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An Everlasting Piece
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Directed by Barry Levinson.
Director Barry Levinson attempts to repeat the success of several recent, low-budget British imports such as The Full Monty (1997), Waking Ned Devine (1998), and Saving Grace (2000) with this comedy about a pair of prison barbers trying to make a success of a hairpiece business in Northern Ireland. Colm (Barry McEvoy), a Catholic, and George (Brian F. O'Byrne), a Protestant, are friends who toil away in a lackluster job cutting the hair of convicts in a prison for the insane where Colm's girlfriend Bronagh (Anna Friel) also works. When the two lads hear of a prisoner nicknamed The Scalper (Billy Connolly), they learn that he was the only seller of hairpieces in the country, and decide to begin crafting their own toupees for sale as a way to start their own business. As they ply their wares through the war-torn country, the friends are not above using their respective religions to make sales, but competition soon arrives in the form of Toupee or Not Toupee, a rival company, and a race to be the first outfit to sell 30 units quickly ensues. Politics, business, and religious beliefs soon intersect to cause big trouble for both men. Actor McEvoy also wrote the script for An Everlasting Piece, loosely basing his character on his real-life father. ~ Karl Williams, All Movie Guide
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JimBellJimBell An Everlasting Piece
by JimBell in JimBell Blog
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"Even though An Everlasting Piece (2000) is set in Northern Ireland instead of Baltimore, it is a quintessential Barry Levinson film—that is, it addresses serious issues humorously. Barry Levinson should be, but doesn’t seem to be, recognized as a leading director. Not because of his Oscar nominations for Bugsy, Avalon, Diner, And Justice for All, and Rain Man (win), but because he often tries to present substantial social concerns with a light-hearted touch. Consider, for example, Levinson’s film before An Everlasting Piece, Liberty Heights (1999). Levinson wrote the screenplay for the film because what he considered an anti-Semitic comment regarding one of his films made him very “angry.” The resulting script about diverse ethnic groups in Baltimore in 1954 was funny enough that when producer Paula Weinstein read it on a L.A. to N.Y. flight, she “was hysterical.” Maybe Barry Levinson isn’t recognized as a “leading” direc ... " [More]
 



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