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Directed by Francis Veber.
While there are plenty of stories about gay men who have pretended to be straight for the sake of their careers, this tart comedy from France considers the dilemma of a straight man doing just the opposite. Francois Pignon (Daniel Auteuil) is an accountant whose personality is bland to the point of being nonexistent; he's been down in the dumps ever since his wife left him two years ago, and he becomes even more depressed when he learns that his boss is planning on firing him after 20 years of loyal service. Francois is seriously considering suicide until his next-door neighbor Belone (Michel Aumont) comes up with a plan to save his career. Belone finds some photos snapped at an especially randy gay nightclub, and using his computer, he pastes Francois' face over that of one of the participants. He sends copies of the doctored picture to several of Francois' co-workers, and soon everyone at the office is convinced the quiet little man has a flamboyant secret life. The firm's CEO, Kopel (Jean Rochefort), now has second thoughts about firing Francois, since letting an employee go who is known to be gay could invite a sexual discrimination suit. Meanwhile, the firm's public relations man, Guillaume (Thierry Lhermitte), is dealing with Felix (Gérard Depardieu), an employee relations executive who is well known as a narrow-minded thug. In order to counter charges that he's a rampant homophobe, Guillaume instructs Felix to make friends with Francois, and soon Felix is spending so much time with Francois (while fighting his own internal revulsion) that his wife wonders if he's seeing another woman. Le Placard was writer and director Francis Veber's first film after his international hit Le Diner de Cons -- in which the leading character was also named Francois Pignon. ~ Mark Deming, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
A mostly agreeable farce buoyed by the considerable talents of its stars, Le Placard is best when it is content to be a mild send-up of the modern workplace. The plot is slight and has a nasty streak that is both refreshing and occasionally jarring. The main reason it comes off well at all is the endearing, highly sympathetic lead performance by Daniel Auteuil, who never succumbs to the silliness of the screenplay, instead making his sad-sack accountant a real person. Gérard Depardieu is also effective, nicely sending up his own screen persona and wisely never begging for adorability while playing a mostly unlikable character. The film isn't terribly memorable, but it is sure to be markedly better than the American remake it will most likely receive. ~ Jason Clark, All Movie Guide
 



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