically have nothing for an objective viewer to grab hold of. But at least with rock musicals, if the audience can dig the music, they can maybe dig the movie, too. This has been the case, for me at least, with such films as Velvet Goldmine and Hedwig and the Angry Inch, neither of which I would have been so into were it not for their excellent glam rock soundtracks. And now the same goes for Rainbow Around the Sun, a neat little low-budget musical fantasy, which interestingly enough also has a touch of glam in its songs, about a very cliché band leader and his very cliché drinking problem and his very cliché story of heartbreak. Here, more than the songs, though, it’s the musical numbers, many of which work on their own as great music videos, that really kept me interested. That tired tale of the troubled, tortured art ... " [More]
KarinaKarina SXSW Preview: Rainbow Around Th ...
by Karina in Karina on SpoutBlog
hasn't rated it.
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"Rainbow Around the Sun-Full TrailerAdd to My Profile | More Videos Kevin Ely and Beau Leland’s Rainbow Around the Sun, a feature-length musical built around the songs of star Matthew Alvin Brown, is the rare non-doc to find a place on the 24 Beats Per Minute sidebar at the South By Southwest Film Festival. Kevin and Beau answer the 4 Questions We’re Asking Everyone below; as always, you can check out the trailer for the film above. Rainbow Around the Sun premieres this Saturday at 10pm at the Alamo South Lamar in Austin. Tell us about your movie. Who did you work with, why did you make it? Give us the reductive, 25-word or less, “It’s like [pop culture reference a] meets [pop culture reference b]!” pitch, then explain what the quick and dirty sell leaves out. Rainbow Around the Sun is a rock musical chronicling the fall and rise of a burned-out young musician with an overactive imagination. Whenever he is faced with an unpleasant reality, he retreats into madcap musical fantasies ... " [More]
SpoutBlogSpoutBlog SXSW Preview: Rainbow Around Th ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"Rainbow Around the Sun-Full TrailerAdd to My Profile | More Videos Kevin Ely and Beau Leland’s Rainbow Around the Sun, a feature-length musical built around the songs of star Matthew Alvin Brown, is the rare non-doc to find a place on the 24 Beats Per Minute sidebar at the South By Southwest Film Festival. Kevin and Beau answer the 4 Questions We’re Asking Everyone below; as always, you can check out the trailer for the film above. Rainbow Around the Sun premieres this Saturday at 10pm at the Alamo South Lamar in Austin. Tell us about your movie. Who did you work with, why did you make it? Give us the reductive, 25-word or less, “It’s like [pop culture reference a] meets [pop culture reference b]!” pitch, then explain what the quick and dirty sell leaves out. Rainbow Around the Sun is a rock musical chronicling the fall and rise of a burned-out young musician with an overactive imagination. Whenever he is faced with an unpleasant reality, he retreats into madcap musical fantasies ... " [More]
tmoneytmoney Top Five Movies About Music
by tmoney in Top 5
liked it.
"This category can be music documentaries, musicals, performance films, movies about the music industry (please no one say empire records PLEASE.) 1. Once - I cannot say/blog enough good things about this special special film. It is so lovely and heartbreaking. Watch it. I am not a Frames fan, but the melodramatic rock is perfect for this kind of movie. 2. Spinal Tap - yeah yeah kind of obvious, but it IS great. 3. Hedwig and the Angry Inch -one of my favorite musicals, and my favorite rock opera definitely.4. The Devil and Daniel Johnston - Not my favorite of musicians by far (i mean how much Daniel Johnston can one listen to?), but this is probably my favorite music documentary. 5. Amadeus - it has been years since i've seen this but as i recall it is an amazing film. I love music. i love films. enlighten me. " [More]
glowbuggglowbugg Where can I get one of those wi ...
by glowbugg in glowbugg ramblings
loved it.
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"I loved this film! I usually dislike musicals that are on film, but I didn't pigeonhole this one as a musical, so much as a sing-a-long. John Cameron Mitchell did a fantastic job both musically and acting. I fell in love with the character (and his make-up applying abilities) right from the start. I was a bit confounded by his bandmate who appeared to be male, but sang and looked like a chick with a five o'clock shadow, but that just lent to the quirkiness of the whole film. The soundtrack is brilliant and I watch this film at least once every couple of months or so. Hilariously heartbreaking from beginning to end. " [More]
unemployedwaifunemployedwaif Queer Musicians + Film = ?
by unemployedwaif in Queer Cinema
loved it.
"The addition of our talented new member nathan503 got me to thinking about representations of queer musicians and how they are portrayed and/or their music is used in film.For me, at least what is coming to mind at this moment, are the glam rockers; specifically Todd Haynes' Velvet Goldmine and John Cameron Mitchell's Hedwig and the Angry Inch. Both films are written and directed by gay men about queer musicians and miraculously succeed at telling poignant, engaging stories that don't fall victim to the abundance of stereotypical cliches that so many others do.Within recent years, a number of films have begun to delve into the lives of rather famous musicians of the past whose queer sensibilities have only recently come to light. Irwin Winkler's De-Lovely which chronicles the life of Cole Porter, and Atom Egoyan's Where The Truth Lies. Unfortunately, due to the (homophobic) powers that be, the films tended to skim the surface of this aspect of their lives and ul ... " [More]
animerionanimerion Angry "Inch," not &qu ...
by animerion in Movie Musings
loved it.
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"Plato had an explanation for the reason why love exists not only between man and woman, but also homosexuality. Initially, there were three sexes, the sun (men), the earth (women) and the moon (a hybrid of men and women). These beings were like two people in one, occupying the same body and facing opposing directions. Due their growing insolence, the gods cut them in half. According to this theory, love is in a way, the parts becoming whole, the two halves finding each other and becoming one yet again. I think this concept of love is an intriguing one and makes sense. Instead of find something as ambiguous as a soulmate or something of the like, you are finding someone that compliments you in one way or another to complete the whole.As I could discuss this topic in more detail, this is a movie review and not thesis on mythology, but as a basis of the story for Hedwig and the Angry Inch. Musicals are something that I am very hit or miss about. One thing I really like about about mus ... " [More]
patchespatches Hedwig and The Angry Inch
by patches in Litter Box blog
liked it.
Was this review helpful? [Be the first to tell us!]
"Originally a cult performance in the meat-packing district in NY, this film is raw. Hedwig brings fascinating characters, great music, and surprising performances to the table. I watched this film three times in a row after we bought it... got the soundtrack and watched all of the extras that same week. I got a few others to watch it too, but all seemed confused about my (at that time...) infatuation. There are these angsty animated illustrations that bridge Hedwig's love life, child hood and singing professional life together. The extras on the dvd are pretty fresh as well. It's not something to watch with others who are opposed with homosexuality, sex changes, cross-dressing, modern love tales, and rock-operas but who watches cool movies with people like that anyhow? Think Rocky-Horror Picture Show meets... I dunno, Say Anything?... I'm stretching there... watching this one with like-minded people. " [More]
Review by All Movie Guide
All Movie Guide
liked it.
A mixed-bag effort to translate John Cameron Mitchell and Stephen Trask's ambitious rock musical to the screen, this remains a worthwhile movie experience on any account, successfully opening up its heartfelt, often sad account of an "internationally ignored" rock singer suffering from a botched sex change operation. Mitchell's fierce, hypnotic performance is as indelible on film as it was on stage -- fearful, hilarious and moving. His direction is a bit less remarkable, as the movie offers much to look at, but little of it comes through in quite the same way as the music. The filmmakers too often literalize what should be expressed musically, which robs the viewer of some of the discoveries that might have made the film more successful. A few stretches sag as well, but the movie springs to life the most in its final reel -- when the title character takes on a young protégé (a quietly effective Michael Pitt) -- even if it fails to fully reach its emotional mark. Audiences at the 2001 Sundance Film Festival clearly found Hedwig refreshing: it won the Audience Award as well as a Grand Jury directing prize for Mitchell. ~ Jason Clark, All Movie Guide
 



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